Where Eagles Dare

My highest praise is reserved for films that, with little ornamentation or pretense, accomplish their task. "Where Eagles Dare" does so with few one liners and special effects that are a part but not an overwhelming part of the script. In other words, there is little or no room for gratuitousness in this picture.

It is interesting to see Richard Burton in a role that demands little or no dialogue, especially considering this is a man who has rendered dialogue most exquisitely beautiful by the particular lilt of his voice. In this role he is frank and only speaks when necessary, therefore, seeing as how most of this film is action, he says very little. Some purists would fault Burton for taking a role that seems devoid of the usual acting challenges he appeared to enjoy attacking early in his career, but I disagree. This film is a departure from the normal Burton "oeuvre" and yet he does pull of the role of Major Smith convincingly. One does not expect this man to be either audacious nor flamboyant and Burton, whose very presence suggests a call for histrionics, executes this role quietly.

Now it is well known that Burton was not seeking a challenge by taking on this project, his primary concern was revamping his potency in the box-office by staring in a blockbuster. And he got it. But we cannot fault him for that because he possessed the facility as an actor to pull it off. Burton could be both a dramatic performer and a daring sex symbol. Besides, standing alongside a veritable "tough-guy" like Eastwood, Burton needed to be able to hold his end up because the movie going audience had already identified Eastwood as the quintessential tough guy. Had Burton not been up to the task, this film would not have been a success.

The script is entertaining and has a few notable twists in it, a testament to the skill of screenwriter and adventure novelist Alistair MacClain. Character development is not of particular importance in this story and yet one does come away with a palpable sense of Major Smith, a fact that I again acknowledge is the handywork of Burton, whose presence is auspicious regardless of his role. Overall, this film appears to be able to balance the rhythmic quietude of action while interjecting enough personal flair to make the film memorable and not another futile exercise in on-screen action and viewer instant gratification/escapism. This movie is one of the best in its genre and is worth a good viewing.

It's fictional, as were Alistair MacLean's other great war stories, but what's unique about Where Eagles Dare is that he also wrote the screenplay (in fact prior to writing the novel). Along with director Brian G Hutton, he created the basis of a two and a half hour+ movie which fairly hums along, not just because of the plentiful action scenes, but because of the intriguing plot line, that just keeps unfolding right up to the last couple of onscreen minutes.

We are literally dropped into the action, along with the British/American extraction team shortly after the opening credits. There is only one brief flashback to sketch out the mission details for us, so we gain more narrative information as the movie timeline progresses, just as Clint Eastwood's Lt Schaffer does. Speaking of Eastwood, this was one of 3 films released in 1968, he had major roles in, that really consolidated his accession to the Hollywood "A" list, after he'd made a name for himself in European films. Sharing the lead with Richard Burton was a successful marriage of convenience, as one can't quite imagine Clint pulling off the longish, but necessary expository scenes, such as that around the fire in the Nazi drawing room, quite as well as Burton's Major Smith. That sort of stuff was second nature to the Shakespearian - trained Burton, whilst Eastwood contentedly added to his taciturn, but quietly threatening onscreen persona.

The trademark MacLean twists come thick and fast in the second half of the film, as does the action which ramps up quite a deal, culminating in the extended escape episode from the Schloß Adler, a mountaintop fortress accessible only by cable car or helicopter. And the onscreen action and tensity is only enhanced by Ron Goodwin's well-known soundtrack.

Where Eagles Dare and his follow-up film Kelly's Heroes are the two war films for undoubtedly which director Hutton is most famous. Besides both involving a collaboration with Clint Eastwood, they are generally recognised as being popular modern classics of the genre. Though not necessarily artistically great, they have great entertainment value, which 50 years of time passing, hasn't affected in the least. Definitely worth a look!

Clearly one of the best of its genre, Where Eagles Dare, comes across as a powerful espionage drama with a high dose of adrenealin. Although the screenplay is quite convoluted, it is extremely engrossing and keeps the viewer on the toes. In fact the intertwined storyline adds to the vigor and vitality of the film. Its like a guessing game which the director plays with the audience.

Richard Burton charts out of his usual epic and sensitive roles and dons on the mantle of a tough Major. He is ably supported by Clint Eastwood who is impeccable in his little speaking role of of Lt. Schhaffer.

The cinematography and background score catapults the film to new heights. The title music is haunting and remains with you hours after you finishing watching the film.

I feel that maybe a little more deft editing would have enabled the film to be labled as a classic.

Perhaps one of the best war films ever to come out of Hollywood, WED, is typical Boys-Own, escapist adventure, where our heroes (Burton, Eastwood et al) can do no wrong and the action comes thick and fast.

But this isn't total mindless violence (see Rambo 2, for that kind of rubbish). WED does have a decent story and nice little plot twists, that although not totally plausible do make the film a bit more thought-provoking than just watching 148 minutes of gun fire, explosions, decapitations and soldiers being thrown off cable cars at great altitude.

Even though both Eastwood & Burton hog most of the show (and rightly so), they are ably supporting by two women (Mary Ure & Ingrid Pitt). Both women don't have chunky roles but its significant to see any females play such positive parts in what is mostly a male arena when it comes to war films.

Some of the photography is absolutely stunning even though some of the stunts are clearly filmed in the relative safety of a studio, and it shows too!

The acting, although not as po-faced, talky & self-righteous as the film's nearest rival, The Guns Of Navarone (see review), is good by most standards. Burton looks perhaps little old for this kind of all-out hero roll, but he manages to pull it off with his fierce determination and calm disposition.

As for Eastwood, well it meant a uniformed departure from his poncho, gun holster & cowboy hat from his day with Sergio Leone. He is still playing the same kind of character as The Man With No Name, and is still killing hundreds of bad guys while looking suitably cool & reserved, the only difference is the era - from the Wild West to WW2.

But surprisingly the combination of Burton's classical approach to acting & Eastwood's brash new-kid-on-the block 60s adaption works quite well and make for a good partnership as they go about kicking German Butt in their usual inimitable ways.

Brian Hutton's direction follows the pace & temperament of Alistair MacLean's sparkly screenplay although I do feel the film is a tad too long and I think about 15 minutes could've been cut without really upsetting the balance of the story.

WED doesn't challenge the brain, it is thought-provoking in its own little ways and probably bares little or no resemblance to how life was really like during the real WW2. But for all that WED is great entertainment. It doesn't insult the intelligence but then again it was never meant to. But what we are left with is a very enjoyable romp with a great cast and superb scenary.

It doesn't take itself too seriously as Guns Of Navarone does; and neither is it just mindless violence (Rambo 2). This film dares to be different and succeeds in spades.

Recommended.

***/*****

This is one of the first real action movies as we know it today, ever made. The movie has lots of explosions and gun- and fist fights. The story is told in a fast pace with lots of cuts, even though the movie itself isn't short at all (158 minutes.).

Even though it is still a war movie, this movie isn't as heavy and or serious as many other WW II movies made in the same period. It is kind of in the same style as "The Guns of Navarone" (Also written by Alistair MacLean.). It's more is adventurous and fun to watch than heavy or realistic. Director Brian G. Hutton later also made the other 'fun'/adventurous/WW II movie "Kelly's Heroes".

Another element that distinct this movie from other movies from the same genre is the story. The story by famous writer Alistair MacLean is just brilliant! It begins as an average WW II rescue-mission movie but as the movie progresses the story takes several twists, until at a certain point you don't even know who to thrust anymore. The ending is really action-movie-like spectacular and features a tense fight an a moving cable-car followed by the perhaps even better car chase, which really reminded of the chase were Indy and his father are escaping the Nazi's on the motorcycle, in "Indiana Jones and the Last Crusade" Even the music sounded kind of similar! I wouldn't be surprised if Spielberg and Williams were inspired by this movie. The same goes for many other movie directors and other persons in the movie business by the way. I see similarities between this movie with 'modern' work quite often, both in story and characters as well as the action, editing and many other elements from this movie. This really is an inspirational movie, that as an action movie, just like as for instance "North by Northwest", was far ahead of its time.

It was a bit strange to see Clint Eastwood in the sidekick role. The main character of the movie is played by the legendary Richard Burton. Both actors really push this movie to an higher level with their profession and expertise and both are very believable in their roles.

An entertaining, action packed adventurous war movie with a splendid story and two wonderful performances from the two main actors.

10/10

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