The Mary Tyler Moore Show

As i am writing this review (February of 2011), i have been watching all the episodes of the MTM show nonstop actually for some time now although i m just midway through season 5. I live in Greece and although we do love our US TV shows here too, Mary Tyler Moore was not exactly our icon through the 70's especially if you consider all the problems my country was going through at least up to 1974. I m 31 now (born in 79), and i ve known of MTM for quite some time and was always aware of the show and had heard from a lot of American friends and the web of course that the specific show was somewhat of a TV legend or a "sacred cow" especially for the people who watched it while it was on the air, and you know what?? I couldn't agree with them more! I LOVE THIS SHOW! i cannot find one thing that i don't like no matter how hard i try. i ve been laughing or at least smiling nonstop for 5 seasons now something that has happened (to me at least) only with a couple of shows p.e. Friends, Will and Grace. The feel of it, the look, the theme song, the opening credits, the characters, the actors (OMG!), and of course the writing. Quick, sharp, very very funny and with some subtext in a lot of cases considering the era! One thought that has occurred to me is that Mary Tyler Moore is the least egocentric actress in her or any other lifetime. I ve never seen an actress as famous as her, with her own show by the way, that didn't at some point sooner or later become obnoxious or cocky or have the writing serve her look or status. (God bless her but Lucille Ball take a bow!) Concluding i would like to say that it is incredible for a show to stand the merciless test of time (40 years!), and in 2011 i m proud to say that i d watch reruns of the MTM show any day than spend time watching some trash reality show about putting your hand in a box of cockroaches with order to win money. and you know what? i might just make it after all !

The backstory: Mary Richards moves to Minneapolis, MN, specifically into an apartment with a sunken in living room. She applies for a job at a local television newsroom with high aspirations. The show not only deals with situation comedy, but with how a woman could "make it after all" in a male dominated workforce. Mary becomes close with her newsroom family, from tough-love boss Lou Grant to bumbling news anchorman Ted Baxter. She also deals with wacky neighbor Phyllis and of course, wise cracking Rhoda. The show is great because you care about all the characters and while funny, it can still deliver a strong message. Truly one of the best shows on television.

As a 25-year-old woman, it's a shame that the so-called "feminist icons" of my day have been klutzy, man-hungry ninny Ally McBeal and tabloid wench Paris Hilton. I've really come to envy women who had real feminist heroes, real or fictional, such as Gloria Steinem, Bea Arthur as "Maude", and, of course, Mary Tyler Moore as Mary Richards. "The Mary Tyler Moore Show" isn't just an excellent sitcom with perfectly realized characters, but it featured an imperfect but winning heroine that any woman could look up to. Mary was a sweet-natured thirty-something who alternated between being high-strung and confident. She happily lived alone and had a loyal gal pal in smart mouthed New Yorker Rhoda (the incomparable Valerie Harper). Mary also was an associate TV producer at the low-rated WJM news network, where she had the respect of her male co-workers, including her arch-conservative boss Lou Grant (Ed Asner), wisecracking but tender-hearted work buddy Murray Slaugher (Gavin McLeod), and buffoonish anchorman Ted Baxter (Ted Knight). Not that everyone loved Mary... she constantly had to deal with her insufferable, overbearingly perky landlady Phyllis (Cloris Leachman). When Phyllis was written out of the show, WJM's "Happy Homemaker" Sue Ann Nivens (flawless Betty White) replaced her as Mary's foil. Passive-aggressive and sex-starved, Sue Ann was a hilarious combination of Blanche from "The Golden Girls" and Harriet Nelson. Best of all, the show had running gags that somehow never went stale: Mary's tendency to attract the wrong men, her disastrous dinner parties, Ted's slips of the tongue on the air, Lou's annoyance at being the lowest-rated TV network, and Rhoda's quest for the perfect husband. An addictive show that didn't wear out its welcome in its seven year run, "MTM" is a shining example of great writing, fully developed characters, and perfect casting that has never been equaled. It was a show with spunk... we need spunk!

Right up there with the Dick Van Dyke show, in fact directed by some of the same people, this is another great sitcom. It seems they come along once a decade or so, and this is definitely a great one. Mary Tyler Moore is the newly liberated woman at work, dealing with all the same sexist stuff she dealt with in 1961 on the Dick Van Dyke show, but in a totally different way. The supporting cast is marvelous, from Ed Asner to Valerie Harper (as 'Rhoda') to the irrepressible Ted Knight as the vain news anchor. Hysterical stuff.

This was my favorite show of the 1970s. I loved this series from the first time I saw it in 1970. This was a show that had it all. Humor, pathos, great scripts and great direction. The initial cast was one of the best in television history. Along with incomparable Mary we had Valerie Harper, Gavin MacLeod, Ted Knight, Ed Asner and Cloris Leachman. Each one of these performers put a unique spin on characters which were allowed to be three-dimensional and grow. After a few seasons, when several of the main characters were spun-off into their own series, new characters, such as Georgette and Sue-Ann were introduced. Geogia Engel as Georgette was sweet and adorable, and Betty White, as memorable man-trap Sue-Ann were marvelous in their parts. A true classic that bears multiple viewings.