Bloodthirsty Butchers

BLOODTHIRSTY BUTCHERS is another vapid mess of a film by cult director Andy Milligan, a guy whose films take amateur to a new, low level. This one's as cheap and inept as the rest of his oeuvre and the only interesting thing about it is that it was shot in London for an extra level of authenticity.

Sadly as a film this is a complete mess not to mention a travesty of film-making. It's a near-plot less effort in which various characters converse and romance each other for almost the entire running time. Occasionally some gore scenes are spliced into the mix and these consist of blood with the same consistency as ketchup and some rubber body parts being amputated. There is a plot twist of sorts at the climax but that's the only real incident here.

The entire cast is amateurish and seems to have been picked from a local amateur theatrics group. Certainly they're wooden and awkward in front of the camera although the dialogue they're being asked to deliver is about as mind-numbing as you'd expect. Milligan has cast a couple of attractive young starlets but his level of interest goes no further; they may look the part but as soon as they open their mouths the realism disappears. BLOODTHIRSTY BUTCHERS is another dog of a film from this director and only die-hard bad movie lovers are likely to enjoy it.

This is awful, you just could't believe it. The score is annoying, the filming is bad, for example, sometimes you see the shadow of the cameraman appearing on some actors faces. The quality of the movie is ultra bad, seems like it was made in the 20ies. It's terrible. There is a bit of blood in the beginning and through the movie but always too dark filmed. No gore no effects. The director made some better one like Blood Rites. But out there there is a following of the man, 'cause searching to find this cheap flick isn't that hard but you have to pay hard earned cash for it. Surely this will get in my top ten of worst horrormovies ever, I don't know if I would call it horror. There is too much talking, you will get bloodthirsty after watching it

Bloodthirsty Butcher (1970) is a UK film 🇬🇧 that I recently watched on a free trial of Full Moon on Prime. The storyline revolves around the infamous barber, Sweeney Todd, who kills his victims, serves their meat in pies, and makes a killing in London. But can anyone stop his reign of terror?

Directed by Andy Milligan (Carnage), the film stars John Miranda (Innerspace), Annabella Wood (The House That Vanished), Berwick Kaler (A Knight's Tale), and Jane Hilary (Summer Wishes, Winter Dreams).

This is another low-budget film, and it certainly feels like it. The movie starts off with a promising introduction to Sweeney Todd, including an entertaining kill, but it quickly falls apart once the acting and dialogue come into play. Todd's character is more annoying and awkward than creepy or cunning, which diminishes the impact of the story. His attempts at womanizing feel forced and unconvincing. The long sex scenes are oddly paired with a Disney-like soundtrack that clashes with the content, further detracting from the film. Unfortunately, there isn't much positive to say about this film, aside from its cool poster.

In conclusion, Bloodthirsty Butcher is a rare take on the Sweeney Todd tale that I would recommend skipping. I'd score it a 3.5-4/10.

Bloodthirsty Butchers is z-grade horror director Andy Milligan's version of Sweeney Todd, The Demon Barber of Fleet Street. Working on an extremely small budget, Milligan unwisely attempts to recreate the look and feel of Victorian England and, rather unsurprisingly, fails on almost every level, with particularly unconvincing production design, the film boasting patently fake shop facades and completely unauthentic costumery (did Milligan actually research the era or did he just go with what he imagined it was like?).

The film stars Annabella Wood as Johanna Jeffrey, assistant in the bakery run by Maggie Lovett (Jane Hilary), who gets the delicious filling for her meat pies from barber Sweeney Todd, who kills customers with his cut-throat razor. Johanna is planning to quit her job to marry her fiancé Jarvis (Michael Cox), but is unaware of the murder and mayhem that surrounds her, at least until Jarvis falls victim to the evil Mr. Todd.

Weighed down by interminable scenes of dreadful dialogue, and suffering from hopelessly amateurish direction, the film is yet another test of one's resolve from the always awful Milligan, making it through to the end being a challenge for even the most hardened of horror fans. Along the way, we are treated to just a smattering of nudity (from Susan Cassidy, as songstress Anna, who is having an affair with Sweeney), some terrible gore (rubber appendages are hacked off and there's an unconvincing meat cleaver in the head effect), and the unforgettable sight of a severed breast in a pie, all of which just about saves the film from earning the absolute minimum rating possible.

Ooof! The Demon Barber of Fleet Street (John Miranda) lets you know his business right away as he cuts a man's throat in the first three minutes (he pulls a towel over the victim's face and the guy reacts as if he is being pulled back, despite his attacker letting go at one point). Sweeney pockets the valuables and the rest goes into the meat pies of Mrs. Lovett (Jane Hilary). Things get complicated when good girl shop worker Johanna (Annabella Wood) wonders where her boyfriend disappeared to. Good God! Only Andy Milligan could drag down the exploitation material found in the Todd story. You know what the other adaptations of that Penny Dreadful were missing? How about looooong scenes of people talking and talking and talking. To be fair, there is about a minute of pretty good stuff in here, mostly coming from some meat cleaver attacks. Milligan recreates the 19th century about as well as I can waltz and I'm pretty sure one scene has a shot of a modern era heater in the back and light switches. Miranda's Sweeney looks like a cross between Abraham Lincoln and Bowzer from Sha Na Na, but he is, surprisingly, a decent actor. The rest of the cast is there, local theater English accents and all. Look for "fortnight" to be said twice within the first ten minutes.