The Wizard of Gore

In a role for which the filmmakers were originally hoping to get Vincent Price, Ray Sager dominates the proceedings for "The Wizard of Gore". A stock company player for gore master Herschell Gordon Lewis, Sager was the last minute choice to play the title role. Montag the Magnificent is an illusionist who hypnotizes pretty female members of his audience into participating in elaborate gags. (Sword swallowing, being punch pressed, chain sawed in half, etc.) They seem to be fine after the performances, but hours later, they suffer horrible and fatal wounds. Inquiring journalist Jack (Wayne Ratay) and his TV host girlfriend Sherry (Judy Cler) decide to investigate the illusionist.

"The Wizard of Gore" has got to be one of HGLs' all time grisliest exercises in sadism. He really seems to take a perverse delight in having Montag run his hands through the pulpy innards of his volunteers. The gore is pretty tacky, but there's just so damn much of it that it's sure to amuse lovers of cinematic violence. As for the movie itself, there's not really that much going on, but at least HGL and his screenwriter, Allen Kahn, prevent this from being purely ordinary shenanigans by injecting a healthy dose of strangeness and surrealism. They definitely push the whole "what is reality and what is illusion" idea, which is brought home by the denouement.

The main drawing card is Sager, who exhibits a welcome theatricality. Judging by his work here, he could have easily had more leading roles, even if only in HGL movies. The rest of the acting is no more than passable, but it doesn't leave one rolling their eyes quite as much as the acting in some of HGLs' other works.

If one wants to see Lewis at his gory best, "Blood Feast" and "Two Thousand Maniacs!" are a safer bet. This one is dragged out much too long.

Six out of 10.

Some say the Wizard of Gore is one of HG Lewis' weaker flicks, but I must disagree. Blood Feast may have been more ground-breaking and unintentionally hilarious, but W.O.G. stands up fine against that movie and any of his other gore films. There is a certain cheesy charm to Lewis movies, no matter if they are skin flicks, gore flicks, or even kiddie flicks. In this movie, the wonderfully hammy Ray Sager plays the Wizard and his main occupation seems to be delivering quasi-fascistic prattle to audiences with mutton chop sideburns, interspersed with running his fingers through the tomato-sauce covered animal organs that erupt from his victims, all to the audience's delight. There is some weak storyline involving an independent woman reporter and her well-tanned boyfriend, who try to solve the mystery of the Wizard, the fools. However, this is pretty much just window dressing for the 5-6 gory scenes of the Wizard doing his thing. In particular, there is an eyeball poking and manipulating scene that would have done Lucio Fulci proud. And please don't forget the awesome furniture and late 60's bourgeois home furnishings and polyester pantsuits that make all of these late 60's films look like "Barbarella" by todays standards. If anything, you have to love the fact that there was actually a time in this country where you could make a movie like this and it would be distributed. Thinking about the time period when Lewis was doing his thing and the way he was doing it is enough to blow your mind even more than his movies. If you haven't checked them out, you are doing yourself a disservice!

Utter madness from HGL and probably his most accessible and entertaining film. The central premise is brilliant - someone should remake it - but all the weird subplots and scenes all add to the deranged atmosphere.

The gore is pretty nastier and a definite progression from A Taste Of Blood and The Gruesome Twosome. The "eyeball" scene really surprised and shocked me because for once the effects are reasonably convincing. But it's Ray Sager's pompous portrayal of Montag that is the most appealing aspect for fans of kitsch and the ending is a genuine eyebrow raiser. Questions of existentialism and hardcore gore? It's all here. You will, at some points, question your sanity. That is, of course, if we're not all a figment of someone's imagination. Indeed, are you in fact sitting reading this review now? Or are you actually at home, asleep, dreaming that you are here? Aaaaagh!

While its strange, mystical sense of suspense aids it, this movie is pretty mediocre in all other aspects, and yet I still find myself enjoying it. It's got terrible acting, bad picture quality and shaky, flawed transitions between scenes (and even stranger ones when it tries to demonstrate the Wizard's "power"), but it's still enjoyable. I wouldn't call this a horror movie so much as a strange combination of fantasy and gore, but it fits my Halloween bill well enough. The Wizard of Gore doesn't make a whole lot of sense, but then, like Phantasm, it isn't really supposed to.

There is a 2007 remake of this around, and I might just be inclined to check it out, to see what modern film-making could do for this little gem...

When I was a kid, I couldn't get enough of the Horror genre. Renting Horror flicks, on the weekend, from everywhere from Blockbuster to the smaller places like Video Warehouse. It wouldn't take too long to plow right through every Friday The 13th, every Elm Street, and yes, every watered-down Halloween disappointment, among countless others. Eventually, it would come to my attention that there is a whole other universe, an alternate universe, if you will, of Horror. I had discovered the wonderful world of vintage B-Horror. You know, stuff like Basket Case, Messiah Of Evil, and Burial Ground. Needless to say, it didn't take long to discover the ground-breakingly cheesy flicks of good ol' H.G. Lewis. Known mostly for his earlier stuff like Blood Feast and Two Thousand Maniacs, Herschell Lewis would later go on to make a movie that really stood out for me. One of the goriest, and might I add one of the least well-thought-out Exploitation flicks of the 70's. This is The Wizard Of Gore.

I sure am glad I like gore, because magicians are kinda lame. And if nothing else, this 1970 gore-epic teaches us this. If you like 'em unrealistic and confusing, then I assure you, you will approve of this lame-brained story, which involves, you guessed it, a magician. Montag The Magnificent. Played by Ray Sager, a man 30 years younger than what the role calls for. No problem. Nothing a little white spray-paint and fake-looking, uneven white eyebrows can't fix. Ridiculous-looking eyebrows are the least of Montag's problems. Because this guy is rude, irritable, kinda loud, and just plain unpleasant. In other words, Montag is a real bummer. This old codger, who is clearly in a bad mood, spends the first 10 minutes of the movie explaining to everyone why his magic doesn't suck. None of that "saw a woman in half" stuff... Well, actually, that's exactly what's gonna happen. Except it's gonna be authentic, and gory as all hell. And basically, it's just gonna be real, except this chick just gets up and walks off unharmed. So, that's basically why Montag's magic doesn't suck. Montag, as a person, on the other hand does suck. because the "magic", or whatever takes hold later on in the evening, and said chick literally falls apart, in all her gory glory. No cgi here, gang. Just excessive, fake-looking gore, complemented by awkward, inept acting along with the usual stupid dialogue. It was beautiful, I tell you.

And might I add, the old, grainy VHS that I had originally seen this on was much more suitable for a movie such as this. The cleaned up pristine look of the screen totally ruins it, in my opinion. However, owning a movie you love on DVD is kind of necessary, considering all the cool little extras involved. The commentary being a good example of that. In the audio commentary, Herschell makes mention of his disdain for this film, which is funny considering he's the guy who made How To make A Doll and Blast-off Girls. And now this should be the part where I warn you of the evils of the remake, from a couple years ago. I could present my own separate rant, dedicated to my hatred for this film. Instead, I'm just gonna let you know that I only made it about a half an hour through, and let you make up your own mind. what a shame that Herschell's next film, The Gore Gore Girls would turn out to be his last for 3 decades. Herschell's long-awaited next project, Blood Feast 2 would end up 10, or hell, even 11 times gorier than anything he'd done before. As if things couldn't get any better, I would imagine a DVD release for Herschell's next film is right around the corner. So, if you happen to dig lewis, you may want to keep an eye out for The Uh-Oh Show!, starring Lloyd Kaufman, and the legendary Joel D. Wynkoop. But first things first. If you've seen Blood Feast and/or Two Thousand Maniacs, and you got the Lewis fever, The Wizard would be the next logical step. Passionately recommended to Gorehounds, young and old. 10/10