Going Home

I'm a big fan of Robert Mitchum and also of Jan-Michael Vincent, but I was disappointed with this father/son drama. The film has an interesting set-up, with Vincent reaching out to his recently paroled father, who had been put away for killing his wife, Vincent's mother, many years before. What doesn't work as well is that Vincent is such an unpleasant character and in terms of narrative seems like he should be the character the audience needs to want to follow and identify with. Mitchum is excellent as the father who is happy to help his son and to reconcile, but who avoids pushing himself on his son given his past actions. Vincent is an underrated actor, but this character is so damaged and hurtful that it makes the film an unpleasant experience. And it's not that I can't appreciate or enjoy challenging familial dramas, but they at least need to interesting characters or solid narrative, both of which this film lacked. Overall, this film was only made watchable thanks to a nuanced performance by Mitchum. Brenda Vaccaro, Sally Kirkland, and Josh Mostel appear in supporting roles and an uncredited Audrey Landers appears as a teenage Arby's customer.

It was made in seventies, early seventies, and that explains the way it was directed, played and written. Two decades later, it would have been different. Anyway, that did not interfere with the pleasure I had to spend time watching it. Robert Mitchum gives the portrait of an ambivalent character, a bit disturbing, in the father character, and not the ordinary father, not the good family man whom you could expect in a normal family. He killed his wife and years later his grown up son goes to find his father and get some explanation, talk to him...That's precisely at this point that the story comes interesting, gripping. An underrated film, I guess.

"Going Home" explores a potentially interesting premise: a child who witnessed his mother's murder at the hands of his father grows up and confronts his parolee father. Where this movie fails is in its execution, which becomes progressively more confused and convoluted often leaving the viewer unsure as to where a scene is actually taking place. Frustratingly, most of the lead characters, especially Jimmy, come across as erratic. Their behavior at times seems entirely unrealistic and whatever motivations they might have are never really explored.

About the only thing that saves this movie from a lower rating is Mitchum's characteristically strong performance considering the confused story and direction he has to contend with.

When Jimmy Graham (Jan Michael Viencent) was six years old he witnessed the aftermath of his father, Harry Graham (Robert Mitchum), murdering his mother. He was forced to testify against his dad, and after his conviction he was passed around between foster homes and boys' schools. Thirteen years later, and Jimmy Graham is a kid with a mighty case of PTSD, a chip on his shoulder, and a case of smoldering anger against his dad.

When Jimmy makes one of his infrequent trips to the prison, he discovers that dad was paroled months ago and didn't bother to get in touch with him and tell him he is out. He looks dad up and sees dad is getting on with his life - living in a trailer park, working as a mechanic, he even has a steady girl. Not that Harry seems to know what to do with their relationship. He alternately acts friendly towards his son and then out of the blue rejects him. At least, though, we have some of that Mitchum laconic coolness on display where I get some idea of where he is coming from.

Jimmy, however, has as close to a resting b**ch face that a man can have, and wanders around mute and behaving largely in a passive aggressive fashion. Sometimes he acts like he wants to get close to dad, other times he is complaining to the parole board about the fact that Harry is even out, another time he scratches a BEWARE OF HARRY GRAHAM message on the men's room wall. Towards the end, however, Jimmy does a deed so foul that no amount of childhood trauma can excuse it. At that point I just wanted Mitchum to show up and go all Cape Fear on this unlikable person.

The editing is not great either. Jimmy seems to have no life at all when he decides to decamp and go meddle in dad's life. Yet at the end of the film he shows up at some house of ill repute where people see him and say "Quitters are not welcome!". Jimmy calls his dad and tells him where he is, and dad says emphatically "I told you never to go back to that house!" and feels so strongly about it he has to go drive over and get him. What is this house? Until these scenes it has not been shown and I have no idea what it is doing in this film.

The 3 stars are for Mitchum, who is a presence even in a bad film with a bad script and bad editing.

Underrated, little-seen melodrama got shelved in the early 1970s after a limited run. Too bad, it gives Robert Mitchum a fantastic role as parolee who served time for killing his wife. The movie follows his release and eventual reconnection with his estranged teenage son, who as a child witnessed his mother's death. Jan-Michael Vincent is very good as the kid with the tangled feelings (curious about his father, but also angry and resentful); Brenda Vaccaro is terrific as a new woman in Mitchum's life (it's possibly Vaccaro's finest hour). The wife's death, seen in flashback, is tastefully handled by director Herbert B. Leonard, who gets some wrenching scenes out of his cast. A low-keyed, affecting gem about conflicted human emotions. ***1/2 from ****