Land of Silence and Darkness

What a beautiful film this is.

I saw it many years ago and it holds up on a re-watch. What makes this different from other documentarians making a film on this subject is that Werner does not pity and patronize these people. Instead he is fascinated by them, he reveres and admires them and the unique perspective they have on life.

Their experience of consciousness itself is completely different from ours and in this wonderful humane film the great man shows the utmost respect for his subjects.

My only complaint is that Herzog doesn't narrate the film himself.

Only the great Werner Herzog could've made this film.

Story of Fini Straubinger who is "trapped" in her own body being both deaf and blind. Since the condition came on later in life she is able to speak and tells us what its like. We also watch as she goes around helping those like her. Communication is done via touching or writing on the hands. It becomes clear that the people in the film with this condition are trying to live full lives. An amazing film that shows us what its like not to be able to hear or see. Hopeful and yet unnerving-its not a state one really wants to contemplate having-its an important film since we see the world with a different set of eyes. Taking the matter even further Herzog and his crew also show us what its like for people born deaf and blind and how hard it is for them to even learn the basic things we take for granted. Moving. Haunting. Worth a look since it will make you reflect on how we get along.

Herzog's documentary is a stunning revelation of what it means to be human. When we first see the profoundly disabled people on the screen, we shy away from them, disturbed to consider that these creatures might be people like ourselves. But through the love of the woman whose work Herzog captures here, we discover them as precisely what they -- and we -- are: human brothers and sisters endowed by God with both the need for love and an unimpaired (despite physical handicaps) capacity to love. Watching this movie some 20 years ago, I found this remarkable film one of the most exhilarating cinematic experiences of my life (and I'm now 55 and a veteran of many, many movies, and this film retains its wondrous place in my memory), a testament to the unity of the universal human family told with the artist's -- Herzog's -- aesthetic objectivity, yet clearly giving voice to a passionate embrace and advocacy of life, no matter how physically disabled.

Land of Silence is a really great documentary, one of Herzog's best I must say. His other documentaries are a bit uneven, which his movies are not. But this one, as well as his recent "Little Dieter Needs to Fly", are amongst the most moving documentaries I've ever seen. And they are still unique, Werner Herzog's personal traits can be seen everywhere. The transcendent landscapes, pure human beings, humour, it's all there.

The text on the back cover explains the movie very well:

"Some who live in this land have learned to speak, though they communicate with each other by touch language: what they say comes from the most profound depths of human experience, and is often startingly beautiful and exiting. This is not a depressing movie at all. Neither is it a movie for voyeurs of the grotesque. As Anita Earle writes, 'It is, rather, a testament from another plane of existence'"

At some points in this movie I laughed. The camera often stays very long on lonely, depressing people who spend their days either sitting or lying down. But it wasn't meant to be comedy, it is a way for me to step back. It is a very 'close' picture, it really gets to you. You're thinking "Jesus", and you want to react. And still, it is an artwork.

Land of Silence and Darkness was Werner Herzog's first documentary. He still had a little bit of ways to go in terms of his style in a straightforward mode; the same year he made an experimental abstract documentary called Fata Morgana that showed him already a master of "directing landscapes" and getting a mood and setting that was unique. With LOS&D it's a little different- it's a little like the German equivalent of one of those touching documentaries that are on HBO every now and then. He's mostly there not to make any grand visual statements or ubiquitous metaphors, but to capture this insulated world where people survive against all obstacles. It's in the Herzog vein of thought and execution, of showing painfully human beings who've been unfortunately by no fault of their own into a fringe group where the act of communication has to be an obstacle itself, that the film is most powerful. Fini Straubinger is one of those gentle, courageous souls that deserves to be shown more in film, and Herzog has her pegged as a good subject- someone who communicates to those who have none (dead-blind boys from birth who barely know how to swallow let alone learn the alphabet or 'good' or 'bad') all through hand-pointing.

While Herzog lays on the orchestral strings over scenes that could be silent themselves, the people speak volumes about how the spirit of humanity and the goodness of human beings can live on in the right circumstances. There's a subtext that Herzog reaches at well of the neglect the people have been served, of some people like the woman who used to use braille but forgot and are put wrongfully in sanitariums, when they could be in the right care functional up to a point in society. So there is that part that is a running theme in most of Herzog's work that's striking, the society at large with the stragglers, those that are just trying to keep up. And out of this he makes at least a few moments, without much interference, into little moments of documentary poetry, like the boy who is ambivalent but finally does go around in the pool and feels ecstatic about being under a shower. Or the simple composition of the young man who can barely eat a banana, but merely the slightest bit of work from Fini gets him reacting.

Wedging on the line between unsentimental and sentimental is a hard thing to do with a group like this, and on a first feature-length documentary Herzog tries and for the most part makes it a brave turn on a subject neglected and bright and moving. It makes sense he would say that this is the one film he's made in decades that he wants to be available most; ironically it is overshadowed by the more astounding (if more crowd-pleasing) work with Grizzly Man and Little Dieter. Even if it isn't a great film, it is a must-see, which is rare in documentary film.