Schlock

You won't see big stars or great acting performances in this production. It's not a masterpiece but it's cool because it parodies some famous movies. And, although silly, there are many funny scenes. The scene with the two twin girls and the puppy eating the cake, the scene when Schlock coming out of the cinema disgusted by the big crap with Steve McQueen called "The Blob", the scene when Schlock dismembers the red car, the scene with the boy who asks Schlock to take him to pee and, very funny, the scene when Schlock plays the piano with the blind man. Unfortunately, the ending is sad, beauty kills Schlock.

Low budget comedy that helped launch the careers of director John Landis and makeup artist Rick Baker. It parodies everything from King Kong to Dragnet to 2001: A Space Odyssey and more. Funny stuff but it does lose steam the longer it goes on. Still worth a watch especially for Landis fans. I would also recommend the many would-be filmmakers whose crappy iPhone-shot home movies dominate the internet today take a look at how a proper low budget (really no budget) indie film can be done.

This is a pretty simple review to write, if you like Monty python stuff, you'll like this movie. It's very surreal, but in the best way possible. I thought it was pretty funny, while not all of the jokes stuck, but you could easily say the same thing about Monty python. Give this gorilla film a chance if you like bizarre comedies!

John Landis's first movie may be as good as anything he made. "Schlock" falls in neatly with other 'progressive' US comedy movies of the early 70s, which kicked around genre conventions and added a new frankness in language and toilet humour to US film comedy vocabulary. (Others like this were sketch comedy flicks like Landis's "Kentucky Fried Movie"; plus the Mel Brooks and Woody Allen movies of around the same time).

What sets this one apart is its sustained comic atmosphere, which is goofy, laconic and giddy. Set-pieces - like the 2001 parody, the bar scene where the monster 'Schlock' observes a Jose Feliciano-like blind musician playing a piano boogie and ends up joining in, and a very funny scene where the allegedly fearful Schlock goes into a cinema to see a horror movie, and is terrified - all come off perfectly.

Some beautiful bits of background business too - the hippie in the background of the 2001 scene, just ignoring the portentous foreground action while eating his frozen custard is worth a look. This is just a really, really funny film.

I actually saw this in the theatre where they filmed the movie theatre sequence just a few months before. I think the movie was only out for about a week, but my buddies and I caught it twice! Even dragged our drama teacher to see it (he loved it).

This is the kind of high-school humor that was a carry over from the Three Stooges and is still going strong, but Landis was one of the first to bring it up to date.

I think they shot this in 16mm (it looks it) and the photography has all the depth of a Wilderness Family entry, but the laughs are very much there. And this had one of the most memorable ad campaign tag lines in history: "Due to the horrifying nature of this film, no one will be admitted."

It was also the only film I know of which had ads featuring a rave by Johnny Carson. It's low budget, but high yuks. I still remember it fondly (Hey, Landis, please return to your comic roots of the 70s and 80s; we don't need another Woody Allen).