Silent Running

Made in the wake of both 2001: A SPACE ODYSSEY (1968; the ultimate space opera) and EASY RIDER (1969; the era's biggest 'sleeper' hit), SILENT RUNNING was given the go-ahead by the executives at Universal – in an attempt to recapture the momentum of those two films – who even allowed special-effects wizard Douglas Trumbull to make his directorial debut, and this with unprecedented artistic freedom.

The film is a visual treat, featuring marvelous if unassuming special effects, though Trumbull manages to keep the technology firmly under control – it is all so simple but still very impressive (even more so in view of the budget). Bruce Dern is appropriately cast as the film's eco-friendly hero. Joan Baez's two songs are very much of the time, and yet add quite a lot of humanity to the 'outer space' events. The film's sets (an unused aircraft carrier conveniently converted into a spaceship!) are also notable. However, the film's most endearing elements are the two almost-human 'drones', Huey and Dewey, which contribute to some amusing and even touching interplay with Dern; they were an obvious influence on C-3P0 and R2-D2 from from the STAR WARS films.

Still, I found the film to be somewhat plodding - especially since Dern is, for most of the time, the only human being on screen. In the end, SILENT RUNNING is a pretty good film, and a deserved cult item, but not a classic in the strict sense of the word. That said, it is a whole lot better than the only other feature film Trumbull directed, the dull and overblown BRAINSTORM (1983).

Universal's SE DVD is so packed with extras, it's almost too much: even so, there's actually little repetition throughout the lengthy documentary, numerous interviews and Trumbull's and Dern's joint commentary - and, all in all, it serves as irrefutable proof of the importance and worth (as in experience-enhancing capabilities) of DVD bonus material. While I was not overwhelmed when watching the film proper, after going through the mass of supplements on offer here I had a new-found admiration for what Trumbull intended - and actually makes me look forward to a more open-minded second viewing!

"Silent Running" is an appealing, unusual sci-fi tale set in deep space. Bruce Dern plays astronaut Freeman Lowell, who's been working on a project for the past eight years: maintain the last of the flora and fauna scavenged from a devastated Planet Earth, inside huge geodesic domes. One day he gets the orders from his bosses to terminate the project and head home. Unfortunately, this idea doesn't appeal to Freeman, and he mutinies.

The film is not subtle about its love-and-respect-for-Mother-Nature, "save the planet" mentality, but it's quite an affecting story no matter what. Lowell does some things one can't exactly condone, but you do understand the man. Thanks to a powerhouse performance by Mr. Dern, you can still sympathize with the man and be moved by his loneliness and social awkwardness. True enough that a story like this would seem like a pretty hard sell to studios, even 43 years ago, since there are no female characters and the main person isn't all that noble.

Special effects veteran Douglas Trumbull, renowned for his work on "2001: A Space Odyssey", obviously has a real affinity for creating interesting environments and striking visuals. He uses these visuals just as much as any dialogue in telling the story, which is a pretty entertaining one; it was scripted by Deric Washburn, Michael Cimino, and Steven Bochko. The effects are nicely done, and those robot characters - referred to here as drones - do have some personality, and are highly endearing, if not as memorable as, say, R2-D2 from "Star Wars".

The songs, by Joan Baez, and score, composed and conducted by Peter Schickele, are lovely.

Cliff Potts, Ron Rifkin, and Jesse Vint are all fun as Lowells' younger, more carefree associates, but after a while only Dern remains as the sole human presence on screen. His performance has to rank as one of his all time best.

Overall, watching this one is a fairly potent experience, and it does stick with you once it's over.

Eight out of 10.

When I first saw Trumbull's saga 33 years ago, it was indeed the most advanced special effects movie that followed 2001, even though it did not reach the same technical level. The film has it's flaws only because it was an experiment; make a movie for under a million dollars and do it in 32 days. What was done is a miracle considering this much.

It was visually more advanced in fact than other films that came after until Star Wars. So 2001 was the father of Silent Running and Silent Running was the father of upstart Star Wars, this by virtue of the fact that Douglas Trumbell worked on 2001 and then Silent Running and then John Dykstra who worked on Silent Running went on to Star Wars.

For me at least this is the importance of the film as a filmaking milestone in terms of film history and for those who want to know this history it is worth viewing.

The story is compelling enough to hold the viewer. At first Dern's character seemed over the top but decades later I believe that it's in fact right on.

All of your other reviews are wonderful but I have one terrible confession to make:

I am the only human being left alive on the Earth that still likes Joan Baez.

Imagine a future where Earths forests are gone, and the only greenery left floats around in giant domes in space. Thats the world Silent Running drops you into.

Bruce Dern plays Freeman Lowell a guy tasked with taking care of these last living forests and when the order comes to destroy them, he loses it and i mean really loses it. Sure its a bit slow at times, and you might laugh at some of the dated visuals but theres something heartfelt about it. Those little robots Huey Louie and Dewey are great. Long before the likes of the Star Wars movies and WALL-E they gave mechanical sidekicks humanlike mischief and puppy-dog eyes.

Whats wild is that legendary filmmakers like Akira Kurosawa and Yasujiro Ozu once called this "the best American film ever made." It might not hit the same for everyone, but there's something about it that leaves a mark. If youre into oldschool scifi give it a shot.

Edit: I had to add that i love the general aesthetics of the retro 60/70s scifi style.

Bruce Dern plays Freeman Lowell, a botanist and astronaut assigned to a spaceship that has the last of Earth's forests in enclosed domes attached to its exteriors. When the order comes from Earth to destroy the domes, and return to Earth, Freeman's fellow crewmen are ecstatic, but he is enraged at the order, thinking it wrongheaded and stupid, so he sets out to ignore the order, and save the domes, even if that means he has to take extreme measures with his crew mates...

Sobering, thoughtful, well acted and directed(by Douglas Trumbull) ecological science fiction tale is really an allegory about humanity's treatment of nature, and what would happen if it was taken to its logical outcome. Though the extreme situation presented here is unlikely(I sincerely hope!) this film works because of its absolute sincerity, with three robots named Huey, Dewey, and Louie, who will play a key role by the film's deeply moving ending, which may bring a tear(s) to the eye.