Willard

My mom remembers seeing "Willard" when it first came out, and so she encouraged me to see it. It tells the story of Willard Stiles (Bruce Davison), an outcast who still lives with his mother Henrietta (Elsa Lanchester). But Willard discovers that their house has some other inhabitants: rats. He quickly befriends the critters, and then turns them into a sort of army who will obey all his commands. To add to this situation, Willard and his mother believed that his father died naturally, but it begins to look like Willard's boss Al Martin (Ernest Borgnine) may have been involved.

The old, dark house, and the young man living with his mother might bring to mind "Psycho", but "Willard" seems to me to be more of a story of an outcast taking revenge on the world that rejected him.

A truly memorable 1971 thriller that has became a bit of an underground classic.

Handsom, shy Willard Stiles doesn't have an ideal life. He lives with his domineering widowed mother, is bullied by his boss, and doesn't have any friends. That is, until he befriends the rats in his garden and learns that he can make them do his bidding!

Highlighted by a touching and sympathetic performance from Davison, Willard is a different kind of "nature-strikes-back" film. It's a rare occasion where the human characters, rather than the animals, drive the film to its intense climax. There's plenty of twists and turns to be had, as well as a few moments of skin-crawl, especially for those who aren't fond of rodents! The movie also has a bit of a darkly humorous side to it. It's a bit of a rare movie to find these days, but seek it out and hope for a much-needed DVD release of this B movie classic.

Followed by a rather dark remake in 2003

*** 1/2 out of ****

Willard Stiles (Bruce Davison) is an introvert. His mother is bedridden. Her friends throw him a surprise birthday party and berate him for losing his father's business to Al Martin (Ernest Borgnine) who hired Joan (Sondra Locke) to take over his work. He has no friends but finds friendship with the rats in the backyard. Soon, his friends are multitudes willing to do his bidding.

The idea is there but this is shot in a flat, uninspired manner. The actors are either first rate or on their way. Borgnine is gloriously evil. Davison is a little green around the edges. This should be a lot more compelling. There should be more tension. It's got some creepiness but I would like more.

A little flick that blends elements of psycho-drama and animals-run-amuck, along with a hint of old-dark-house. Willard is a socially-maladjusted young man who lives in a gloomy, Victorian house with his co-dependant mother. Their relationship constitutes the weird part of the movie, nudge, nudge. Willard is tolerantly allowed employment at his late father's business, presided over by passive-agressive Ernest Borgnine. With no social life and no friends, Willard resorts to training rats with above-average intelligence. Of course, things take a dark turn when Willard's mother dies and Borgnine's bully tendencies come to the fore, prompting the put-upon Willard to use his rodent buddies to even the score. Also on hand is Sondra Locke as caring co-worker who tries to enter into Willard's world and may be his means of salvation. You find yourself rooting for her to win out. Spawned a more (in)famous sequel, BEN, remembered primarily for it's theme song, which provided Michael Jackson with one of his first solo hits. Very appropriate, in hindsight.

A mousy, introverted young man befriends and teaches rats basic commands. Soon his home and life are preoccupied with this rodent infestation, coming particularly close to two rats, Ben and Socrates. Willard is played with great skill by Bruce Davison, communicating to the audience his despondency with family life as well as with his job. He has a love-hate relationship with his dotty, doting mother, played with the usual charm only Elsa Lanchester can exude. His relationship with his mother's friends is distant, and with his employer Martin, disastrous. Martin is played with relish by Ernest Borgnine, making the audience feel little sympathy for his fate. Naturally, Willard trains the rats to do "bad" things and this leads to a battle of wills between Willard and the main rat Ben(the lead character in the film's sequel BEN). Overall, the film is rather slowly paced, but well-acted and rewarding in the end.