Kung Fu

David Caradine plays Kwai Chang Caine, a Shaolin priest wandering the 19th century American west in search of his half-brother while being sought by the Chinese government on a charge of murder back in China. He mostly does his wandering barefooted, but carries his shoes just in case he has to enter a saloon with a "No Shirt, No Shoes, No Service" policy. Generally Caine is a magnet for trouble, and although he'd rather resolve the conflicts through peaceful means, he inevitability relies on his highly developed martial arts skills. When I was a kid enjoyed watching hippie Carradine beat the crap out of red necks. As an adult I favor the Shaolin temple flashbacks and the words of wisdom offered up by the priests. The music, the cinematography (love the lens flare), direction, acting and overall production all contribute to making "Kung Fu" an excellent television classic.

This will always be one of the more original series to come out of the 1970's. Imagine a Western where the main character is half Chinese and half Caucasian and doesn't use a gun. Now think of how this series wound up as one of the great cult classics of its era. Even though this series originally was the idea of Bruce Lee and would have featured him as the star, David Carradine still pulls off the job and comes off as very believable as Caine. You also can see that he tries not to play to stereotype, but he does make this show very mystical, which can be seen as a positive and as a negative. Also wonderful were Keye Luke as master Po, Phllip Ahn as master Kahn and, of course, Radames Pera as the young Caine. This show will always be a cult classic of its era.

It's a shame that the martial arts craze that this show created (in conjunction with the ascendant popularity of Bruce Lee in the early 1970s), in conjunction with the somewhat cheesy '90s spinoff, has served to somewhat obscure what a gem it truly was.

It's heartbreaking to think that a lot of people who haven't seen the show lump it in as old, campy action television, like "The A-Team" or "Charlie's Angels" or something like that. The fact is, any given hour-long episode of "Kung Fu" probably contained about 45 to 60 seconds of actual action--if not less. The fact is, David Carradine was as good a leading man as any TV drama has ever had.

And the fact is, far from being a cheap exploitation of martial arts and Eastern philosophy, "Kung Fu" was created and written in true reverance to those concepts. Meticulous research was conducted, and the lessons that Masters Kan and Po (wonderfully rendered by Philip Ahn and Keye Luke, respectively) teach Caine, and that Caine in turn teaches those he encounters, are routed in authentic Shaolin philosophy.

Nor was the show cheesily made. It involved lush cinematography by televisual standards and innovative use of devices such as forced perspective and slow motion (this was the first show or movie to use different gradations of speed within a single take--the shot would move at normal speed until Caine made contact with an elbow or a fist, and then suddenly switch to delicate, poetic slow motion).

Caine was a true archetype of television--a complete reversal of basically every American screen hero that went before. Not just peaceful--but passive and serene. As Caine described it--"Kung Fu" was an "anti-revenge television show"--an amazing concept when you think about it.

Remember, the American public was not even acquainted with the phrase "kung fu" before this show. Zen Buddhism was gaining popularity in the late '60s and early '70s, but no one had ever heard of Shaolin monks. The creators of this show took a big risk on an untested concept and came up with TV gold.

I hope that the DVD release will serve to remind us all what a special show this was, and of the lessons it has to teach us.

While the show had some clever action and martial arts scenes, it was the integration of western and eastern culture that made Kung Fu such a good show. The pilot was especially brilliant, the cinematography, action and David Carridine's amazing acting and dialogue made it worthy of being a full length cinema feature. Caine actually appeared to be more of an honest biblical wanderer than a half chinese-half american mystic. The series was excellent too, but a bit repetitive. My favorite episodes were The Sign of the Dragon, The Way of the Tiger (the pilot) King of the Mountain (especially the final combat scene) The Well (one of the few hour long dramas to authentically depict the plight of blacks in frontier america), and The Squaw Man. Watch for many of your favorite tv and movie actors (including Harrison Ford, Jodie Foster, Don Johnson, and William Shatner) in their early careers and note the fine music (especially in the opening and closing credits).

What an inspirational show. Kwai Chang Kaine was certainly one of few role models I remember from TV in my younger years, and although I haven't seen it since it first played, like others I remember the stories and message (as well as the haunting theme music) from so many of the episodes. Kaine was rejected by many and accepted by only few or even one in each town he visited on his journey, but he always made a difference in the lives of those he met. It's true TV was just as much a wasteland in the '70s as it is in the '90s, but I wish we could see something as good as this again. Either that or a re-release of this one.