The Candidate

This is a truly excellent and overlooked Redford vehicle, and his performance comes full circle. From wide-eyed idealism to resigned cynicism, all the way back to little-boy-lost and overwhelmed. Redford is flawless! Peter Boyle is right-on as the experienced campaign hand. Also it is easy to overlook Don Porter's effortless portrayal of the smooth and experienced incumbent senator, just on the verge of decline. Porter's seamless delivery makes it look easy.

Douglas is also excellent as John J. McKay, Redford's father and the former governor. Obviously a traditional machine politician, and apparently estranged from his activist son for that, and perhaps for other reasons we are left to imagine, Douglas revels in the younger man's initiation to the corrupt world of politics. Catch the hunting scene to illustrate how these two are poles apart.

An intelligent, realistic, and rewarding film about politics, done at a time when folks were perhaps looking for a political fairy tale.

I saw this film in 1972 when it came out, and I just saw it again on cable. I am amazed at how prescient this film was. Remember, this was before Jerry Brown, the real life politician most people will think of as a counterpart to Redford's character, had not yet run for governor and was still unknown outside of California. Nixon was still in office and was about to be re-elected by a landslide. Abortion was still illegal in all 50 states, and Roe v. Wade had not yet been decided. The term "sound bite" had not yet been coined. "Spin" was something a washing machine did.

Redford plays an idealistic young storefront lawyer who is persuaded to run for the Senate as a Democrat against a Republican incumbent running for his fourth term. He feels free to speak his mind because he knows he hasn't a chance of winning. His freshness and honesty win over a lot of people favorable to his politics, and suddenly the gap closes. Now he has a chance of winning, but to do so he has to win over the "undecided voters" in the middle of the political spectrum. (Sound familiar? I'm writing this nine days before the Bush-Kerry election, and no one knows who will win.) Guess what happens? Suddenly he's not so fresh and honest anymore. And by the time he finally has a televised debate with the incumbent, he has mastered the art of the non-answer answer, that is, responding to a reporter's question by making a vague statement of his own without ever answering the question.

Fast forward to 2004. The spin doctors now run the show. This film was intended as satire and as a warning. Regrettably, it has become a prediction. 10/10

Only recently does it seem like the political world has been soiled by entertainment media. HBO's "Veep", created by the satirically minded Armando Iannucci, is a brutal comedy series that details the day to day life of the vice president. Don't expect to see an all-American woman pining for a better America, because you get a narcissist hungry for power. Netflix's "House of Cards" makes politics seem as dirty as the crime world, with elected officials offing enemies left and right, utilizing corruption for the sake of unbridled authority.

In days past, there was something mystical about a candidate — the one we loved (not the Nixon of the race) seemed to be a sort of god who could do no wrong. Look at JFK, FDR; they were far from perfect, but their image, their reputation, turned them into unspeakably untouchable icons. But it seems post-Vietnam, post-Watergate, America has turned into a hotbed of negativity. We don't trust our sacred politicians like we used to. And so "The Candidate" is more relevant than ever. In 1972, the U.S. was just starting to turn into a bunch of pessimists. But now, we regard many of our elected officials in the same way we do the villain of a political thriller: evil, devilishly evil. But smart.

"The Candidate" is part black comedy, part political drama, all stitched together by an endlessly scathing screenplay and a finely tuned performance from Robert Redford. It isn't so much an emotional film as it is a witty commentary regarding the election process, and how most candidates go from freshly idealistic to power hungry after a mere few months of campaigning. The film doesn't tap into our fears in the same way "All the President's Men" did, or how "Three Days of the Condor" told us not to trust anyone sitting in office. Rather, it serves as a thought-provoker that makes us wonder if the smiles governmental hopefuls put on display are actually genuine. It's a bleak, bleak, movie, not so much because it is starkly negative but because it prefers to think that getting elected is a popularity contest, not a case of may the best man win.

Redford plays Bill McKay, a 30-ish attorney who, on a whim, decides to run for Senate. Incumbent Crocker Jarmon (Don Porter) is slated to win — McKay, you see, has been approached by political specialist Marvin Lucas (Peter Boyle), who only wants McKay to act as a Democratic figure, not as serious competition. Jarmon, after all, cannot run unopposed. McKay knows he has little by way of chance, but, knowing he has the opportunity to spread his ideals around the state, does everything he can to potentially find success. And as the son of the former governor (Melvyn Douglas), with, not to mention, good looks that have captured much of the female vote, his possibilities may be stronger than Lucas could have ever imagined. Problem is, if McKay really wants to win, he'll have to, in some ways, trade many of his morals in favor of popularity.

"The Candidate" is filmed as if it were a documentary, following McKay around until his positive nature completely breaks down and sardonic ickiness takes over. As the film begins, he is a charismatic intellect who has a way with words (he is a lawyer, after all). But by the end, he can hardly control himself from laughing attacks when faced with the bullsh-t of a television promotion. The more he campaigns, the more he becomes disgusted with the idea of politics — the officials are snakes who know how to manipulate the public. Morals, he finds out, are of little importance to his peers. Sounding good, looking good, speaking well, being agreeable, going against the grain of the now-hated person he's trying to rob the job of — those are the things that matter. You can forget about making the country a better place.

Larner's Academy Award winning screenplay hits all the right notes — not mean but wicked, funny, but not overtly so. It isn't a comedy as much as it is a drama that realizes how ridiculous campaigning is, and it cackles along with McKay's increasing concerns. There is a great little scene that finds McKay in the back of a limo, reciting old lines from previous speeches. But after each sound bite he makes a sound of disgust, whether it be a gag, a cough, or a scoff. The sequence is subtle, yet it speaks volumes; have we gotten to a point in our election process where a particular quote, a particular fragment of a speech, matters more than the overall goal of a candidate?

The film also contains one of Redford's finest performances, capturing his distinctly everyman appeal while heightening the sly humor he can easily project just by uttering a single line. He is the kind of actor that can deliver a line like "We don't have sh-t in common" and still remain likable; he is the kind of actor that can look unfazed by the presence of a cameoing Natalie Wood and not seem like a complete jerk. In "The Candidate", we don't necessarily identify with him. Instead, we jump onto his back as he maneuvers through the jangling dishonesty of the election process.

Here is a movie more interested in saying something than showcasing how great its actors are, how great its direction is. "The Candidate" doesn't move you; it causes you to think. And as the race for the presidency continually heats up these days, it is compelling viewing that has hardly aged in what it has to say.

This 1972 feature film is funny as it is scary now in the Untied States we can see it as form of prophecy.

This film stars Robert Redford in a remarkable performance as a Senatorial Candidate in California. Robert plays Bill McKay as son of a former state senator who never planned on running for public office. In fact he has never registered to vote. A political election specialist talks him into running who is expertly played by the late Peter Boyle. What both Bill McKay never thinks of at the beginning is the fact he might win. Released in 1972 the film seemed as a farce but just like the 1976 film "Network" what once seemed impossible is now "non fiction".

Natalie Wood also appears as herself.

"The Candidate" is a very simple movie. It follows a guy (Robert Redford) who is running for the Senate and you see him from agreeing to run to his eventual election. Throughout, the guy tries (not always successfully) to keep his idealism but there is a strong push by his handlers to get him to talk more and say less at the same time. This aspect of the story is very believable and this man is, more or less, relatively 'normal' and without any earth-shattering secrets or personal deficiencies. In fact, the film has little in the way of excitement--no 'bombshells', no real controversies--just a look at the political process and the men who handle these candidates. Certainly not a must-see film but well worth your time.