The Legend of Blood Castle

The picture is set in 1807 , Cajlice , Central Europe . The countess (Lucia Bose) masquerades the death her husband (Espartaco Santoni), as she needs blood to maintain facade of youth . The count abducts gorgeous girls from small village nearby the castle . Meanwhile , he falls in love with a countrywoman (Ewa Aulin) . The girls are killed and finally the countess can take her bath in their blood while being watched by the count .

Rather erotic Spanish-Italian co-production plenty of killings, suspense and horror . The story takes parts here and there from Sheridan LeFanu's Carmilla and the legend based on historical figure Elizabeth Bathory . Interesting casting , as an attractive and mature Lucia Bose who long time ago played for Antionini and an elegant noble well played by Espartaco Santoni who acted in various horror films , such as ¨Lisa and devil¨ , ¨Night of the demon¨ , ¨Exorcism's daughter¨. And Ewa Aulin who performed along with Marlon Brando in ¨Cindy¨. Colorful cinematography in Hammer style by cameraman Fernando Arribas . Creepy , eerie musical score by Carlo Savina . The motion picture was well directed by Jorge Grau who made a Zombie classic called ¨Living dead at Manchester Morgue¨ or ¨Sleeping corpses lie¨ . Other movies about this Bathory legend are as follows : ¨The countess vampire¨ (72) by Peter Sasdy with Ingrid Pitt and Nigel Green and episode of ¨Immoral tales¨ (1974) by Valerian Borowickz with Paloma Picasso . And referred to Sheridan Le Fanu's Carmilla are ¨The vampire lover¨ (70) by Roy Ward Baker with Ingrid Pitt and Peter Cushing and followed by ¨Lust for vampire¨ (71) by Jimmy Gangster with Ralph Bates and Barbara Jefford.

Jorge Grau's "Blood Ceremony" is probably the best and most faithful adaptation of the story of Elizabeth Barthory, the real life Hungarian countess who bathed in the blood of virgins to keep herself young. (The "Barthory" section in Walerian Borozyx's "Immortal Tales" may be technically better, but Grau is more interested in actually re-telling than the legend here than in seeing how many naked, barely-legal French girls he can squeeze into the frame).

Grau does make some interesting alterations to the legend. The countess is helped by her husband who fakes his own death and pretends to be a vampire to fool the superstitious villagers about the source of the exsanguinations. Barthory (Lucia Bose) is also a surprisingly sympathetic character who is only driven to her crimes by mortal despair and the beguilings of her old crone maid. Grau also doesn't make the same mistake as Hammer's "Countess Dracula" where Ingrid Pitt bathes in virgin blood and is instantly transformed from a withered, old hag into. . . well, Ingrid Pitt. It's left much more ambiguous here whether the treatment actually works--it only seems to transform Bose from an attractive older women to a perhaps slightly younger-looking older woman. This is much more effective and chilling than the Hammer histrionics.

The highlight of any of these films is, of course, when the character actually takes a literal bloodbath. This scene perhaps isn't as "hot" here as Ingrid Pitt's in "Countess Dracula" or Rosalba Neri's in the non-sensical "Devil's Wedding Night", but it's much more effective cinemagraphically following a stream of blood from an unlucky virgin whose throat has just been slit through a drain in the floor to a shower where Bose is waiting naked below.

Besides Bose, the cast also includes Swedish nymphet Ewa Aulin as the gold-digging daughter of the local innkeeper who shares her sexual favors with the count. It's not clear for awhile whether he's going to run off with her or make her another sacrifice to his wife's bloodthirsty vanity. Aulin is a little miscast here and personally I prefer her undubbed (and unclothed), but I guess her natural Swedish accent wouldn't have really worked in Medieval Hungary. The more unknown Spanish actors who play the rest of the villagers are good too. They turn out to be very vindictive and they take a terrible revenge on Barthory at the end (no doubt partially inspired by Edgar Allen Poe's "The Black Cat") that almost makes you feel sorry for her. This is a very good movie and one worthy of a resurrection on DVD.

This is a painful, cold, unpleasant but ultimately fascinating entry from the Spanish horror boon that is probably the definitive Elizabeth Bathory treatment, making Hammer's "Countess Dracula" look silly and trite in comparison; that film is a period costume romance compared to BLOOD CASTLE. This is a serious movie that lacks a single light hearted moment, and is a great example of the unbearably suffocating sort of period horror suggested by Michael Reeves' CONQUEROR WORM, which uses the conventions of period horror -- castles, nightgowned beauties, foggy wastes -- to con the viewer into thinking that they are going to get the push-up bras and lesbian nuzzling that these movies usually involve.

What you get is actually anti-erotic, much like Reeves' film, unless the idea of watching people suffer is something that gives you a rise. I like this movies' lack of sensationalism, giving us a straightforward almost scientific explanation for the vampirism in question, and providing a sort of tragic Spanish soap opera element to give us the motivations for the murders. The film is indeed slow, but fans of this kind of stuff will be drinking it in, with Jorge Grau's astute eye for period detail, lighting and atmosphere easily putting this on the same plane with films like "Count Dracula's Great Love", "Count Dracula" and the Rollin efforts as amongst the most distinctive films from the Eurohorror boon. No other movie looks quite like LEGEND OF BLOOD CASTLE (or FEMALE BUTCHER, as it is known in it's uncut form), and few have such an unrelenting, claustrophobic air of dread and sheer decrepidness as LEGEND OF BLOOD CASTLE, which completes the CONQUEROR WORM comparison chart by culminating in a series of Inquisitional torture scenes that far surpass the vampire murders in terms of brutality and horror.

So perhaps that is Grau's ultimate comment: yes, the Bathory legend speaks of just awful, depraved atrocities, but nothing is quite as atrocious & barbaric as Man's own inhumanity to their fellow Man, and especially with the hypocrisy of the Church feeding the fires of hate. HIGHLY recommended, but not for those with short attention spans or the squeamish alike.

And word to the third: The cover shown here is NOT the same movie (that's BLOOD CASTLE, not LEGEND OF BLOOD CASTLE) and beware of a recent North American DVD pressing by a company called MYA: They used a nudity free print with a fullscreen transfer. I've got versions of this film in three languages from twice as many countries: You want the Finnish subtitled English language print called BLOODY CEREMONY. Trust me.

7/10

Jorge Grau's "Ceremonia sangrienta" (called "The Legend of Blood Castle" in English) is one of many movies telling the story of sixteenth century Hungarian countess Erzsebet Bathory, who reportedly bathed in the blood of young virgins so as to maintain her youth and beauty. This one has less nudity than I've come to expect in Euro-horror flicks; I think that they wanted to focus on the plot more than anything, and they did a worthwhile job. The nude scenes, so to speak, are the scenes where she lets the blood run all over her body.

The only other Erzsebet Bathory movie that I've seen is "Countess Dracula", which I thought was worth seeing (although it was more of an excuse to show off Ingrid Pitt). This one stars Lucia Bose, Espartaco Santoni and Ewa Aulin. Aulin is best known as the title character in Christian Marquand's 1968 psychedelia-fest "Candy". She starred in a cinematic acid trip and in a movie about a sicko countess. Whoa...

Anyway, worth seeing. You may find it under a different title, as often happens with Euro-horror flicks.

It's difficult not to imagine the story of Elizabeth Bathory not being highly sensationalised. I suppose a lot has been written about it over the years, and I admit that most of what I know about it comes from movies like this, and, well, a bunch of metal songs. Still, I'm not convinced that many of the literary accounts of the Blood Countess are any less lurid. Write me if you know of any interesting ones.

Now, this film turns out to be sort of different from how I imagined it would be. Despite what I said above, it's not really lurid at all, and even may be considered "tame" by certain standards. nevertheless, if taken for what it is: a kind of grim gothic melodrama, this is a rather effective piece, full of atmosphere and cathartic moments. What surprised me a bit here is how Bathory is not portrayed so much as a monster here, and even can be seen as a victim of desperate circumstances. The portrayal is, dare I say it, rather sympathetic.

True, the story plays out about as predictably as one might expect, and there are some silly touches (the vampire trial scenes). I enjoyed this for what it was, though, and I even have to say I preferred this to the much-more-campy Countess Dracula from Hammer. in the British film, Bathory comes off as something of an evil cow (no sleight intended against Ingrid Pitt here though of course), and it's hard to really feel like anything happens to her by the end that isn't well dserved. maybe that was the intention, but I must say Jorge Grau's different approach brings an attractive sort of ambivalence to the legend. Plus, the atmosphere here is really strong, and I really like the musical score. The American accents in the english dub feel a little strange, but that's mostly because we are all so accustomed to historical period pieces done with mannered English diction, no matter where these things are meant to take place. So, in the end, this is a pretty good film; maybe not the most memorable thing you'll ever see but an oddly pleasing way to wile away an hour and change sometime after midnight. Fans of gothic melodrama should particularly take notice. With this and the awesome Let Sleeping Corpses Lie under his belt, it's really a shame that Jorge Grau did not do more horror/macabre films.