14 reviews
"Kozijat Rog" is by far the best Bulgarian film ever made.
It has all the characteristics of greatness: a story that lacks nothing of the dramatic depths of classical tragedy; a frugal style of visual narrative that is both monumental and subtle; acting that is as good as real-life; and last but not least - music that is impossible to forget.
"Kozijat Rog" is conducted in the ways of old - with the power and gentleness of a true master. And although color loses its saturation with the passing of time, this film will not, for it is shot in black-and-white.
It has all the characteristics of greatness: a story that lacks nothing of the dramatic depths of classical tragedy; a frugal style of visual narrative that is both monumental and subtle; acting that is as good as real-life; and last but not least - music that is impossible to forget.
"Kozijat Rog" is conducted in the ways of old - with the power and gentleness of a true master. And although color loses its saturation with the passing of time, this film will not, for it is shot in black-and-white.
- paveltsvetkov
- Sep 21, 2001
- Permalink
Even if you can't see a sub-titled version, you won't miss anything; as someone has already mentioned, the dialog in this film is extremely minimal. Instead, the viewer is immersed in the story through the natural sounds of the wild Bulgarian hills, empathic and creative (but never obtrusively 'there') camera-work and the amazingly expressive and authentic performances of the two lead actors.
When this film was released it was seen by three million people in Bulgaria, and the population then was only 8 1/2 million.
It is sad to relate that the director, Metodi Andonov, lived only a few years after the making of this film. With so few examples existing of his craft, The Goat Horn is even more precious.
An absolutely beautiful, unforgettable film.
When this film was released it was seen by three million people in Bulgaria, and the population then was only 8 1/2 million.
It is sad to relate that the director, Metodi Andonov, lived only a few years after the making of this film. With so few examples existing of his craft, The Goat Horn is even more precious.
An absolutely beautiful, unforgettable film.
I could never imagine some months ago,that a Bulgarian movie I saw a night that I didn't have something more interesting to do,would make me admire it so much,so that I could definitely say that it is a masterpiece of the European cinema ever made. No special effects,no impressive decoration.Just a plain composition but also a genius one. The wife of a farmer is being raped and murdered by a gang,in front of the eyes of her little daughter. The farmer hungry for revenge brings the girl up as a boy, and when she is old enough they kill one by one the killers. This movie is a hymn to simplicity.No dialogs when it is not necessary,full of primitive feelings with perfect harmony between actors and natural location.Excellent!!!!!!!!
No point for me to go into the plot with all the other comments. This is an exceptional film that delivers on many levels. There is a minimum of dialog and the story is told through realistic action and expression. The acting is so good you can feel what the characters are thinking with hardly a word spoken. The cinematography is at times stunning and always very appropriate for the story. There are moments of visual poetic beauty coupled with a hauntingly beautiful soundtrack. It's a story of power and oppression, of anger and revenge. The stage is set during the time of Turkish rule over Bulgaria. It has the depth of a Shakespearean drama, yet the film is a testament to simplicity.
To those who have seen the film there is so much that can be said, but for newcomers it's best to let the film tell the story. The layers of meaning are forcefully and gently revealed.
I rate this as one of the great film masterpieces. It is a shame that it has not received a wider international audience. It is unheard of in many parts of the West, but it has all the hallmarks of a classic. I hope that someday this film will be available at DVD sales and rental shops in Western Europe, the Americas and Asia. It deserves to be there. It deserves to be viewed in film schools, universities and art schools around the world. This film has been available in Bulgaria in a DVD limited edition.
To those who have seen the film there is so much that can be said, but for newcomers it's best to let the film tell the story. The layers of meaning are forcefully and gently revealed.
I rate this as one of the great film masterpieces. It is a shame that it has not received a wider international audience. It is unheard of in many parts of the West, but it has all the hallmarks of a classic. I hope that someday this film will be available at DVD sales and rental shops in Western Europe, the Americas and Asia. It deserves to be there. It deserves to be viewed in film schools, universities and art schools around the world. This film has been available in Bulgaria in a DVD limited edition.
This is an excellent movie, the Bulgarian equivalent to an Italian neo-realism masterpiece. The degree of freedom to artistic expression is extra-ordinary, especially if replaced into the context of the political environment prevailing in Bulgaria in the 70s. The practical absence of dialogue and music, (except for a very beautiful vocal), and the Black and White image emphasize the dramatic content of the movie. The direction is remarkable, and the play is first-class. Definitely, the best Bulgarian movie, and a must-see for every cinephile.
- louisferro
- Nov 6, 2002
- Permalink
Even if you can't see a sub-titled version, you won't miss anything; as someone has already mentioned, the dialog in this film is extremely minimal. Instead, the viewer is immersed in the story through the natural sounds of the wild Bulgarian hills, empathic and creative (but never obtrusively 'there') camera-work and the amazingly expressive and authentic performances of the two lead actors.
When this film was released it was seen by three million people in Bulgaria, and the population then was only 8 1/2 million.
It is sad to relate that the director, Metodi Andonov, lived only a few years after the making of this film. With so few examples existing of his craft, The Goat Horn is even more precious.
An absolutely beautiful, unforgettable film.
When this film was released it was seen by three million people in Bulgaria, and the population then was only 8 1/2 million.
It is sad to relate that the director, Metodi Andonov, lived only a few years after the making of this film. With so few examples existing of his craft, The Goat Horn is even more precious.
An absolutely beautiful, unforgettable film.
- alexpeychev
- Jan 23, 2021
- Permalink
One of outstanding Bulgarian films, One of the best screen versions of a short stories by Nikolai Haitov. This film is at once a parable and tragedy revealing by mean of lean dialogue and great dramatic tension the cruel history of Karaivan and his daughter Maria. The filmmakers - screenwriter Nikolai Haitov, director Metodi Andonov, cinematographer Dimo Kolarov, production designer Konstantin Dzhidrov,theme song written and performed by Mariya Neykova and at last, but not at least - the main actors Anton Gorcheb and Katya Paskaleva - denounce violence against human nature and defend the right to personal freedom. Katya Paskaleva played brilliantly two main female characters - this one of the mother and second one of Maria. After this film she became a great Bulgarian movie star.
- RogerTheMovieManiac88
- Dec 10, 2014
- Permalink
- mewalmostofficial
- Aug 4, 2024
- Permalink
As an undergrad film student, this was my absolutely favorite discovery. Powerful film with minimal dialog yet every aspect of the story, the drama and the horror of war, comes through loud and clear. Highly recommended if you can get a chance to view it. I've been trying to add this to my personal collection and professional collection with no luck for the past forty years.
- turnerfreeman-2
- Jan 30, 2022
- Permalink
Be whatever oppression comes upon, there is always a strong spirit to rise.
And in todays times, when more than ever it is important to cherish and value the true power of women, the main Lady character - one to bear the strength and banner of rising against all violence and subjugation, defying that only a man can liberate or bring justice is a vital sign of what women can do.
Beyond that, we can learn to renounce the slavery against humans and see the true vandalism against humans it brought. A movie, that beautifully and with few words brings up great human rights to a pedestal.
As a cinematography, this is shot very much in the spirit of the classic cinema, enchaining the viewers experience in creating a visual a musical harmony and art masterpiece. A story remains in our minds and brains not with the words, but with the emotions, and this movie draws on free spirit and justice as true human emotional pillars.
- hshishkova-51328
- Jan 15, 2021
- Permalink
I was very much taken in by the movie in the start. Not to the point where i would say masterpiece but a solid and interesting approach to things. Unfortunately a film of this character only have a few viable endings and for me I think it was fast limited further down.
I did think the acting was good and I do think the landscapes was beautiful. But I felt the story lacked some development outside the very narrow scope of the father and the girl. And I did also think there was lack of character progression besides one of the main characters.
It is by no means a bad movie. I just felt if could easily have achieved so much more than ending up being a very average movie.
- Angel_Peter
- Jun 26, 2019
- Permalink