Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro

The Last House on the Left

  • 1972
  • R
  • 1h 24m
IMDb RATING
5.8/10
42K
YOUR RATING
POPULARITY
3,526
657
Sandra Peabody in The Last House on the Left (1972)
Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.
Play trailer2:07
1 Video
99+ Photos
B-HorrorSerial KillerSlasher HorrorSplatter HorrorCrimeHorrorThriller

Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychopathic convicts.Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychopathic convicts.Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychopathic convicts.

  • Director
    • Wes Craven
  • Writers
    • Wes Craven
    • Ulla Isaksson
  • Stars
    • Sandra Peabody
    • Lucy Grantham
    • David Hess
  • See production info at IMDbPro
  • IMDb RATING
    5.8/10
    42K
    YOUR RATING
    POPULARITY
    3,526
    657
    • Director
      • Wes Craven
    • Writers
      • Wes Craven
      • Ulla Isaksson
    • Stars
      • Sandra Peabody
      • Lucy Grantham
      • David Hess
    • 563User reviews
    • 153Critic reviews
    • 68Metascore
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Videos1

    Official Trailer
    Trailer 2:07
    Official Trailer

    Photos190

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 183
    View Poster

    Top cast15

    Edit
    Sandra Peabody
    Sandra Peabody
    • Mari Collingwood
    • (as Sandra Cassell)
    Lucy Grantham
    Lucy Grantham
    • Phyllis Stone
    David Hess
    David Hess
    • Krug Stillo
    • (as David A. Hess)
    Fred J. Lincoln
    Fred J. Lincoln
    • Fred 'Weasel' Podowski
    • (as Fred Lincoln)
    Jeramie Rain
    Jeramie Rain
    • Sadie
    Marc Sheffler
    Marc Sheffler
    • Junior Stillo
    Richard Towers
    Richard Towers
    • Dr. John Collingwood
    • (as Gaylord St. James)
    Cynthia Carr
    Cynthia Carr
    • Estelle Collingwood
    Ada Washington
    • Ada
    Marshall Anker
    • Sheriff
    Martin Kove
    Martin Kove
    • Deputy
    Ray Edwards
    • Postman
    Jonathan Craven
    Jonathan Craven
    • Boy with Balloon
    • (uncredited)
    Anthony J. Forcelli
    • Ice Cream Store Clerk
    • (uncredited)
    Steve Miner
    Steve Miner
    • Hippie Taunting Deputy
    • (uncredited)
    • Director
      • Wes Craven
    • Writers
      • Wes Craven
      • Ulla Isaksson
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews563

    5.842.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    6salemzin

    Wes Craven's "Debut" as a Director

    "The Last House on the Left" (1972) plays a pivotal role in the history of horror cinema, marking Wes Craven's directorial debut. Although it features somewhat quirky performances and moments of comedy that occasionally break the tension, this is undoubtedly a negative aspect, along with its strange and disconcerting soundtrack.

    However, the film manages to maintain an intense atmosphere in its more serious moments, whether through Craven's direction or the image quality that gives it an amateur feel, as if we were witnessing real events on camera. The film's plot may not be particularly innovative, but it makes up for it with its scenes of violence, which at the time were, in a way, considered a novelty.

    Although it has aged somewhat problematically in certain respects, "The Last House on the Left" still retains its disturbing power and deserves to be appreciated, especially for its lasting influence on the genre, serving as inspiration for countless other films.
    Michael_Elliott

    Virgin

    Last House on the Left, The (1972)

    *** (out of 4)

    Craven's notorious shocker is a remake of Ingmar Bergman's The Virgin Spring and deals with two teenage girls going to the city for a concert but being kidnapped by four crazed criminals. The girls and raped, tortured and eventually murdered but the killer's end up spending the night at one of the girl's houses where the tables are turned. I've seen this film countless times in my life and it always disturbed me to the point where I hated the movie with a passion. I always felt the movie was rather poorly made and in the end it was nothing but an exploitation show meant to disturb you. I still feel that way but I've actually doubled my normal star rating because the film actually worked with me this time. My stomach was still being turned and I was disgusted in its vile nature but I reckon that was the whole point. There's still a lot that I don't like about the film including the stupid comedy relief from the two idiot cops. Why Craven decided to throw this slapstick in is beyond me because it really feels out of place especially when it pops up after watching two teens get brutally murdered. Another issue is that the film looks incredibly cheap (it was a low budget) and amateurish but this adds some to its atmosphere and makes the film seem all the more real. The now legendary tagline that "it's only a movie" is something to really keep in mind as the film comes off very realistic as if you're watching a documentary. The performances are all rather mixed but they all suit the film fine and that includes David Hess as the leader of the gang and Marc Sheffler as his heroin addicted son. The dialogue in the film, especially the opening ten minutes, is downright awful but there's still no denying that this is a highly disturbing film that manages to be vile, disgusting and just downright evil.
    fedor8

    Exploitative trash masquerading as "social commentary".

    A strong candidate for "The Worst Movie of All Time". With his first film Craven reached heights of ineptitude and tastelessness that even Craven-haters should be surprised by, and the incompetence is far-reaching; in every respect imaginable does this film not fail to fail. This piece of exploitative trash is at the very least the worst killers-on-the-lam film ever made. The acting ranges from one-dimensional to atrocious to ridiculous, and the characters behave in such an inconsistent and illogical manner that I have to suspect that this movie wasn't so much directed as that it's simply a collection of improvised scenes by a couple of bored – and talentless - students who just happened to have had a camera nearby. One of the main things that separates a film like "I Spit On Your Grave" from this junk is that Craven has neither respect nor pity for victims of brutal crimes; this he shows more than obviously by playing utterly inappropriate cheerful music while the two girls are being shoved into the trunk of a car and then driven off. At the end of the film there is yet more upbeat music. This is not some fantasy zombie film where you can expect your audience to laugh with you about the exaggerated and silly events and cartoon violence that take place in the movie. The main events in this "reality-based" horror movie haven't got an iota of a humorous side to them, and the fact that Craven doesn't realize this shows what a sad little degenerate he is. An English professor??? What a joke. In-between scenes of torture, degradation, and murder Craven manages to squeeze in scenes of goofy cops, which we are supposed to find amusing.
    6tamstrat

    Haunting movie

    I first saw Last House on the Left at the age of 18 at the drive in with my best girlfriend. This movie, an early outing by horror maven Wes Craven was so disturbing to me that 26 years later I am still haunted by the images on the screen. The story, of 2 young girls, approximately the same age I was when I saw the film, of being abducted, tortured, raped and then murdered is not for the faint of heart. The brutality and violence was staggering, and the film spoke volumes of the depravity of the human soul. I remember driving home with my girlfriend after watching this, and both of us were dead silent, each contemplating what we had watched and knowing that something like that could happen to us. This movie is one I know without a doubt, that I will never again watch, and now, being the parent of a daughter myself, I could never watch it and then allow her out of the house again. This is not a monster movie, the MONSTERS are human and all too real, especially in today's society filled with Ted Bundy's and The Green River Killer, this movie hits too close to home and leaves the viewer depressed and saddened at what human beings are capable of doing to other innocent people. Watch it if you dare, but be prepared to be left with a very hollow feeling after it is over.
    kinderwhore

    whatever

    "to avoid fainting"???!!! Oh puuuuurlease!!! What an aboslute let down! having been banned by the moral majority for over a decade,we have finally be deemed "adult" enough to watch LHOTL.now i love wes craven as much as the next woman but c'mon Wes..Give us a break!! Badly acted,poorly scripted and dare i say..badly directed.An absolute waste of my hard earned cash...i should've waited for it to be aired on T.V..probably one sunday night, late, when we're all in bed!! but if all else fails remember "it's only a movie"

    More like this

    I Spit on Your Grave
    5.7
    I Spit on Your Grave
    The Hills Have Eyes
    6.3
    The Hills Have Eyes
    The Last House on the Left
    6.5
    The Last House on the Left
    A Bay of Blood
    6.5
    A Bay of Blood
    The Burning
    6.2
    The Burning
    Cannibal Holocaust
    5.8
    Cannibal Holocaust
    Maniac
    6.3
    Maniac
    Night of the Living Dead
    7.8
    Night of the Living Dead
    The Last House on the Left: Never Before Seen Footage
    The Last House on the Left: Never Before Seen Footage
    Black Christmas
    7.1
    Black Christmas
    The Last House on the Left: Outtakes & Dailies
    The Last House on the Left: Outtakes & Dailies
    Henry: Portrait of a Serial Killer
    7.0
    Henry: Portrait of a Serial Killer

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      A mixture of red and blue food colouring mixed with caramel syrup was used for the fake blood, which contrary to most film "blood," actually looks real.
    • Goofs
      Mari breathes and moves when her parents find her body (the original intention was that she should still be alive at this point and would identify her attackers before dying).
    • Quotes

      Estelle Collingwood: Mari tells me you're from Manhattan. What does your father do?

      Phyllis Stone: Oh, my parents are in the iron and steal business.

      Estelle Collingwood: Iron and steel both together? How unusual.

      Phyllis Stone: Well, my mother irons and my father steals.

    • Crazy credits
      Opening text: "The events you are about to witness are true. Names and locations have been changed to protect those individuals still living."
    • Alternate versions
      The 1982 British release on the Replay video label omitted the scene where the sheriff and the deputy try to hitch a ride on Ada's chicken wagon, and the end credits were missing - though the now familiar 'freeze frames' of the principal actors appear, no credits are superimposed over them, and the final song continues to play over a completely black screen. In terms of gore and violence, the print Replay used was uncut.
    • Connections
      Edited into The Evolution of Snuff (1977)
    • Soundtracks
      The Road Leads to Nowhere
      Lyrics and Music by Steve Chapin & David Hess

      Performed by David Hess

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    FAQ22

    • How long is The Last House on the Left?Powered by Alexa
    • Why aren't the forced lesbian scenes in any release?
    • What are the differences between the old British BBFC 18 DVD and the uncut Unrated Version?
    • Is it true that an alternate cut was released on VHS?

    Details

    Edit
    • Release date
      • August 30, 1972 (United States)
    • Country of origin
      • United States
    • Official site
      • MGM
    • Language
      • English
    • Also known as
      • La última casa a la izquierda
    • Filming locations
      • New York City, New York, USA(buying grass scene)
    • Production companies
      • Sean S. Cunningham Films
      • The Night Co.
      • Lobster Enterprises
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $90,000 (estimated)
    • Gross worldwide
      • $135
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 24m(84 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

    Contribute to this page

    Suggest an edit or add missing content
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.