User reviews

A true obscurity. Most of the user comments reference its unmistakable similarity to MISERY. In Stephen King's defense (not that I'm a huge King fan, nor is the author above "homages" to previous works), even ROSALIE can't be said to have broken new ground with its theme of a woman keeping a man "hostage" (Don Siegel's BEGUILED with Clint Eastwood came out just a year before, for instance). And, the film is OBSCURE. I had to find it on the dark corners of the internet to find an import VHS - with Dutch subtitles to boot (anybody who NEEDS to see this can email me).

A virtual three person show with Bedelia and Howard on screen for virtually the entire running time (Anthony Zerbe shows is the 3rd main actor, though his part is much smaller). The odd perverse atmosphere helps a lot, but there is little in the way of action or psychological insight. Bedelia is not altogether convincing as a Native American, but she truly carries the film with her portrait of a deeply disturbed young woman. At times, the script doesn't seem consistent as to whether Rosalie is totally naive, or whether she is merely cunning. With some things, she appears to have NO understanding of the wider world, but at other times, she keeps up with the well bred Virgil. The twist ending works on one level, but carries little meaning.

Considering that the indie film was originally distributed by 20th Century Fox and that all three of the stars are name actors, it remains a "strange" mystery why this film seems to have vanished. Perhaps, Rosalie's ultimate vengeance?

Childish and slightly unhinged Rosalie imprisons hapless jewelry salesman Virgil in her dusty farm.Poor guy is strapped to an iron bed after Rosalie has broken his leg with the back end of an axe.Suddenly a demented biker appears and they both find themselves dominated and tormented by him...I am fairly sure that after watching "The Strange Vengeance of Rosalie" Stephen King took the main idea to write his bestselling novel "Misery".Bonnie Bedelia is excellent as the uneducated,naive and aggressive captor.The final twist is rather silly,but I liked dry and utterly remote desert setting.The film was cut by the studio to achieve the desired PG rating.Thankfully I managed to see all the nude scenes censored from American release.8 out of 10.Very rare 70's film from director Jack Starrett of "Race with the Devil" fame.

A traveling salesman (Ken Howard)gives a teenage half-breed hitchhiker (Bonnie Bedelia) a ride to her isolated shack of a home and soon finds himself with two flat tires and a broken leg, and confined to the bed in the shack at the mercy of this strange young girl, as well as a vicious biker (Anthony Zerbe) who comes to the remote shack looking for some hidden gold. . .

The comparison of this movie to Stephen King's "Misery" is obvious but pretty facile I think. First off, it's probably much less 'miserable" to be the love slave of a young Bonnie Bedelia than of Kathy Bates (and the truly grotesque character I personally envisioned from King's book makes even Kathy Bates look like Bonnie Bedelia in comparison). Moreover though, Bedelia's "Rosalie" is clearly intended to be a sympathetic rather than terrifying character here. She is a real naif, and perhaps not too bright, and she has been terribly abused by all the men in her life from her recently deceased father to Zerbe's biker (who had previously raped her). Even her captive here manages to manipulate her terribly and as a result he does not necessarily have the audience's full sympathy.

This movie is very interesting in that it's not really a horror film like "Misery". Nor is it really a sex fantasy (or sex fantasy gone wrong) like the later 70's film "Death Game". But rather it is a serious, two-or-three character drama. The end, unfortunately, which involves "Rosalie's" real "vengeance", is not very believable. It is very well acted though, especially by Bedelia. I too am surprised it hasn't been legitimately released on DVD yet--Bedelia would, of course, go to star in "Die Hard", Zerbe had previously been in "The Omega Man", director Jack Starret would go to do the 70's cult favorite "Race with the Devil", and Howard go on to, uh, the 70's TV series "The White Shadow". I suspect that (unlike a lot of stuff I watch) this WILL be on DVD someday. You might wait until then, but definitely check it out.

Sometimes, regretfully seldom though, one single glimpse at the opening sequence is enough to know the film that the film you're about to watch will turn out everything you look for in obscure, neglected and ultra-gritty 70's cinema. In my case it also proves an incurable lunatic, of course, because "The Strange Vengeance of Rosalie" opens with a beautiful pan shot of a forsaken desert area. There are living chickens tied to a tree (!) and the titular character is digging a hole in the ground to dispose of a corpse. Truly magnificent opening and even though nothing else in the film lives up to the beauty of this intro, I'd still recommend the film if just for that! The few reviews I encountered on "The Strange Vengeance of Rosalie" accurately refer to the film as a predecessor of "Misery". I wouldn't go as far as calling Stephen King's story a rip-off, but there are certainly common themes and recognizable sequences to find in this film that came out nearly two full decades before King published his book. Bonnie Bedelia is best known for playing Bruce Willis' wife in "Die Hard" but this is an actual eye-catching and stellar performance! Her still under-aged character Rosalie lures the handsome Virgil to her remote cabin in the New Mexican desert, and she intends to keep him there even if that means physically disabling him. There's where the link with "Misery" becomes indisputable. Rosalie breaks the guy's leg, ties him to the bed and subsequently nurses him like she's a caring wife. The party of two then brutally gets interrupted by a biker looking for the gold that is reputedly hidden in the area somewhere. Rosalie may be young, but she's dangerously deranged enough to take on two adult men. "Strange" is definitely the term to use here, as it's a gritty and thoroughly unpredictable film that moodily unfolds with each minute that passes. The isolated setting is grim and the hopeless situation in which Virgil finds himself stuck in is more than a little disturbing. The interactions between Rosalie and her bed-ridden victim do become a little monotonous eventually and I wouldn't have mind if some of that footage ended up on the cutting floor. 107 minutes of running time is rather long for this type of film, but at least it comes with a crude and offbeat 70's end-shot and the obligatory uncanny "La La La" song. Stunning as it may sound, the script never reverts to being gratuitous exploitation, even though all the themes hint towards that direction. A beautiful and scantily dressed minor literally throws herself at this potent, thirty-something guy, yet he doesn't take advantage of her. Heck, even the sleazy biker doesn't make a move at raping her. It's really quite admirable how the film thrives on awkwardness, stellar performances and various depictions of human despair instead of on sex. "The Strange Vengeance of Rosalie" is a unique find for cult collectors and based on the acting skills illustrated here, it's a real shame Bedelia never become one of Hollywood's most wanted starlets.

Richard (Ken Howard) is very clean and white in comparison to a brown and dusty landscape filled with brown, dusty people. He stands out like a cultivated plant in a wild desert garden. Rosalie is the girl you, at times, feel sorry for and, at times, are just simply disgusted with. Bonnie Bedelia does a wonderful job of playing her with a very hard stubborn edge that can drive you crazy. You will leave this movie feeling bewildered and frustrated to all hell.

The guy from White Shadow is lured to the home of a young hitchhiker. There she keeps him, first by wrecking his car, then by (uh-oh here comes the real "iffy" Stephen King part) busting up his legs and tying him to a bed cause she just doesn't want to let him go. Of course he spends the remainder of the film trying to get some help and kill the girl. I won't give anything else away. I have been tryin for ages to find someone who has seen this so they could back me up that Mr. King ripped-off huge parts of this storyline for his own use.

This is a film from the early 70's that I watched in the early 80's, it wasn't a new movie, but it wasn't dated for the time either, on the contrary, in the 80's I was a teenager and the feeling I had was that the films from the previous decade (70s) were more impactful on me than those from the current decade (80s). Many of the most memorable films of my life belong to the period 1966-1974, and I watched most of them in my adolescence.

With this film it was no different, I watched it one late night on the couch at my house in the early 80's and it was like a punch in the stomach. I can give other examples, such as "The Good, The Bad and The Ugly" (1966), "Midnight Cowboy" (1969), "Brewster McCloud" (1970), "Straw Dogs" (1971), "The Beguiled" (1971), "Deliverance" (1972), "The Wicker Man" (1973), "Bring Me the Head of Alfredo Garcia" (1974), and many others, the list is huge.

I never rewatched "The Strange Vengeance of Rosalie" after that, so I'm pretty sure if I were to watch it today I would find it to be a pretty bad and outdated movie. And for that very reason I prefer not to watch it again, because I prefer to keep in myself the unique and devastating feeling it caused me at the time, which puts the film among the most memorable of my life.

This film was so impactful that when I watched the release of "Misery" (1990) in theaters, I thought it was rubbish, a great disappointment, because the origin of the inspiration was evident and even a certain plagiarism in the story, until today the film of Rob Reiner doesn't get down my throat very much. Okay, everyone can claim nowadays that "Misery" is a much better movie, better made, with better actors, etc, but for those who knew the illustrious unknown original B movie that probably served as inspiration for that Stephen King story , none of these better elements are enough to elevate it to the heights of a superior film.

That's it, so if you like small and simple old productions, different and obscure, with a high degree of suspense and tension, "The Strange Vengeance of Rosalie" is a full plate.

Whilst searching for the next slice of schlock for my B-movie collection, it's pretty much common knowledge, by now that I'm either gonna end up with something painfully bad, or if I'm lucky, something so bad it's good. But sometimes, on a one of those rare occasions, I'll unearth something unexpected. Something interesting. Dare I say something Incredible. If Stephen King got his idea for Misery from this movie, all I can say is that he sure could have done a lot worse. The Strange Vengeance Of Rosalie, at first centers on Virgil, who is passing through the New Mexico desert on his way to a Hawain vacation. Uh-oh, a hitchhiker. Unfortunately, this is the early 70's. A time when people thoughtlessly picked up hitchhikers. But really. This is a teenage girl we're talking about, here. Rosalie is a Native American, kinda hickish, like the beverly hillbillies, in the way of not knowing about stuff. But anyway, she's nice enough. Once Rosalie guilt-trips unsuspecting Virgil into hauling her miles upon miles out in her shack in the middle of the desert, she repays him by breaking his leg. The thing is, Since Rosalie's grandfather died, it's been awfully lonely around the desolate homestead, and loneliness can do strange things to one's mind. In other words, Virgil ain't going' nowhere. Other than the fact that she's half-crazy, kinda immature and perhaps a bit backwards, Rosalie is pretty easy to get along with. So, to be fair, ol' Virgil could do much worse in the way of captors. No torturing, or anything like that. Just somebody to talk to... also, maybe someone to control.Man, what a strong feeling of isolation. Poor Virgil might as well be on another planet. At least ten miles from anything. Car ain't workin', leg sure as hell ain't workin'. Reasoning with the captor is frustrating, and possibly hopeless. As the captor, Rosalie can be an unlikeable character, yet often pitiful, and occasionally endearing. As the viewer, I found myself rooting for Virgil to just give up and stay in that hell hole. This would be around the time that Rosalie shows that she's nothing but poison, perfectly willing to mame or murder, if it suits her. It just doesn't seem like it's because she's a bad person. Poor girl just don't know no better. Besides the breaking of the leg, for roughly the same reason, what this film has most in common with Misery is that constant feeling of dread, hopelessness and isolation all rolled into one. The Strange Vengeance Of Rosalie isn't quite as well-known or big budget. This film is from a different time, and is for a different audience. This film has that odd drive-in obscurity feel to it, as opposed to the early-90's made-for-TV feel of it's counterpart. I wouldn't say the character of Rosalie is anywhere as deep or complicated as that of Kathy Bates, but Rosalie is a different kind of animal. While still stubborn and set in her ways, Rosalie's needs are more primitive, if you will. All the girl wants is some company. Someone to talk to. Perhaps a husband, if it leads to that. Whatever Rosalie decides. Virgil has no say, he has a broken leg. I truly have not been this impressed with an obscurity like this in a long, long time. Most low budget films I get a hold of are of the Horror genre. Rosalie is more of a suspense-thriller. So, in closing. If you ever get tired of the same old so bad it's good, gory, schlocky grainy-screen goodness, perhaps you're in the mood for something different. Something that'll make you think. This is quality Drive-In cinema. 10/10

The plot, as told by figjam (I'll try not to be too corny):

> A stranded and dirty teenage girl is picked up along a desolate strip of highway by a traveling salesman. Being very straight-lace as defined by the times, he's at a loss as to how to react to (and protect himself from) the primal instincts of a lost, lonely little girl.

> Unable to read or write, unable to understand the concept of hygiene, her closest "companion" being her rapist, all the girl needs is the help of a social worker. How do you get her the help she needs when you're her captive? > She needs companionship, but she doesn't know this and therefore, can't articulate it. She tries to keep the salesman from leaving her at any cost.

> The key words to understanding Rosalie are GROTESQUE INNOCENCE. It's this innocence that makes this movie better than Misery (according to me). I wonder if this is the vision that Stephen King had for Misery but couldn't quite achieve.