Dimension 5

In this spy thriller from United Pictures and director Franklin Adreon, American secret agent Justin Power (Jeffrey Hunter) is teamed with Hong Kong agent Kitty Tsu (France Nuyen) to thwart a Red China terror group known as the Dragon from detonating a hydrogen bomb in Los Angeles. They must find the location of the mysterious crime lord Big Buddha (Harold Sakata), who is also an operative of Dragon, before it's too late.

This dollar store version of a James Bond movie is insipid, slow, and occasionally mildly amusing in its ineptitude. The film's big gimmick is the hero's use of cutting edge time travel technology to jump a few seconds or a couple of weeks forward or backward in time. He's warned by Donald Woods, playing the film's Bond boss M stand-in, that overuse of the time tech (housed conveniently in Hunter's wristwatch) could lead to a "time slip", a simplistic plot device to explain why time travel isn't used repeatedly to solve every little issue the hero comes across. Regardless, we never do see any suffer a time slip, unfortunately.

Harold "Oddjob" Sakata is an unusual boss villain, appearing in a motorized wheelchair, having all of his dialogue dubbed by Paul Frees, and, in one extended sequence, appearing shirtless. Lee Kolima, who looks a lot like Tor Johnson, plays big henchman Genghis, the kind of role Sakata usually played.

KTLA, in Los Angeles, used to excavate this moldy bit of time-travel weirdness, fairly often. I got interested from the cast, uniting Jeffrey Hunter, (at about the same time he would have been filming the original "Star Trek" pilot, "The Cage"), with future "Star Trek" guest, France Nuyen, ("Elaan Of Troyas"). The SF is very low-budget, very typical of its time, but still manages some interesting comments on time-travel, and its ramifications. (similar in some ways to a classic bit of SF, also pretty forgotten nowadays, "Cyborg 2087"). The time-travel belt is astoundingly cheap, yet every kid I knew wanted one! (ah, the old days before marketing took over!) Hunter gives this more than it probably deserved, and his performance brings most of the worth to the proceedings, while Nuyen tries to look Chinese, (and Communist!). The production was obviously quite cheap, and I have my doubts this ever played theatres. Saw it for years on Independent TV stations around the country, but it's pretty rare anymore. Skiffy ran it once or twice (I think), back when they survived on old movies, and never since they got "respectable", yet it's really no worse than much of their low-budget offerings. It's good cheese, and I wish it would poke its head out now and then.

Dumped Along-Side Piles of Low-Budget James Bond Trash.

This Embarrassing Miss-Fire with Jeffrey Hunter as a Blue-Eyed Lady's Man is Juvenile Junk that Meanders Along with Hardly a Scene that isn't Worth-Less.

Hunter as Justin Powers Super-Spy, Complete with a Time-Travel Belt that Looks like it Came From the Toy-Section at K-Mart.

The Snazzy Adornment with its Multi-Colored Dials is a Cumbersome Gadget that also Comes with a "Ring" Accessory.

None of this Means Much Because it is Underused and Unimpressive when it is Used.

There are a Myriad of Jet Airliners Taking Off and Landing and Helicopters Hovering Here and There.

A Couple of Fight Scenes are as Boring and Dull as Possible in a Film that Struggles Consistently to be Anything More than an Episode of a Mediocre TV Show.

There are Bond,eh, Powers-Babes Sprinkled Around Winking, Fawning, and Pitching-Woo, because that's a Trope of the Genre.

Beefcake and Oiled-Up Harold "Odd-Job" Sakata Shows Up as, get this, "Big Buddha", but for Some Reason is Confined to a Wheel-Chair.

Abysmal, Atrocious, and Skippable this is 1 Bond Knock-Off that is a Complete and Utter Fizzle.

The swinging 60s strike again in this mildly - make that VERY mildly - amusing espionage nonsense about a supposedly top notch intelligence agent, Justin Power (Jeffrey Hunter, "The Searchers") who is partnered with a Chinese-American female agent, "Kitty" (France Nuyen, "South Pacific"). Their mission is to foil a criminal organization dubbed The Dragons, which are headed by wheelchair-bound "Big Buddha" (Harold "Oddjob" Sakata, who is dubbed by Paul Frees). The Dragons plan to detonate a bomb in the City of Angels, but the good guys have a secret weapon: a time travel device that can be worn like a belt!

"Dimension 5" is low-tech and minor league, and it's also pretty short on action. Therefore, it's never particularly exciting, but it still has its moments. The give and take between our hero and heroine is enjoyable enough; she's Americanized enough to prefer steak and potatoes to more traditional Asian dishes. He's confident and has a fair amount of swagger. That said, neither of them are THAT smart - he needs to be saved more than once, and at the end, when she has the villain dead to rights, she doesn't kill him when she has the chance. Hunter and Nuyen are both very good looking, which should help to make their characters palatable nevertheless.

They're assisted by a fairly good bunch of supporting actors, including Donald Woods ("The Beast from 20,000 Fathoms"), Robert Ito ('Quincy M.E.'), Jon Lormer ("Creepshow"), Bill Walker ("The Long, Hot Summer"), Tad Horino ("Galaxina"), and Robert Phillips ("The Dirty Dozen"). The filmmaking isn't overly slick but it's passable; this was made by many of the same people behind the previous time travel sci-fi flick, "Cyborg 2087", including director Franklin Adreon.

A watchable, forgettable diversion for an hour and a half.

Five out of 10.

Belonging to that period after China successfully tested it's first atomic bomb on 16 October 1964 and diverted the West's attention from the Russkies to the menace posed by Red China; with the result that thirty years before Michelle Yeoh in 'Tomorrow Never Dies', special agent Justin Power (sound familiar?) is assisted by resourceful Asian babe France Nuyen in mopping up a gang of sinister orientals led by a wheelchaired Oddjob (Harold Sakata, plainly dubbed) planning a Christmas surprise for Los Angeles.

The goodies are equipped with cool gadgets around their waists like Willy McBean's Magic Machine (a bit like the device later employed in Michael Crichton's 'Looker') that enable them to run rings round the bad guys; although their training evidently didn't extend to anticipating the most intelligent use of the enormous tactical advantage this gives them in the field.