IMDb RATING
4.4/10
1.9K
YOUR RATING
Magazine reporters Hiroyuki Kurosaki and his colleagues brought back to Japan a monster child who had just hatched from an egg issued on the isolated island of Obelisk in the South Sea.Magazine reporters Hiroyuki Kurosaki and his colleagues brought back to Japan a monster child who had just hatched from an egg issued on the isolated island of Obelisk in the South Sea.Magazine reporters Hiroyuki Kurosaki and his colleagues brought back to Japan a monster child who had just hatched from an egg issued on the isolated island of Obelisk in the South Sea.
Yûji Odaka
- Prof. Daize Tonooka
- (as Yuji Kodaka)
Yôko Ôyagi
- Aihara
- (as Yoko Oyagi)
4.41.8K
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Featured reviews
Gappa Gappa Hey!
Long thought to be missing but.......here it is. (Apologies to the Ramones.)
This was a late comer to the U.S. video ranks because its script was hard to change to make it more 'American.' Japanese satire would be lost on anyone without a significant knowledge of the country. Most would see this as just another dude in a rubber suit burning Tokyo again.
The monster itself was a bit different. Like Godzilla and Rodan hybridized. The usual happens. Military comes...fails...but this guy knows the secret.
I have a Japanese video copy. It's the original version. But the DVD release was necessary. And the racist tag line never existed.
This was a late comer to the U.S. video ranks because its script was hard to change to make it more 'American.' Japanese satire would be lost on anyone without a significant knowledge of the country. Most would see this as just another dude in a rubber suit burning Tokyo again.
The monster itself was a bit different. Like Godzilla and Rodan hybridized. The usual happens. Military comes...fails...but this guy knows the secret.
I have a Japanese video copy. It's the original version. But the DVD release was necessary. And the racist tag line never existed.
I've seen it after more than 30 years
I was visiting this movie approximately in 1972, when communist allow us to see two or three Japanese "sci-fi" movies. In that time it has been for me something new, I've been a small boy, but I feel it is not good. But it has been from my lovely sci-fi section and now I bought a DVD and look at it with pleasure. There is so much mistakes... For example the rocket propulsion of that giant lizards, the fire from their mouths when they destroyed all military technology - tanks and aircraft, their bullet, bomb and rocket proof skin. The monsters can fly, walk and float under see, just one problem they have - they don't like high-frequency sound, so army can thrust their from the lake under Fuji. On the island, where from are the monsters are living the natives which are waiting tens generations for Japanese liberators, but almost all know the Japanese language! The end is beautiful and very sentimental - first and last time you can see a giant monster to cry:-)
Special Effects
Just wanted to comment on some of the other statements made by people on this board. First,yes the special effects do not look like todays..but I for one like the pre-CGI effects. The special effects people had to be much more inventive and creative in the pre CGI days. This movie doesn't have the great effects of some of the old monster movies such as the Ray Harryhausen(which are better than any CGI in my opinion)features and the Godzilla films,but it still makes pretty good use of miniature sets. Great movie for young kids or us older people who still remember what it was like watching these films as a child. I love watching these movies for nostalgic purposes as well. Sure it can be cheesy to some..but if you watch these films in the context that they were meant to be viewed..they can be very entertaining and enjoyable.
OK semi-remake of Gorgo{1961},good monster fun for fans of the more juvenile Godzilla movies
If you like the Japanese Godzilla movies of the 60s and {especially}the 70s made by Toho Studios, than you're probably like this effort, a not totally successful but fun attempt by Shockiku Studios to get in on the act.
King Kong obviously inspired the early section of the film,but oddly enough the film mostly bases it's plot on the British 1961 monster movie Gorgo {itself a Godzilla imitation},with a baby monster captured by humans and it's angry parent wrecking havoc to get him back. However,unlike Gorgo's one vengeful parent,here we have both mum and dad monsters attacking poor Japan {one wonders why anyone still bothers to live there in these films,since it's always being destroyed by giant monster year after year}.
The film lacks the polish of the Toho films,with the miniatures lacking in detail and some rather drab photography and poor editing. Music is mediocre although the two songs {only in the subtitled version}are memorable for the wrong reasons. However,the family Gappa are uniquely weird monsters,the action is pretty continuous after the first half an hour and the final reunion scene involving the monsters is touching. There are some amusing touches which gently mock the genre. Feminists be warned though-the end scene where the human heroine realises her role in life will probably offend you greatly!
Hardly a classic of monster movies but silly and entertaining anyway. A good one to introduce young kids to the genre.
King Kong obviously inspired the early section of the film,but oddly enough the film mostly bases it's plot on the British 1961 monster movie Gorgo {itself a Godzilla imitation},with a baby monster captured by humans and it's angry parent wrecking havoc to get him back. However,unlike Gorgo's one vengeful parent,here we have both mum and dad monsters attacking poor Japan {one wonders why anyone still bothers to live there in these films,since it's always being destroyed by giant monster year after year}.
The film lacks the polish of the Toho films,with the miniatures lacking in detail and some rather drab photography and poor editing. Music is mediocre although the two songs {only in the subtitled version}are memorable for the wrong reasons. However,the family Gappa are uniquely weird monsters,the action is pretty continuous after the first half an hour and the final reunion scene involving the monsters is touching. There are some amusing touches which gently mock the genre. Feminists be warned though-the end scene where the human heroine realises her role in life will probably offend you greatly!
Hardly a classic of monster movies but silly and entertaining anyway. A good one to introduce young kids to the genre.
Not Nearly as Bad as it Could Have Been
My youngest picked this one out...after a couple of weeks of sitting through subtitled movies that he couldn't read through fast enough...
He said, "Dad, I want a monster movie that will make me laugh" and laugh my seven year old did. It was a cute movie with a cute trio of monsters. Couple that with a high-powered business man who flies off the handle for absolutely no reason and you've got Japanese monster GOLD, baby! Look for the same special effects as in the early Godzilla movies and the same dead subplots...but, the quality of this picture makes it fun to watch and make fun of...for example, they are inside a cave...where does the light come from? The "night" shots obviously shot in broad noon with a filter. Hilarious!
He said, "Dad, I want a monster movie that will make me laugh" and laugh my seven year old did. It was a cute movie with a cute trio of monsters. Couple that with a high-powered business man who flies off the handle for absolutely no reason and you've got Japanese monster GOLD, baby! Look for the same special effects as in the early Godzilla movies and the same dead subplots...but, the quality of this picture makes it fun to watch and make fun of...for example, they are inside a cave...where does the light come from? The "night" shots obviously shot in broad noon with a filter. Hilarious!
Did you know
- TriviaThe main and end title music heard in the overseas releases of this film (for example, Monster from a Prehistoric Planet in the U.S.) were from an earlier film also scored by Seitaro Omori, the Nikkatsu teen drama/comedy film Youth Song (1959).
- GoofsAt 54:00 when airplanes attack the Gappas, for a brief moment during a view from an airplane target one can see where the fake sky backdrop ends and the movie studio beyond it.
- Quotes
President Funazu: Like it? I call it Playmate Land.
- Alternate versionsIn all English-dubbed versions of the film, the rock and roll theme song titled "Great Giant Beast Gappa" (heard in both the opening credits and the ending of the original Japanese version of it) is replaced by standard orchestral music. Also, the Japanese version features a song titled "Keep Trying, Baby Gappa!" (heard in the scene at the end of the film where the male and female Gappas are reunited with their baby). In all English-dubbed versions, the song's vocals are cut and thus, it becomes an instrumental song.
- ConnectionsEdited into Red Dwarf: Meltdown (1991)
- SoundtracksDaikyojû Gappa
("Great Giant Beast Gappa")
Opening and Ending Theme (Japanese version only)
Music by Masao Yoneyama
Arrangement by Iwao Shigematsu
Lyrics by Hikari Ichijô
Performed by Katsuhiko Miki
- How long is Gappa the Triphibian Monster?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Gappa the Triphibian Monsters
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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