Mad Dog Morgan

The recent release of "Mad Dog Morgan" on Troma DVD is disappointing.This appears to be a censored print for television viewing. Some of the more violent scenes have been edited and portions of the colorful language have been removed. Anyone who viewed the film uncut will be mad as hell at this toxic DVD version. "Mad Dog Morgan" deserves to be released on DVD in the original theatrical cut. However, even as released on DVD, the film is still one of the better depictions of bushranger life in nineteenth century Australia. After having toured the Old Melbourne Gaol, with death masks of convicts on display, it is "Mad Dog Morgan" that comes to mind.

If looking on the DVD cover that is provided by Troma (yes, that old chestnut) - and by this I mean the *new* sort-of remastered uncut DVD version released last year, not the much lamented previous version that looks like hell- you would think that you have been missing out on something really special for your whole cinematic life. How has one not seen a mid 70's Aussie-Western (also one of the very first Australian film distributed in the US) which stars Dennis Hopper as a mad bandit going around the Queensland colonies in the 19th century donning a fake beard and shooting (mostly) those who he deems deserve a killing? It could go either way: it could either be the case where it is a suppressed classic just waiting to be unearthed, or it's a piece of Aussie trash given some prestige above its other Ausploitation films due to its star. Ultimately, the movie is somewhere in the middle, though it tries to be a classic when it can, and sometimes can't help but be kind of trashy due to its budget.

It's protagonist is something of an icon in Australia, like their Billy the Kid (sadly I'd yet to hear of him until this film), who started out as just an Irish farmer who enjoyed his opium, but ran away from a massacre of the Chinese in the area. He then got put in jail for one hold-up, got tortured and raped in prison, and then got out to try and become normal again, only to get shot and get healed by an aborigine. If this sounds like something interesting so far, it is. But the only downside it's at this point that the film finally takes off, after the first half hour; it's not that the opening half hour is bad in the slightest, since the cinematography by Mike Molloy is always something cool to look at in widescreen anamorphic. But the pace is kind of jerky and shaky, going from one set-up to another with a jarring feeling. This happens at other points in the film as well, but not as much as at this part.

And yet, as just noted, when Morgan is shot and heals up with the aborigine (a very natural David Gulpilil), he then decides to fight back. In a way he becomes an outlaw since he's left with no alternative, but at the same time goes for it for all it's worth. He especially attacks the upper class, those who have lots of money and land, and he becomes the big target for the police and authorities in the area, garnering a 1,000 dollar reward. It's here we get to see the big bad Dennis Hopper becomes as Morgan, and the film takes on a quality that is kind of special: it's a western, but it's also an anti-western. It's not about how Morgan is just some amoral villain going around to rob and maim and kill. His terms of being criminal are partly for survival (not too oddly enough one of his old prison "buddies" goes after him now as a member of the local authority), and partly to stick it to 'the man' circa 1860 Australia. We see the people who should be taking Morgan out as being, appropriately for the time period, not very sharp: one of their goals once they get kill Morgan is to study his skull to see how primitive he is.

It's this, actually, that Philippe Mora latches on to. How primitive a life does Morgan lead as an outlaw? His main compadre is an aborigine, who is barely looked on as human by the people in charge in the Aussie area, and as he keeps going along he's more at peace in an odd way with his fate. He knows how lucky he is to get *this* far, and he becomes more of a bad-ass because of it. He's a solid anti-hero, and Hopper makes the movie as awesome as it can get. He has a look about him- yes, even with that fake beard like something out of Cannibal the Musical- that is a little frightening, but also kind of sympathetic and sad. There's a scene where his Morgan is in a house with a woman, and she basically offers herself to him sexually, and he just softly speaks about how he just can't do it, and speaks about his mother. It's a very odd but touching scene, mostly due to Hopper's dedication to the role. By the end he becomes a kind of tragic figure.

He's not just the only reason to see the movie; when it's at its best, Mora's direction is sharp and exciting, particularly with action scenes as you really don't know who will get it and how bad in rifle and bullet fire, the blood being a big factor as well. And the cinematography, even in a print that is still shoddy in this updated Troma release, is striking and ethereal, giving the movie a whole other quality than I expected. Is it a great movie? Surely not. The pacing is not always tight, and some of the supporting performances are weak, as they tend to be in low-budget B-movies. But for what they had to work with, star included, it's definitely worth checking out.

This Australian film is based on a true story of an outlaw in the rough and ready world of the 1800's Way Down Under. It's a very rough world indeed. There are no jokes, no hijinks, no pretty lady loves. Morgan is brutalized by his environment of gold camps, opium dens, and a hellish period in prison. His one love, his one true friend, is a male aborigine who acts as both his savior and his servant.

This is, indeed, an ugly film. Yet Dennis Hopper manages to find a note of grace, and gives the film it's heart. The last portion of the film seems deeper and truer than the scenes that went before, allowing the viewer to understand more fully the complexity of a man such as Morgan.

The movie is low-budget and a bit disjointed. It is also often compelling.....and unsettling. I can't give it a high grade, due to it's poor producton values. But I'm glad it's in my collection.

Despite some technical shortcomings and rather loose presentation, Mad Dog Morgan is an entertaining showcase of the Ozploitation genre. Dennis Hopper gives a strong performance, firing away as Irish prospector turned bushwhacker Daniel Morgan and there's rarely a dull moment. The pacing is quick and punchy, but not without it's more subtle dramatic moments.

Though what's most fascinating is that it's no more about crime than how easily a life can be corrupted, turning an individual into a criminal. Daniel Morgan is a confused, violent character but we sympathize with him nonetheless

All in all it's an interesting, near forgotten piece of film-making. You'd be hard pressed to find a proper version, but it's a must see for anyone interested in the sub-genre.

I've been searching for this movie for years, and now thanks to a recent DVD release here in Australia I've finally been able to see it. And best of all, it's a bloody good movie! 'Mad Dog Morgan' was made in Dennis Hooper's "wilderness" years where his reputation and behaviour meant that mainstream Hollywood was too nervous to employ him. During this period he made some of his most interesting movies, often overseas, with some of his bravest and most honest performances. Movies like 'Tracks', 'Bloodbath', 'The American Friend' and this one. Sadly little seen and rarely talked about. Hopper plays Irish immigrant turned bushranger (that's outlaw to non-Australians) Daniel Morgan, hero to the more famous folk hero Ned Kelly. Hopper, by the look of him in the 25 minute documentary included on the DVD, could out drink and drug Robert Downey Jr and Christian Slater combined and STILL give a remarkable performance. Hopper is helped by a supporting cast of the (then) cream of Aussie acting, most of whom are probably not all that known to overseas audiences apart from Jack Thompson, and maybe David Gulpilil ('Walkabout', 'The Tracker'), Bill Hunter ('Newsfront', 'Muriel's Wedding') and the legendary Frank Thring ('Ben-Hur', 'Mad Max Beyond Thunderdome'). Director, Australian ex-pat Philippe Mora, went on to an eclectic and eccentric career which included cult favourites 'The Beast Within' and 'Communion'. 'Mad Dog Morgan' is one of the most underrated and overlooked movies ever made in Australia and deserves to be rediscovered.