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4.8/10
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Three criminals on a murder spree arrives at a farmhouse, where a girl is living with her paralyzed grandfather.Three criminals on a murder spree arrives at a farmhouse, where a girl is living with her paralyzed grandfather.Three criminals on a murder spree arrives at a farmhouse, where a girl is living with her paralyzed grandfather.
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AXE (aka: LISA, LISA) is the story of three desperate criminals, two of whom are sadistic murderers, and one with a working conscience. After committing mayhem, the trio decide to hide out at an isolated farmhouse inhabited by a young woman named Lisa (Leslie Lee) and her paralyzed grandfather. Unbeknownst to these crooks, Lisa is a tad unbalanced. All goes well until one of the miscreants tries to rape her, causing Lisa to show these bums some cold, hard steel!
Ms. Lee could have played Lisa to the hilt, but downplays her madness instead. She's quiet, rarely uttering a word. This actually makes her creepier! A decent low-budget feature worth checking out...
Ms. Lee could have played Lisa to the hilt, but downplays her madness instead. She's quiet, rarely uttering a word. This actually makes her creepier! A decent low-budget feature worth checking out...
I saw the 64 mins version for the first time recently aft reading few glowing reviews.
Used to watch a lottuva horror movies on vhs during the late 80s n early 90s. This one got skipped.
Comparisons to Last House.. will crop up but apart from murderers taking asylum in an isolated house, this one is different but a bit boring inspite of being a relatively short film.
One of the best part is the cinematography, the rural isolation with the creepy farmhouse is well captured.
They shud have shown some background story about Lisa's psychology.
Can someone tell me who was the man trying to enter Lisa's farm but got chased away by the two murderers during the meal around 31st min.
Did Lisa informed the cops during their first visit or later after the two murders.
Why did the third bearded trespasser ran out after seeing the dead body in the chimney?
Used to watch a lottuva horror movies on vhs during the late 80s n early 90s. This one got skipped.
Comparisons to Last House.. will crop up but apart from murderers taking asylum in an isolated house, this one is different but a bit boring inspite of being a relatively short film.
One of the best part is the cinematography, the rural isolation with the creepy farmhouse is well captured.
They shud have shown some background story about Lisa's psychology.
Can someone tell me who was the man trying to enter Lisa's farm but got chased away by the two murderers during the meal around 31st min.
Did Lisa informed the cops during their first visit or later after the two murders.
Why did the third bearded trespasser ran out after seeing the dead body in the chimney?
My review was written in March 1983 after a Greenwich Village screening.
Filmed in Charlotte, North Carolina, about a decade ago (picture was rate by the MPAA in 1974), "Axe" (its alternate title: "Lisa, Lisa") is a fascinating but totally uncommercial film noir exercise in the horror genre, recently reissued to take advantage of public's appetite for gore-shockers. Recalling the B-films of old in its one-hour (plus elongated credits) running time, picture will be of more interest to film students than exploitation-film fans.
Filmmaker Frederick R. Friedel, working on apparently a student film budget, emphasizes detail close shots and inserts with punchy, accelerating editing to maintain tension in the absence of a strong narrative.
Picture opens with abstract tracking shots and moody closeups as a trio of gangsters terrorize an underling in a seedy hotel room. Typical of a no-budgeter, his falling out the 12th-story window takes place entirely off-screen, with a scream and sound effect.
Rest of the film has the gangsters hiding out down south, invading the remote house inhabited by a shy young girl Lisa (Leslie Lee) and her paralyzed, catatonic grandpa.
As the gangsters singly try to attack her, Lisa dispatches two of them with a straight razor and the title axe, while the third (played by director Friedel in an evident economy move) is accidentally offed by the police at film's end.
Abstracting his minimal material, Friedel evidences a good camera eye here. A piano, ondioline-style electronic keyboard and percussion score help to sustain the hypnotic mood, but for general audiences , lack of solid story values combined with amateur acting are bound to be disappointing. One example of the latter is that both Friedel and attractive heroine Lee fall back upon the device of gazing floorward to appear shy and vulnerable.
Little has been heard of Friedel since his promising effort, but cameraman Austin McKinney has made many low-budgeters and makeup man Worth Keeter is still in North Carolina, directing Eal Owenby's 3-D extravaganzas.
Filmed in Charlotte, North Carolina, about a decade ago (picture was rate by the MPAA in 1974), "Axe" (its alternate title: "Lisa, Lisa") is a fascinating but totally uncommercial film noir exercise in the horror genre, recently reissued to take advantage of public's appetite for gore-shockers. Recalling the B-films of old in its one-hour (plus elongated credits) running time, picture will be of more interest to film students than exploitation-film fans.
Filmmaker Frederick R. Friedel, working on apparently a student film budget, emphasizes detail close shots and inserts with punchy, accelerating editing to maintain tension in the absence of a strong narrative.
Picture opens with abstract tracking shots and moody closeups as a trio of gangsters terrorize an underling in a seedy hotel room. Typical of a no-budgeter, his falling out the 12th-story window takes place entirely off-screen, with a scream and sound effect.
Rest of the film has the gangsters hiding out down south, invading the remote house inhabited by a shy young girl Lisa (Leslie Lee) and her paralyzed, catatonic grandpa.
As the gangsters singly try to attack her, Lisa dispatches two of them with a straight razor and the title axe, while the third (played by director Friedel in an evident economy move) is accidentally offed by the police at film's end.
Abstracting his minimal material, Friedel evidences a good camera eye here. A piano, ondioline-style electronic keyboard and percussion score help to sustain the hypnotic mood, but for general audiences , lack of solid story values combined with amateur acting are bound to be disappointing. One example of the latter is that both Friedel and attractive heroine Lee fall back upon the device of gazing floorward to appear shy and vulnerable.
Little has been heard of Friedel since his promising effort, but cameraman Austin McKinney has made many low-budgeters and makeup man Worth Keeter is still in North Carolina, directing Eal Owenby's 3-D extravaganzas.
One of the sleepiest and slowest movies I've ever seen, but it casts a strange spell over the viewer and draws you in. It's cheap and feels like it was shot over a weekend, but every now and then, there's a really powerful moment or interesting shot that takes you by surprise. I enjoyed it more than I think I should have.
"Axe" is an oddball piece of work that seems to avoid a lot of the horror standards. The flow of the film has a refreshing feeling of randomness that makes it work. Not a lot is explained in this film so viewers are left to discuss the who, what and why amongst themselves and die hard 70's low budget sleaze fans might even try to pick out a story after repeated viewings. "Axe" is competently shot and edited. As an aficionado of 70's b movies I personally felt that it has a great look to it. An atmosphere of paranoid weirdness is developed early on and digs in on the viewer. The film also scores points for it's original soundtracking although the main hook from the intro theme gets a little over used at times. The acting is on par for the course, no remarkable talent here, but some cool characters. The one guy who looks like Bob Ross adds an interesting dynamic to the group of thugs, it's hard to figure out why exactly he's rolling with them. The girl who plays Lisa is rather pretty and her performance is effective enough to draw sympathy from the viewer during the more tense scenes.
Nothing mindblowing here, but fans of the era and genre who have a bit of patience will enjoy this one. Gore fanatics might feel cheated by Axe but lovers of strange "wtf is going on here" movies should give this one a swing.
Nothing mindblowing here, but fans of the era and genre who have a bit of patience will enjoy this one. Gore fanatics might feel cheated by Axe but lovers of strange "wtf is going on here" movies should give this one a swing.
Did you know
- TriviaLeslie Lee had done some modeling prior to playing her sole lead role as Lisa. Lee declined an offer to be interviewed for the release of this movie by Severin Films in both the DVD and Blu-ray formats.
- GoofsWhen Lomax is making holes in clothes with his cigar, the amount of holes, his position and position of the clothes is not synchronized between shots.
- Alternate versionsFor its original UK cinema release (as "California Axe Massacre") cuts were made to a razor slashing during a rape scene, the beating of Aubrey, and heavy edits to the infamous scene where the salesgirl is shot at and splashed with ketchup, and the film later found itself on the official DPP list of video nasties in the 80s. It was eventually issued on the Exploited video label, under its cinema title, in 1999 but received 19 secs of cuts to the previous razor slashing scene. The BBFC said they would have passed it uncut but previous illegal distribution of the uncut version led to a prosecution under the obscene publications act (the same reason The House by the Cemetery (1981) and Blood Feast (1963) were slightly cut). The cuts were fully waived for the 2005 ILC release and the film reverted to its original title of "Axe".
- ConnectionsEdited into Bloody Brothers (2007)
- SoundtracksSmellin' Up The Kitchen
Written and Sung by George Newman Shaw and John Willhelm
- How long is Axe?Powered by Alexa
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- Budget
- $25,000 (estimated)
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