Demon Seed

This movie does seem to be older than 1977 when you see it, yet it is very nice. Nice enough to have searched for it on Imdb. The film depicts a rarely seen machine intelligence, one that has a conscience, a purpose and a cool calculating mind. One would expect that from a machine, but usually machines in movies are stupid, mean, vengeful, everything a computer should have no reason to be. The ending is also great, showing the stupidity inherent in extreme human emotion. A must see and a classic. Demon Seed could seem to many troubling as it forces you to think and ask questions many of us prefer to refuse to ask. The nature of humanity, moral and thought are all put into question by this movie. See it and answer those questions for yourself.

This is a truly classic science fiction film, and it was actually way ahead of it's time when it was released back in 1977. The topic of artificial intelligence is still very relevant today, and just one look at Eagle Eye is proof enough. Everything about this film is top notch: directing, acting, script, score, cinematography, etc. are all first-rate. I was very sad when I looked for it on DVD a few years back and could not locate it. Fortunately, it is now available in DVD format. I also echo the sentiments of another reviewer who commented on the sad demise of director Donald Cammell, who was extremely talented but misunderstood. Another interesting film directed by Cammell in his later years is White of The Eye, which was released in 1987. It is a suspense thriller about a serial killer on the loose in Arizona, and it stars David Keith in a great performance. Check it out, and definitely check out Demon Seed if you haven't seen it already. You won't regret it. 8 Stars.

Susan Harris (Julie Christie), wife of a scientist working in the field of advanced robotics, becomes a prisoner in her own home when super-computer Proteus IV, who also wants to spread its seed by impregnating Susan, takes charge of her life. I rented "Demon Seed" because I felt like watching something with a brain, and based on a lot of positive IMDb reviews, I was praying for a smart sci-if flick. My prayers were answered.

The acting in Demon Seed is fine. Robert Vaughn was creepy as hell as Proteus IV, both sinister and relaxed at the same time, in fact he does an even better job as an evil computer here than Douglas Rain did as HAL-9000 in 2001: A space Odyssey.

The film benefits greatly from an intelligent screenplay, penned by Robert Jaffe and Roger O. Hirson. The dialog is thought provoking and thankfully never really insults the audience's intelligence.

Helming the director's seat is Donald Cammell, who directs with a firm hand and injects a claustrophobic and uncomfortable atmosphere into the film, also managing to maintain the suspense scenes well. Interestingly, he apparently condones the film (assuming that calling the film a 'piece of sh*t' warrants that…).

As others have pointed out there are some dated aspects to the production. The special effects were sparse but thoroughly unconvincing, the only exception being the mesmerizing computer screens that consist of ever-changing shapes and colors that are shown on Proteus's computer terminal. The film takes place in the 'distant' future—1995, I believe—yet it looks like it's right out of the 70's, no thanks to the cars, clothing, computers and hair styles that give away the films age. This is a small complaint but an annoying one, though it's easy to ignore once you get involved with the story line.

"Demon Seed" is an intelligent sci-fi film that's pretty rare but if you happen to see a copy of it, pick it up if you're in the mood for something smart.

7.5/10.

Demon Seed is a solid, independent science fiction thriller, regretfully overshadowed by the tragic fade of its director Donald Cammell. He was a devoted filmmaker who never really could depend on much support from both critics and distributors. His career started in a minor key, with `Performance' suffering from a lot of re-editing. Similar problems with his last film `Wild Side' drove him into committing suicide.

Don't let the technical mumbo-jumbo at the beginning of `Demon Seed' trick you…The first half hour leads you to believe this film is a theoretical suspense-thriller but in fact, the premise is more simple and appealing to a wider audience. `Proteus' is the name of a super computer, designed by scientist Alex Harris, in order to help him with his research. Yet, Proteus is so smart he soon develops an own will. Continuously growing stronger, Proteus perpetrates Alex's house and keeps his wife as a hostage. Proteus's goal is to impregnate Suzan (Julie Chrisie)…

Proteus is like a feared computer-virus in a pre-internet era! A super computer thinking & handling for itself! Which is, according to me, a very successful horror formula. The absence of a villain in the shape of a man helps increasing the tension. The setting of the over-protected house is great and causes uncomfortable feelings of claustrophobia. Julie Christie (the female star of `Don't Look Now') is great and almost carries the entire film. The visual effects in `Demon Seed' may look a bit dated by now, but the film still contains one of the greatest decapitations ever and…an outstanding ending! I swear to you…if you thought the whole movie was only so-so, the last 5 minutes will make you think more highly of it.

My mixed (at best) feelings about the film as a whole are reflected in the range of previous comments. My response to the contributions of composer Jerry Fielding, however, is unadulterated awe. The harmonic richness and complexity of his music sometimes seemed wasted on the films they accompanied - i.e. "Funeral Home", "Grey Lady Down, some of the Michael Winner collaborations et al - both the attention to detail his scores displayed and the complexity of response his music evoked were simply not supported by what was on screen. In fact, some of these films probably could have been served just as well if not better either by a relative hack or simply by a composer more able to work at "half-mast" on a given project - i.e. Goldsmith, Williams etc. Fielding's effectiveness was not restricted to scoring intense and/or violent scenes - witness his brief, exquisite interludes early and late in ""Junior Bonner", the heartbreakingly beautiful music underscoring Warren Oates' tortured efforts to express his feelings to Isela Vega in "Bring Me the Head of Alfredo Garcia" or for that matter the many gentle moments of respite in "The Wild Bunch" itself. Still, some of the most imaginative and memorable marriages of sound and image in the history of film are provided by Fielding in just such intense contexts, often in scenes anticipating or immediately following violence and especially scenes of violation – i.e. the rapes of "Straw Dogs", the near rape of "Bring Me the Head of Alfredo Garcia", the rough sex / bondage of "The Nightcomers", or the not-in-itself particularly violent but perhaps even more disturbing – more violating – situation played out in "Demon Seed" 's centerpiece. However unbelievable or even ludicrous this scene's premise - or the "science" underlying it - may seem, the emotional journey the film's protagonist is forced to take is massive and mind bending (the scene turning into something somewhat reminiscent of the penultimate scene of 2001). Fielding's music is more than up to the task, amply supporting and even expanding the scope of this journey.

Anyway, I think I've expended enough syllables. Fielding is one of the extremely small group of film composers whose work is just as absorbing and memorable with or without the image. So, to all those who are interested – follow the IMDb links and search … and look and listen …

P.S. As a previous poster has noted, the soundtrack recording is available on a cd pairing it with the score from "Soylent Green" by Fred Myrow. It was released by FSM (Film Score Monthly) on their Silver Age Classics label.