Vengeance

The story of vengeance here is pretty standard stuff, as a stubborn protagonist determines to get back at the scummy outlaws who raped / murdered his mom, murdered his dad, and made off with his sister. The twist here is that the protagonist is a young teen, Tom Thurston (Leif Garrett). Tom actually does a pretty good, and needless to say, very amusing job on his own, but ultimately he will team up with a gunslinger named Isaac (Jim Brown), a man with a highly coveted stash of gold, in order to save his sibling. Not only do they have to contend with the main outlaws, led by a truly devilish Lee Van Cleef, playing McClain (and sporting a bandanna instead of a hat), but a bumbling secondary group, including characters like Grover (Matt Clark) and Ned (Timothy Scott). Reasonably enjoyable but also forgettable, "Kid Vengeance" is just offbeat and surreal - and humorous - enough to give it entertainment value, in addition to the solid cast. Confusing at times, as if there might be a scene or two missing, and it also plods a little too much. An early production for Menahem Golan and Yoram Globus, before they formed the Cannon Group that cranked out many great genre movies of the 1980's, it's not as exploitative as one might think, and in fact it has some good moments where the feisty sister, Lisa (Glynnis O'Connor) tries to stand up to McClain. Van Cleef clearly has fun with his part, and John Marley is likewise a total hoot as his accomplice Jesus. Brown plays a role of quiet strength and does it well, and Garrett isn't bad as the kid. Clark and Scott are funny in the comedy roles. However, the tone of this movie is mostly serious (the opening scene actually looks believable), with a rather dark ending, and Garrett's Tom, who's been taught the difference between hunting and killing by his dad, figures out which of the two he's doing by following and eliminating the villains. The movie is mainly worth watching to see the commanding performances by Van Cleef and Brown, who'd also done "Take a Hard Ride" and "The Condor" together. They give it an extra point, along with the typically fine music by Francesco De Masi. While not without interest, it's not likely to stick in the mind for long after it's over. Six out of 10.

I have to grit my teeth (grit-grit) when I read the putdown of this movie. Sure, it is another vengeance adventure and, sure, there are goings-on that have gone on before, but the sum total is - it is some picture, and I mean that in a positive way.

The opening scene with the Easter bunny - well, I saw this on Maundy Thursday - was too realistic, as was the rape of the mother, viewed by the audience at a distance, but by her son as a close-up. He also witnessed the killing of his father, a combination that demanded, yes, demanded, retribution.

Said youngster was ex-heartthrob Leif Garrett who was excellent in a role that put him on screen most of the time. Lee Van Cleef was on the screen for a short period of time and was his usual brooding s.o.b. self. He was an expert.

His gang of heartless bad guys, and there was a gang of them, were, as they were supposed to be, totally obnoxious.

The other star, of course, was ex-footballer, Jim Brown (no stranger to westerns) doing a very fine job as the mad, brooding hero of the piece.

"Kid Vengeance" - no kidding - is a western - an Israeli western yet -- oy vay - that will keep your attention from beginning to end. Don't - er - passover (yuk-yuk) this one. And, fie (ancient Roman for foo, or fooey) to those who dismiss this item.

I know nothing of Lief Garrett's modern day goings on, but I'll tell you this: he can sure pick a grim film to star in! Not only was he great in Devil Times Five (aka Peopletoys), he's also good in this, as a kid out to get revenge on the low down scum who killed his parents! The leader of this gang? Lee Van Cleef, all bald and knife-brandishing.

Garrett fairly works his way through the evil gang, using snakes, scorpions, nooses, rocks and arrows in what amounts to almost a slasher-like Western. I didn't even think he needed the help of Jim Brown, but when Big Jim starts throwing dynamite at everyone, you're kind of signing up a winner right there! Big Jim also brings along his band of brothers he's been fighting with, just to complicate things up a bit.

This is your typical dark late-era Spaghetti Western, violent and pretty unrelenting, with a fairly high body count. Made in Isreal so I guess the term 'Spaghetti' might not be appropriate.

I may be the only person in the universe that actually likes this movie. Of course the last time I saw this, I was 16, and not yet force-fed twaddle like Resnais, and being conditioned as to what to appreciate in cinema. Even so, this film was enough to make the great Lee Van Cleef hang up his six-guns forever, with the exception of riffing his cowboy image for Cheetos and Midas Muffler commercials. He is superbly slimy in this one, nonetheless-- with a big earring, bandana and goatee, his character McLain is outlandish, but in a good way. Despite the exploitative nature of the material, much of the film is otherworldly- the violence and the characters. Shot in orange hues and dreamy soft focus, Leif Garrett (yes... Leif Garrett) rides the trail of vengeance after Van Cleef's gang of slimeballs after they murder his family. He gets an ally in Jim Brown, who shares his thirst for revenge after Lee rips off his mine. The fact that some of the violence is ludicrous actually works- take for instance the scene with the scorpion, or when an outlaw has rocks dropped on his head in slow motion. The last half of this revenge western has a dream-like quality; perhaps it was meant to accentuate the state of mind of Garrett's character, and of a child at that. Dealing with such a loss and seeking retribution for it puts one in a strange state of consciousness-- how often have we felt after the death of a loved one that we are dreaming. or hoping that we will wake up soon? But at least, because this film is so bizarre, it is not your average revenge oater. It at least makes you think about you are watching. Isn't that what cinema art is supposed to do?

Leif Garrett did this film a year after God's Gun (aka Diamante Lobo). In the previous film, Garrett was quite good in a challenging (for several reasons) role, but his performance felt a bit tentative (also for several reasons). In this film, just one year later and for the same infamous producers, he was confident, sure-footed and turned in a very fine performance. The film was his to carry, and he did so quite well. Garrett was one of Hollywood's most promising young actors at the time, when too many child actors were, at best, barely adequate. True, it was a low budget, cranked out film, but Leif was a class act. Lee Van Cleef had played similar roles before - many times. He could have phoned this one in, and sometimes it looked as though he did. Jim Brown, following up a legendary professional football career with a number of turns as a film actor, handled his assignment competently. The only other actors with anything significant to do were Glynnis O'Connor, who sometimes overacted and wasn't as good as in some of her later roles; John Marley, good as always in the sort of role he has played many times; and David Menachem, an Israeli child actor who did several other American films but somehow didn't catch on. He should have; he was quite good. The production values were much better than God's Gun. The script was much more coherent, the dialogue more speakable, the direction more fluid. At least part of it was shot in New Mexico (the rest in Israel). Being in the US meant that the production was controlled by a SAG contract, always an advantage. Kid Vengeance (also available at one time or another under several other titles: Vengeance, Vendetta, Take Another Hard Ride) gave Garrett the chance to launch a serious career as an actor. He demonstrated that he was up to the challenge. But then the music producers came along. Too bad.