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6.2/10
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Homicide detective Steve Carella is trying to solve the brutal murder of 17-year-old Muriel Stark. Her younger cousin Patricia, who saw the killer and barely escaped with her life, helps him... Read allHomicide detective Steve Carella is trying to solve the brutal murder of 17-year-old Muriel Stark. Her younger cousin Patricia, who saw the killer and barely escaped with her life, helps him. However, the case soon takes a bizarre turn.Homicide detective Steve Carella is trying to solve the brutal murder of 17-year-old Muriel Stark. Her younger cousin Patricia, who saw the killer and barely escaped with her life, helps him. However, the case soon takes a bizarre turn.
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Kenny Ireland
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I honestly can't believe that this film isn't more highly rated. Claude Chabrol could be described as something like a French Alfred Hitchcock, and while this film is only the second one of his that I've seen (the first being Le Boucher), I can already see that this guy is something special just on the strength of these two films. The film is a French and Canadian co-production, and takes place in Canada. The cast is made up of British and Canadian stars and the high quality performances bode well with the rest of the film; most of which is high quality also. The film is a murder mystery and begins when a young girl covered in blood is brought into a police station. After being questioned by Inspector Carella, it emerges that the young girl, Patricia, and her sister Muriel were attacked by a man who killed the sister and only just allowed Patricia to flee. However, as the investigation goes on, Patricia goes back to the station to give new evidence, which reveals a far more shocking identity to the murderer.
The performances in this film are excellent. Donald Sutherland is subdued as usual, but he suits the role he's given here very well and I wouldn't hesitate to name his performance in Blood Relatives as one of his very best. The film also features supporting turns from British stars Donald Pleasance and David Hemmings who both give good turns; Pleasance in particular who shows just how great an actor he can be and highlights what a shame it is that he went on to waste himself in Halloween films. The unknown Aude Landry also gives a great performance in her role as Patricia. The movie is very mysterious for the first hour and really keeps the audience hooked. When Inspector Carella discovers Muriel's diary, the film turns into more of a drama in which the girl's last actions are shown; and while this section of the film is not as good as what went before it, it's still interesting and leads into a great twist at the end! Overall, Blood Relatives is a great film that really deserves to be better seen. Le Boucher is a better known effort from Chabrol, but for my money this is at least as good! Highly recommended viewing.
The performances in this film are excellent. Donald Sutherland is subdued as usual, but he suits the role he's given here very well and I wouldn't hesitate to name his performance in Blood Relatives as one of his very best. The film also features supporting turns from British stars Donald Pleasance and David Hemmings who both give good turns; Pleasance in particular who shows just how great an actor he can be and highlights what a shame it is that he went on to waste himself in Halloween films. The unknown Aude Landry also gives a great performance in her role as Patricia. The movie is very mysterious for the first hour and really keeps the audience hooked. When Inspector Carella discovers Muriel's diary, the film turns into more of a drama in which the girl's last actions are shown; and while this section of the film is not as good as what went before it, it's still interesting and leads into a great twist at the end! Overall, Blood Relatives is a great film that really deserves to be better seen. Le Boucher is a better known effort from Chabrol, but for my money this is at least as good! Highly recommended viewing.
When Patricia Newell is attacked after witnessing her cousin's murder,Detective Carrella searches the city for her killer.Identifying the murderer after an intensive manhunt,Patricia is sent to live with relatives in the country.For Carrella the case is closed...or is it?"Blood Relatives" is an overlooked masterpiece.Donald Sutherland plays a cop and it's nice to see Donald Pleasance in a small role as a child molester.The conclusion is pretty disturbing.Still "Blood Relatives" is more of a mystery than a horror film,so fans of gore will be disappointed.A must-see for fans of old-fashioned mystery movies.9 out of 10.
This is an unusual foray in the English language for Chabrol (albeit set in Canada, where French is extensively spoken) but a most typical mystery for him (based on a novel by popular American pulp writer Ed McBain) and, in retrospect, an underrated (if unassuming) work.
The director also managed to rope in a good cast, led by Donald Sutherland (a genuine Canadian, playing a character not too far removed from his star-making turn in KLUTE [1971]), as well as David Hemmings and Donald Pleasence (quietly impressive in the role of a paedophile) to act as red herrings. However, the best performances come from the two young female protagonists (who were ostensibly assaulted one night at the film's very start) and especially the sole survivor, whose version of events keeps changing throughout the film, as Sutherland – and the audience – gradually begins to put the pieces together with every new disclosed fact. On the other hand, Chabrol's own wife – Stephane Audran – is saddled with a thankless mother role.
Though the ultimate revelation is hardly overwhelmingly original, the incestuous connotations are provocative enough to make the journey there a fairly powerful one. The copy I acquired (which seems to be slightly trimmed – running 91 minutes against the official 100) was full-frame and excessively soft, but certainly serviceable for such a rare item. Interestingly, the French edition of this title contains an alternate score by Chabrol regular Pierre Jansen to the one provided here by Howard Blake.
The director also managed to rope in a good cast, led by Donald Sutherland (a genuine Canadian, playing a character not too far removed from his star-making turn in KLUTE [1971]), as well as David Hemmings and Donald Pleasence (quietly impressive in the role of a paedophile) to act as red herrings. However, the best performances come from the two young female protagonists (who were ostensibly assaulted one night at the film's very start) and especially the sole survivor, whose version of events keeps changing throughout the film, as Sutherland – and the audience – gradually begins to put the pieces together with every new disclosed fact. On the other hand, Chabrol's own wife – Stephane Audran – is saddled with a thankless mother role.
Though the ultimate revelation is hardly overwhelmingly original, the incestuous connotations are provocative enough to make the journey there a fairly powerful one. The copy I acquired (which seems to be slightly trimmed – running 91 minutes against the official 100) was full-frame and excessively soft, but certainly serviceable for such a rare item. Interestingly, the French edition of this title contains an alternate score by Chabrol regular Pierre Jansen to the one provided here by Howard Blake.
7sol-
A relatively interesting little mystery murder, the film is okay viewing despite some sections being dull and not lively. It is, however, surprisingly acted mundanely despite some great names in the cast, but the film does have enough going for it as it is. The music score used in the English version (the dubbed French version has a completely different soundtrack) is great, bouncy in bits and almost always adding to the action. Chabrol also sets up some great shots, and there are a few chilling moments to be had along the way. It is overall nothing too special of its type, but of its type, it is certainly a solid entry.
One of Claude Chabrol's most underrated movies, "Blood Relatives" begins as a police procedural, with interrogations, police line-ups, red herrings, etc., but gradually transforms into a psychological family drama, with long flashbacks that take up nearly the entire second half; the ultimate solution of the murder is guessable for fans of the genre, but remains chilling to see unfold on the screen. Aude Landry (why did she have to quit acting so early? She shows huge potential here) and Lisa Langlois give haunting performances, and Donald Sutherland is effectively introspective as the inspector who, much like Hercule Poirot, tries to understand the psychology of the crime in order to get to the truth. The Montreal setting is refreshingly different and just right for this moody, understated film; it stays in your memory. *** out of 4.
Did you know
- TriviaFirst English language film of French director Claude Chabrol. Though filmed in Canada which hosts both French and English as native languages, French director Claude Chabrol chose to shoot the film in English rather than French as he felt the story would work better on film in the native language of its novel.
- GoofsWhen Inspector Carella starts the tape to interview Patricia, he asks her what occurred on the night of September third, which one might assume is Saturday, the third of September, 1977. But in the very next scene another detective is interrogating Andrew as to the events of Saturday the twelfth. This is nine days later, not the date given by Carella, and was a Monday. It is clear from the context in the film that the murder occurred on a Saturday, as the next day was Sunday, for when the Inspector was in the park with his daughter, church bells could be heard. In addition, the following day when the Inspector goes to interview Jean Hanley, she admits to intending to return to school later that day, thus, that was Monday.
- ConnectionsFeatured in Les rendez-vous du dimanche: Episode dated 29 January 1978 (1978)
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- CA$1,450,000 (estimated)
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