5 reviews
Director Lindsay Shonteff has been responsible for some of the worst abortions in British cinema history, as anyone who has seen his indescribable 'Big Zapper' will testify. He had already tried to spoof the Bond genre in the mid-sixties, but his cheapjack product hadn't cut it against 'Thunderball'.
With Roger Moore firmly established as the 'new' Bond in 'The Spy Who Loved Me', Shonteff obviously decided to try again. Casting ex-Witchfinder General Star Nicky Henson as a rather tepid Secret Agent was the closest he came to a good idea: he spoofs the Moore Bond very well, and forces the question as to whether he may have been a more satisfactory Simon Templar in 'Return of the Saint'.
In a nod to 'The Ipcress File', Sue Lloyd pops up (though not out) and says a few lines. Also present are 'Spy Who Loved Me' actors Geoffrey Keen and Milton Reid: their presence hardly enlivens the film, but at least they are familiar faces.
On that subject, 2 interesting British horror film starlets can be seen: 'Theatre of Death' actress Jenny Till and Hammer queen Katya Wyeth. Both have since disappeared.
Cheap explosions, lousy dialogue and not very special effects all wear the viewer down, but the diverting script, amusing playing and superbly corny music keep the interest (if not the British End) up.
With Roger Moore firmly established as the 'new' Bond in 'The Spy Who Loved Me', Shonteff obviously decided to try again. Casting ex-Witchfinder General Star Nicky Henson as a rather tepid Secret Agent was the closest he came to a good idea: he spoofs the Moore Bond very well, and forces the question as to whether he may have been a more satisfactory Simon Templar in 'Return of the Saint'.
In a nod to 'The Ipcress File', Sue Lloyd pops up (though not out) and says a few lines. Also present are 'Spy Who Loved Me' actors Geoffrey Keen and Milton Reid: their presence hardly enlivens the film, but at least they are familiar faces.
On that subject, 2 interesting British horror film starlets can be seen: 'Theatre of Death' actress Jenny Till and Hammer queen Katya Wyeth. Both have since disappeared.
Cheap explosions, lousy dialogue and not very special effects all wear the viewer down, but the diverting script, amusing playing and superbly corny music keep the interest (if not the British End) up.
- BandSAboutMovies
- Apr 8, 2020
- Permalink
- gridoon2025
- Jan 10, 2011
- Permalink
Thanks to a larger than usual budget and Nicky Henson's amusing performance in the lead role, No 1 of the Secret Service is about the best of Lindsay Shonteff's cut-price James Bond spoofs. It even achieved a national cinema release in the UK, on a double-bill with the Roger Moore-Stacy Keach actioner, "Sicilian Cross" - ironic really, considering Henson is parodying Moore as the suave No 1!
Those new to the Shonteff style will be bemused by the impenetrable plot, the bizarre sense of humour and the ludicrous comic-strip violence, while Aimi MacDonald is nobody's idea of a James Bond girl - she recites her lines as if she's presenting "Play School"! Nevertheless, it's fun to watch Henson and Keen play at being Bond and 'M', the fight choreography is better than "Big Zapper"s ludicrous Kung Fu battles and the theme music is catchy.
Those new to the Shonteff style will be bemused by the impenetrable plot, the bizarre sense of humour and the ludicrous comic-strip violence, while Aimi MacDonald is nobody's idea of a James Bond girl - she recites her lines as if she's presenting "Play School"! Nevertheless, it's fun to watch Henson and Keen play at being Bond and 'M', the fight choreography is better than "Big Zapper"s ludicrous Kung Fu battles and the theme music is catchy.
- ShadeGrenade
- Jun 30, 2011
- Permalink