Iron Fisted Monk

TW: Descriptions of sexual assault.

'The Iron-Fisted Monk (1977)' is Sammo Hung's directorial debut. It tells the story of a man who leaves his training at the Shaolin temple early so he can seek revenge on the Manchu bannermen who hurt his uncle. That's the setup, at least. The majority of the movie actually focuses on a group of dye workers who come into conflict with the aforementioned bannermen, as well as one in particular who seeks his own revenge after his sister is raped, and sees its main character (who isn't the eponymous monk) become involved with their plight as part of his own journey. It's a darker film than most of Hung's others, but it still has a fluctuating tone and several comedic moments sprinkled throughout its relatively brisk runtime. However, the problem with this is that - unlike with some other movies in the genre which manage to balance humour with heft - its comedy directly clashes with its more serious, sometimes downright upsetting elements and feels really out of place. In fact, the humour almost comes across as downright disrespectful, especially in the wake of a truly horrific rape scene that's way more graphic than it needs to be. Hung simply refuses to cut away from the assault, forcing us to watch it through to its completion. The scene is clearly meant to make us hate the antagonist (literally credited as just "rapist bandit"), but it definitely didn't need to be as overt as it is. It leaves a sour taste in the mouth, for sure, and it actively dampens the impact of the overall affair.

In general, Hung's direction is confident and considered. For a lot of the affair, it's dependable but unremarkable. In the climax, though, his skills behind the camera really become apparent, alongside his skills in front of it. The finale, which is easily the best part of the picture, features two heroes against many villains, and the camera makes a point of flowing between both of them evenly. Unlike in similar films with simultaneous fights (including the generally superior The Magnificent Butcher (1979)), the set-piece manages to make it feel as though both are actually occurring at the same time. The fighters don't just pause when they're off-screen, as indicated by the purposeful jumps in choreography when the camera returns to one battle or the other, and there are some shots which have both sets of combatants in the frame, establishing the scene's geography and making the composition more interesting by pulling focus from foreground to background when necessary. It all culminates in a two-on-two segment which keeps all four fighters in frame and has them seamlessly swap between foes on occasion, creating a complex ballet of blows that's exciting to behold. The marriage of choreography and camera work is what makes Hung's debut truly stand out, marking the finale as an entertaining and well-crafted slice of action cinema that encompasses everything you think of when these creators first come to mind.

It's a shame the rest of the film doesn't live up to this segment. Rape scene notwithstanding, the plot is relatively ambling and not all that engaging. A loose narrative is common within the genre, but it's more noticeable here because this picture's comedy falls so short (you don't feel like you should be laughing at it, and it's not funny enough to break through that barrier). Plus, its story is really generic and its characters aren't all that interesting. Still, it's typically engaging enough to keep you watching and its action is always enjoyable. Its brutality is disarming on occasion, even if it's way too unpleasant at certain points, and it's always a joy to watch Hung do what he's best at. It's not a bad effort overall, and the fact that Hung would go on to direct some certifiable classics using lessons learned while making it certainly makes up for its shortcomings. Its finale truly is fantastic, too. It's not Hung's best, but it's a decent experience that's almost worth watching for its climax alone.

Sammo stars as a man who is learning kung fu so that he can fight the Manchus. The directing from Sammo is good, the camera-work is brilliant, the story is decent, and the fights are very good for 1977. Fung Hak-on plays the main villain, and Yen Shi Kwan and Chien Yuet San play his top 2 henchmen. Always nice to see those 3 in action. Chen Sing has a small role and unfortunately he doesn't get to show off his handwork as much as he usually does. But he's still a great actor so I liked his role. If you have seen most of Sammo's movies and are looking for something else to feed your Sammo craving, then give this a try.

Picture and sound quality on the 20th century Fox DVD are good.

Excellently crafted kung-fu film dealing with the conflict between the Manchus and the Shaolin monks. We see the barbaric actions of the Manchus from early on in the film, and the tension builds quite steadily until there is only one option left: fight to the death.

Sammo is brilliant as usual and his directorial talent can be identified in this film clearly. His martial artistry is great and his strength improves as things get more desperate. His use of the spear in the final reel is awesome. Also, watch out for the snake-fist styles towards the end.

That said, this is a pretty challenging film in that it portrays senseless and random abuse towards women and children - well pretty much the whole village really. But I guess it makes the revenge angle all that much sweeter... and righteous: (Buddha be praised).

The directorial debut for Sammo Hung, who over his long career has made some of the most exciting and well choreographed action comedies in Hong Kong's history. He also plays the starring role in this one as a long-haired monk who finds himself battling various Manchu baddies in a sometimes convoluted plot. You know the routine for this one: it starts out as a light knockabout comedy before becoming much darker as time goes on. There are graphic rape scenes (censored in the UK print), massacres and all manner of bad behaviour, but the pace is solid and the action very good, particularly as we move on to the climax. The excellent cast includes a rare good-guy turn from Chen Sing alongside Fung Hark-on's baddie, and bit parts for future greats like Mars, Eric Tsang and Lam Ching-ying.

The Iron-Fisted Monk (1977) is Sammo Hung's brilliant directorial debut. Though the revenge plot is average for kung fu films of the time, the martial arts action and choreography are extraordinary. Iron-Fisted Monk marked the beginning of Hung's movie making prime. In the late 70's and early 80's Hung stared in and directed some of his best films including: Warriors Two, The Magnificent Butcher, The Prodigal Son, Knockabout and The Victim. The Iron-Fisted Monk was the film that got his directorial career rolling.

In the Iron-Fisted Monk, Sammo Hung plays "Husker," a young civilian who is taken in and trained by Shaolin monks after his uncle was killed by the Manchus. Seeking vengeance he eventually leaves the temple. After a group of Manchu officials make trouble in a small town, Husker teams up with a local man named Liang and the "iron fisted monk" Brother Tak (Chan Sing) to finally bring justice to the evil Manchu officials.

The martial arts action and choreography in this film are unbelievable. The film features some of the "hardest" kung fu you will ever see in a Sammo Hung film. Sammo does a great job playing to his strengths, providing a good mixture of martial arts and acrobatics. When this film was made Sammo was young and very near his physical prime. He is very fast and powerful and gives one of his better physical performances. Chan Sing also gives one of the most inspired physical performances of his career. Along with kung fu, the film features a lot of weapon fighting including: swords, spears, knifes and staffs.

The film was made by Golden Harvest studios, which means high production values and a talented stable of actors to work with. Notable appearances in the film include: James Tien as a Shaolin instructor, Casanova Wong as a young monk and Lam Ching-ying as an extra. Fung Hak-on (Warriors Two, Magnificent Butcher) plays the villain yet again and does a very convincing job.

Unlike many of Hung's films, Iron-Fisted Monk has a very serious tone. There are some comedic touches but they are overpowered by the intense drama. The Iron-Fisted Monk is one of Hung's more violent films, featuring very aggressive fight sequences and lots of bloodshed. The movie also includes a few brutal rape scenes. The rape scenes are very graphic and intense and, in my opinion, should have been toned down or left out completely. There is also a ridiculous nude scene in a brothel featuring Wu Ma. The scene was meant for comic relief but should have been left out also. The rape and nude scenes are the only detractions to this otherwise brilliant martial arts film.

The Iron-Fisted Monk was Sammo Hung's first effort as a filmmaker, but it is hard to tell. The martial arts action in the film is superb and outshines most other films made at the time. There are a few weak spots but overall it is a top notch genre film. The Iron-Fisted Monk is one of Sammo Hung's best works and is definitely in the top 30 best martial arts films of all time. The film is definitely not a family friendly Sammo movie but it is highly recommended for hard core kung fu genre buffs.

Martial Arts Genre Rating: 8/10

• "You're a Shaolin monk. How dare you kill indiscriminately!"

• "We're here to rid this world of a rapist and a murderer!"