Shock Waves

Real movie summary: A U-boat with WW2 Nazi soldiers, killed and brought back to life to fight as "un-killable", is ship-wrecked on a Caribbean island. 30 yrs later, a "hire-boat" is also shipwrecked there. The Nazi commander of the unit, Cushing, is the only "survivor" on the island. BUT, the "Zombie un-killables" come back to do what they were experimentally used to do in battle ... kill without thought or feeling... uncontrollably... The movie has numerous images that stay with you long after the movie is over, and a musical background in the beginning which was very haunting. Good acting, a believable script, and nice film shooting, round it out to make it a memorable classic. I've had a really tough time locating the film at any video store. Good luck finding it!

This is an underrated cult classic from the 70s, a great decade for atmospheric horror films. The eerie score, excellent location and spooky zombie makeup are all great. A few reviewers have complained about the makeup for the zombies but I thought it was good for the purposes and budget of this film. I assume these naysayers also belong to the "show us more guts" crowd. Some other complaints are about the daylight shooting. Apparently, according to some, this detracts from the movie's effectiveness to scare people. Hogwash. It takes more talent to create atmosphere and terror in broad daylight than at night. The director accomplishes this quite well and deserves to be applauded for it.

The cast is solid. Brooke Adams is a young and sexy lead. Solid support from horror vets Peter Cushing and John Carradine (whose arthritic hands are painful to look at and I can only imagine the poor man's suffering). The male lead is the mustachioed Luke Halpin (from Flipper) and he's very rootable.

On a side note I have to roll my eyes at some of the reviewers bemoaning the lack of gore and guts. This is not a zombie movie in the Romero mold. These are reanimated dead Nazis who kill. They don't eat brains or rip out guts. Why some need to see such visceral imagery to enjoy a horror film is perplexing to me but it takes all kinds I guess.

Rather than re-watch Rob Zombie's homage to 70s flicks, or any of the modern remakes of the "Living Dead" films, why not just dig up some of the little seen but really good original 70s stuff? There's a lot of it out there that deserves to be seen, and this is one of them. There's a lot going for it, atmospheric soundtrack, decaying old structure, handful of frightened folks out of their normal element, the walking dead, plans for escape all go awry, very typical of the 70s pre-slasher horror genre. But this is one of the best entries, surprisingly better than I remember it to be when I saw it back in 1979 on tape. Back then, being an immature young kid, I though it was slow, but now I see it's a steady build of tension.

This film isn't a big budget film which may put off some viewers from the outset. It is very good if you're into this kind of thing though. The horror is not too explicit, but is more suggestive, and this actually makes the film genuinely creepy in parts. The performances are a little amateurish by the lower cast members, but Peter Cushing is in commanding- if all too brief - form and John Carradine gives a good perf. Brooke Adams also registers well in her acting debut. The plot is daft yet manages to convince, mainly because there is a really neat exposition scene in which Cushing explains what is going on. He's such a persuasive actor that even though the whole idea is so preposterous, when he says it you kind of feel compeeled to believe him. I rate this flick and would hope that anyone reading this at the moment would go out of their way to try to see it. It's worth the time and has a weirdly effective way of sticking in your mind for a long time afterwards.

According to the DVD details, the original film print for "Shock Waves" mysteriously disappeared some twenty years before its 21st century re-release. The setting is the (then) present year of 1977, but we recall, "In the dark days of World War II, the Nazi High Command ordered its scientists to create a top secret race of indestructible zombie storm troopers - un-living, unfeeling, unstoppable monstrosities that killed with their bare hands. They were known as 'The Death Corps'. No member of this horrific SS unit was ever captured by the allied forces - and, somewhere off the coast of Florida, they have survived…"

Next, we meet pretty bikini-loving Brooke Adams (as Rose) in a dinghy, being rescued by fisherman Clarence Thomas (not the Supreme Court justice). Obviously, Ms. Adams has survived some tragedy, but breaks her seeming catatonic state to help narrate the story, in flashback. This is unfortunate, because we are given way too much information about a survivor; although you could guess the damsel stood a better than average chance, it kills the suspense by showing this before placing her in serious danger. Adams, the heroine of the story, has gone sailing with Fred Buch (as Chuck), and another couple...

But, the story's hero is handsome Luke Halpin (as Keith), who learned all about the waters off the coast of Florida in "Flipper" (1963-68). If you are worried about whether or not young "Sandy" retained his good looks into manhood, fret no further. Crusty ship Captain John Carradine (as Ben) comments on Mr. Halpin's attractiveness, inviting a shrug. Halpin, Mr. Carradine, and cook Don Stout (as Dobbs) are the boatmen. D.J. Sidney (as Beverly) and Jack Davidson (as Norman) are the other couple. They're seven stranded castaways getting ready to meet creepy Commander Peter Cushing, if they get to the island…

With lingering shots of fish looking bored at the camera, "Shock Waves" seems to waste a lot of time doing absolutely nothing. When the Nazi zombies make their move, they do so without much gore. But, this works in the film's favor. While you expect horror movies to smear the screen with blood and guts, it's nice when someone comes along to show that a different style still works. This is evident, especially, during the sequence when the Nazis rise from their swampy slumber. Credit director Ken Wiederhorn and his crew with something stylish and surprising. And, Richard Einhorn's music scores high marks.

******* Shock Waves (7/15/77) Ken Wiederhorn ~ Brooke Adams, Luke Halpin, Peter Cushing, John Carradine