Spectre

This would have made an excellent television series. Robert Culp has rarely been better as Sebastian, a psychic sleuth and expert on the occult. He takes on a case that threatens the world. Not bad for your introduction. An excellent Gene Roddenberry creation. I give it a "7" out of "10."

Take the basis of Sherlock Holmes and Dr. Watson, bring them forward 100 years and instead of crime, have them battle spiritual evil... A great idea, but unrealized here. A slightly ridiculous plot only saved by the talented Robert Culp who plays it straight down the line. A criminologist who specializes in the occult and battling evil. Gig Young was at the end of his carreer and shortly following this outing, his life as well. A sad loss of a fine comedic actor who usually didnt get the girl but did get all the best lines. Though in this film, Young basically sleep walks through the movie... Almost as if he was on sedatives. Culp and Young are recruited by a beautiful woman whose brother has recently undergone a personality change after doing some archeological investigations on his English country estate. So, off they all go to England to get to the bottom of things. This movie has a real Gene Roddenberry flavor to it. If you have seen any of Roddenberry's post Star Trek TV movies (basically, failed pilots)... Well, you'll know what I mean. But, bottom line is I liked this when I saw it in 1977 and it is still fun to watch. Not scary, but fun never the less. Look for it on The Fox Movie Network as it gets shown there often....

From the demise of Star Trek: TOS to the premiere of Star Trek: TNG Gene Roddenberry took at least three swings at returning to Stateside prime-time television. None of the broadcast pilots was bought by a commercial network as a series. I viewed each at first broadcast.

Genesis II (later repackaged and re-tried as Planet Earth) had an interesting pilot, very much a product of Roddenberry and his times, but likely as a series would have become quite weird and not lasted long. The Questor Tapes had a superb pilot, but likely as a series would have been forced by network suits to devolve into The Robo-Fugitive.

Spectre was not your average Roddenberry product and wasn't even science fiction. Its concept was decidedly original and very well wrought—what if, just What If?, everything you suspect and fear about the occult is true and a world-renowned criminologist who KNOWS that sets out to right the purposive wrongs of some mighty nasty perps who must be called by their true names out loud? If this sounds familiar, mind you, this is the Stateside television pilot I recall after 30-plus years…

Robert Culp is at his certifiable creepiest. And he's the good guy. This is not the DC Comics Spectre, he's no Doc Strange, John Constantine or He(ck)boy, less Sherlock Holmes and more Manly Wade Wellman's John Thunstone (with the apparent trappings of wealth) or John the Balladeer (without the southern mountain accent or music). William Sebastian quite literally has a bone to pick with an antagonist that has a very long memory and reach, not to mention staying power. By the end you want to know more about Sebastian, how and why he knows what he knows, and what compels him to know and do more.

A fine supporting cast, John Hurt, Gordon Jackson, James Villiers and Gig Young in particular. Good production values in a fittingly English setting. Well-paced with genuine suspense in the right places. And, for Stateside prime-time in the Seventies, a knockout confrontation with some truly evil—things—that, as best as I can recall, were not enhanced with anything other than makeup, clever editing, a hypnotic chant, and lots of fire.

Had this become a series we likely would've seen less of "Ham" (more Dr McCoy than Dr Watson, and certainly less of poor Gig Young) and more of Lilith. A section of the viewing demographic that also thought Mr Spock a satanic influence would probably get a little wound up and publicly take offense. I am told the theatrical release with respectable box office overseas is marginally longer and adds to that knockout confrontation some truly evil—distractions—that don't need makeup at all. I'd like to think it could have done better on Stateside television simply because it would have HAD to leave something to the imagination and NOT explain everything.

So here's a pitch: Given today's audience, if Someone Out There is still watching, consider the possibilities!

Oh yeah... I've always really liked this one. Gene Roddenberry of Star Trek fame produced this I believe, which probably adds to the allure.

What I really like about this, well, there are several things that I like about this movie, but the story itself I thought was quite intriguing. I very much like how the Supernatural elements are incorporated, even right from the start.

Let me get this out of the way right up front... unfortunately, probably due to it's being a Telefilm with a very limited budget, the very ending, effects-wise, are a bit primitive.

But, if you can overlook the rather dodgy visuals at the end, there is a terrific story here that will really grab you! Robert Culp is of course absolutely Perfect for this part as the Supernatural investigator. He comes across as very sincere and believable.

Also, John Hurt is excellent in his role, I've always really liked him. And the fellow that plays his brother has that absolutely Perfect upper/snobby attitude that works just right for his depraved character.

So, the casting is supremely excellent, which I'm quite sure adds a Lot to the weight of the story. I really like the gradual investigations and revelations about what is going on, and we the audience learn right along with Robert Culp which makes it very engaging and again really draws you into the story.

I really dig the Supernatural elements which going by many of the films released at that time, could have Very easily been super hokey. But, setting aside the visuals at the end, to me this is truly one of the most entertaining and enjoyable movies along these lines. It's the oppressive atmosphere, genuinely dripping with Evil and Corruption that really gives the movie a lot of impact. And, as you likely already know, in order to 'Sell' a good Supernatural story, you Really have to do it very well.

I gave it a well earned '8'...

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Just a note as to how I do my reviews... I usually don't repeat the basic plot since almost everyone else does that. And, you can get the synopsis from a bunch of other places. To me that is just a waste of your time, and I feel honestly doesn't really tell you anything that helpful. So, what I concentrate on in my reviews is hopefully putting across whether I think it is a Good film, or if I think that it is an Entertaining movie and what I feel it's strengths and weaknesses are in the way it is made.

That way, Hopefully it will be of more benefit and actual be of some help to others as to whether I feel the movie is worth watching (and also perhaps what 'Type' of film it is and what type of people may enjoy it)

My Particular Way of Rating:

5 - Flawed, but perhaps with a little entertainment value here and there for some.

6. A decently passable story maybe worth a watch.

7. A solid film, well made, effective, and entertaining.

And, obviously, you can probably figure out what above and below these would mean... : )

What a disappointment to learn that this wonderful occult thriller is NOT available neither on DVD nor VHS. Gene Roddenberry did this made for TV movie and it is superb! The best role for Robert Culp and the superb Gig Young plays the sidekick in a wonderful energy with Culp. The lovely wife of Roddemberry, Majel Barrett. plays the mysterious Lilith, housekeeper of William Sebastian. The English settings and a wondrous cast of British actors make this a really exquisite example of the genre. The phenomenally talented John Hurt in a standout performance. This is what American television was capable of at one time.

Shame on the movie industry for letting this classic of horror and the master Gene Roddenberry disappear. SHAME ON THEM!!