Vega$

This had to be one of the coolest shows on television. The thing that really made it great was the pacing of the show and its mix of the old Las Vegas and what Vegas was becoming. The other thing that made this show what it was were the numerous cameos of some of the brightest stars that would appear in Vegas on a regular basis such as Dean Martin, Wayne Newton and other members of the Vegas elite. However, all the glitz and glamour would never have mattered if it wasn't for the late great Robert Urich who made this role his own.

Robert Urich was one of the best actors, human beings and men of the 20th century. That may sound like hyperbole but I'm not overselling it. This show is a great indicator of the Tana factor. Old school values on display all the way throughout. None of the woke nonsense present in today's TV series. If you could get in a time machine and travel back this is the era you would want to go to.

Before I begin this commentary of the classic Aaron Spelling series,I wanted to point out that its star actor Robert Urich(who recently passed away of cancer on April 15,2002)who was in several detective/private eye series before premiering on this show which ran from four seasons on the ABC network(from 1978-1981),and to me this one stands out from all the rest. Hard hitting,fast paced with all of the lights,crooks,serial murderers,showgirls,and hard money with a lot of rockem sockem action. Also in this series were Antonio Fargas(aka Huggy Bear on another Aaron Spelling series "Starsky and Hutch")as Urich's right hand man,and also featured Greg Morris(aka Mission:Impossible) as Urich's boss. I like the first three seasons of the show,but when the show got to the fourth and final season,it completely dried up. Great premise and with such style! Urich however,hwo has a knack of solving crimes his own way,and always got the bad guy would reprise that role again in the 1980's with Spenser:For Hire which also starred Avery Brooks that also ran on the ABC network as well(from 1985-1991). Kudos to Robert Urich,one of the coolest,toughest detectives ever to grace the TV screen. He will be truly missed.

Funny story, I went to Vegas when I was 16 in 1980 and my Dad kept teasing my buddy and me we'd see Dan Tanna. We went by the "warehouse" where he lived and it was there alright, right behind the strip but instead of a bachelors pad with cool antiques and props there was an older contractor inside smoking a cigarette and cutting a board with a power saw. He said he owned the warehouse and leased it to the "TV Folks". I did see some props, like a jet ski that you'd see hanging on the garage wall when Tanna pulled in..it was nothing more than a painted jet ski on a paper thin piece of wood. There were plastic plants in the planters outside though complete with the Desert Inn sign..Anyway, we left and were heading down the strip. There I sat, slumped down in the back seat, dejected that I'd never see Dan...when low and behold and pickup truck with a guy operating a film camera passes us. I look out the window and up pulls ol'Dan in his flame red t-bird..white suit jacket and a nun in the passenger seat! I was going to a catholic high school at the time so I said it figured there would be a nun involved. My buddy and I start hollering for my Dad to pull over because the entire film crew pulled into a nearby parking lot. While my Mom ran to get film from a souvenir shop, we ran over to the T-Bird. There it was, the car of my dreams in all it's glory with an overheated engine. The production director told us not to get to close, but we looked over and Urich was talking with the "Nun" while holding a script. WOW. We were in hog heaven. I talked to the guys about the car for about half an hour and they told me all kinds of things about it, like there were two of em..One stock for up close shots and another that was for stunts..it had a big dodge engine in it, and a button on the shifter that would lock the back wheels, so they could screech around corners. The guys also pointed out the hub caps were bolted on with tiny screws because they kept flying off during chase scenes. They also told me it was originally a white 57 that had been painted a 1978 corvette red rather than the flame red that ford produced. The funniest part of the whole day was that Urich was trying to lay low and had taken off his white jacket and was wearing a green dress shirts with blue tennis shorts and sneakers..As he was standing in the shade, a dozen or so Asian tourist saw him and the car and ran over like a buffalo herd yelling.."Dan Tanna" Dan Tanna!!!" Urich was swamped and signing autographs..one of the tourist showed me a piece of paper Urich had signed and he had written.."Dan Tanna" instead of "Robert Urich"..Anyway, I was thrilled to see the car and some 18 years later I found the car(s)..but thats another story for another time.

Great, breezy show whose best feature is that it was filmed on location in fabulous Las Vegas. Created by Spelling-Goldberg productions in the same vein as its previous heavyweight crime series Starsky & Hutch and Charlie's Angels, it featured the same types of plots, music, action and parade of beautiful people and period heavies only now in a much more exciting locale!

Robert Urich was perfectly cast as private detective and Vietnam vet Dan Tanna, replete with a showgirl secretary, Beatrice and bumbling guy Friday, Binzer. Tony Curtis was really only present during the first season as casino owner Philip Roth, whose retainer to watch over his various Vegas hotel holdings basically allowed Dan to do a lot of pro-bono detective work. After appearing in the pilot, Greg Morris didn't join the regular cast as Lt. Dave Nelson until season 2 and then stayed through the series' end effectively replacing Tony Curtis' Roth as the authority figure in Dan's world. And no one could forget Tanna's amazing drive-in pad.

While there seemed to efforts to try and make Tanna a deeper character with complex emotions, we're talking seventies TV, so it was unfulfilled. Things had to be wrapped up with a neat, little bow in an hour with no time wasted on a character's personal struggles. Same thing with the plots which were great on the surface but rarely fully developed. But it was escapism at it's best given the setting and the setup.