The Return of Captain Nemo

After a century of being in cryogenic suspension, Captain Nemo : José Ferrer is revived by two US Navy divers : Burr DeBenning , Tom Hallick . Then Nemo is transported to San Francisco , being assigned the mission to stop a megalomaniac Professor , Burguess Meredith, who attempts to bomb the capital Washington and other cities in the World . Along the way , Nemo goes on his search for the lost city of Atlantis , delated a hundred years by his long time in stasis by suspended animation, and he even he meets an Atlantis prince : Horst Bucholz. His goal was Atlantis , but first he must conquer the menace of the depths ¡ .

Silly but agreeable adventure movie with thrills , action , full of fun and amusement , including some spectacular sets . It is a thrilling movie with some psychotronic elements , blending fantasy , science-fiction , cheesy conversation , and underwater adventures . This is a corny and camp amusement with a nonsensical plot , mingling embarrassing stories as atomic missiles, Atlantis , underwater fights . The pic results to be a rip-off from other films as "The lost City of Captain Nemo" in which takes partiallly its plot and the submarines war , as the villains appearing are in "Batman" series style , as well as " Irwin Allen's Voyage to the bottom of the sea" by copying the scale model subs and similar sea scenes . Main and support cast are acceptable . Jose Ferrer is pretty well as a serious Nemo who will fight at whatever cost to detain the villain Professor and his ominous purports . While Burguess Meredith overacting as a mad scientist threatening the World in exchance for several million dollars , and he will stop at nothing to get it. Secondary actors are decent such as Horst Buchholz , Tom Hallick, Burr DeBenning , Linda Day George , Warren Stevens , Peter Jason, Mel Ferrer , among others. The scale model submarine utilizad in shooting was originally constructed as one of the Seaview , as both of them bear remarkable resemblance .

This condensed theatrical rendition based on a TV series was regularly directed by Alex March. Other films in which shows up this mythical literary personage are the following ones : 20.000 leagues under the sea 1954 by Richard Fleischer with James Mason , Kirk Douglas Peter Lorre. Mysterious island 1961 by Cy Enfield with Herbert Lom, James Craig , Joan Greenwood , Michael Callan . Captain Nemo and the Underwater city 1969 by James Hill with Chuck Connors , Robert Ryan , Nanette Newman, . The Mysterious Island 1973 by Juan Antonio Bardem with Omar Shariff, Rock Battaglia , Gerard Tichy . Mysterious island 2005 by Russell Mulcahy witb Patrick Stewart , Gabrielle Anwar , Vinnie Jones , Roy Marsden and 20.000 leagues under the sea 1997 by Rod Hardy with Michael Caine , Patrick Dempsey , Mia Sara , among others .

I know this film was shown on local TV when I was a kid, but I can't remember whether I watched it or not; seeing it now, considering how utterly forgettable it is, I still don't know – so I counted it as a first viewing! There have been several films featuring the title character, a creation of visionary French author Jules Verne; these include: 20,000 LEAGUES UNDER THE SEA (1954; with James Mason in the role), MASTER OF THE WORLD (1961; Vincent Price), MYSTERIOUS ISLAND (1961; Herbert Lom), CAPTAIN NEMO AND THE UNDERWATER CITY (1969; Robert Ryan) and THE MYSTERIOUS ISLAND OF CAPTAIN NEMO (1973; Omar Sharif).

This version stars Academy Award winner Jose' Ferrer. However, even if the premise itself isn't half-bad – awakened from suspended animation in his submarine, "The Nautilus", and finding himself in modern times, Nemo adopts all his ingenuity to aid the U.S. Navy in defeating megalomaniac scientist Burgess Meredith – it emerges as easily his most infantile adventure yet! For instance: five seconds into the film, Meredith's assistant – donning a steel mask – rants that "The World Shall Be Ours!"); equally hilarious are the zealous gesticulations of the similarly decked-out midget, whose task it is to fire The Professor's all-important "Delta Beam" - and how about those android-type minions aboard Meredith's vessel who never seem to do much of anything?!

Ferrer manages to maintain his dignity throughout, but Meredith is an embarrassment (in what is virtually a retread of his Penguin characterization from the 1960s BATMAN TV series and film) where the budget was so tight – mostly invested in bland production design and shoddy special effects, no doubt, and both evidently influenced by STAR WARS (1977) – that, apparently, they couldn't even afford him a decent costume (he looks positively idiotic wearing a tie in a sub)! The supporting cast includes Mel Ferrer (playing a saboteur in the vein of Joan Fontaine from another Irwin Allen production, VOYAGE TO THE BOTTOM OF THE SEA [1961], and who engages in a swashbuckling routine with his namesake inside the engine-room of "The Nautilus"), Lynda Day George (unsurprisingly, she's the only female character around) and Horst Buchholz (as the King Of Atlantis – for whatever reason, Nemo is obsessed with locating the famed Lost Continent).

By the way, having been reduced from a three-part mini-series for theatrical exhibition, the film obviously feels choppy – though one is still able to discern where one episode ended and another began.

I fondly remember watching this show when it first aired in 1978. I was very excited about it thanks to previews in Starlog magazine, and had been waiting for it for months. I videotaped all three episodes on my dad's Betamax. I was 11.

I enjoyed it, but even at 11 I was *very* aware that it was, at root, a retread of the Voyage to the Bottom of the Sea premise about a super-sub and it's super-genius owner/builder who save the world from certain annihilation every week. The sets were similar to Voyage ones, the feel of the show was similar, and at one point during a dive scene, we even get a few bars of the old Voyage theme music. I would not have been surprised if Admiral Nelson or the Seaview showed up at some point, it was just that similar. (And I later found out that the Nautilus miniature was actually a heavily re-worked Seaview miniature!) That said, it wasn't that good. I enjoyed it as only an 11-year-old weaned on crappy Irwin Allen shows can, but I was very much aware that it wasn't a really great show. It's about on par w/ some of the 4th season episodes of Voyage: watchable, but kinda' lame. Not only was it derivative of Allen's earlier work (And even managed to use a lot of stock footage), it had a strong dose of "Whatever people like right now" so you had shootouts very similar to the ones in Star Wars in corridors that resembled those of the Death Star, etc.

I'm a bit confused about the production, however: This aired as a 'series' that ran for 3 weeks, and wrapped up it's entire storyline. Years later, I saw it as a movie version that included - as far as I can tell - all of the 3 episodes of the series. I get the feeling this was perhaps filmed as a 2-hour-and-change movie, and then chopped into three parts to fill a hole in CBS' schedule or something.

I wouldn't mind watching it again, just to see how fuzzy my memory has gotten, but I didn't mind too much when it got canceled.

The Amazing Captain Nemo is a movie not worth searching out, but definitely worth watching if it's on TV late at night, when you don't take everything that is shown very seriously anymore. The movie has a deliciously nonsensical story about 2 Navy-commando's who accidentally find Captain Nemo and free him from stasis. After a 100 years, the Nautilus is still light years ahead of other submarines in terms of technology. When a mad scientist threatens the world in exchange for a ransom, Captain Nemo's help gets asked, even though he really wants to continue his search for Atlantis.

The movie is full of over-wrought cheesy dialogue, over-acting, and unbelievable technology, but that's really the movie's charm. The mad scientist's dialogue could be used, line-for-line, as samples in techno-songs; that's how campy it is. Jose Ferrer is really the right man for the role. Although I know him more for his serious roles in secret intelligence movies, he plays the role of the larger-than-life Nemo fantastically. A fun movie to watch on a bored Friday night.

Two years after Irwin Allen did some of his best work with his Time Travelers TV movie, he did some of his worst with this summer replacement series. I remember rather liking this back then. Revisiting it via the recently released Amazing Captain Nemo DVD, it's nothing like what I thought I remembered. It was much less fun and exciting. I think I'll stick with my memories. Thanks to the Towering Inferno and the Poseidon Adventure, Allen earned the sobriquet, "Master of Disaster." With this, that was certainly accurate. It was definitely a disaster.

The plot made no sense at all. At one point, Nemo tells Tom to set his hand weapon to stun because "We are not murderers." Never mind that a stunned scuba diver would probably drown, probably a less pleasant death. Only minutes later, they utterly destroy the villain's submarine, so presumably everyone onboard is killed. The Atlanteans appear to be able to breathe water, but Nemo insists that they take his mini-sub to escape. Amazing Captain Nemo, edited down to two hours from several episodes, was even worse. The editing was completely haphazard, jumping from scene to scene at times and being hard to follow.

This cast was utterly forgettable. Jose Ferrer chews the scenery but does little else, once flinging his cape backwards as if he were auditioning for Phantom of the Opera. Tom Hallick, who had previously appeared on Allen's Time Travelers, was okay, but the character was about as two-dimensional as they come, like all of the other characters. Lynda Day George stood around as decoration but didn't actually do anything to help the crew.

A superior undersea effort came a year earlier, with the Man from Atlantis TV movie. That also featured a former Batman guest villain, namely Victor Buono (King Tut) while this had Burgess Meredith (the Penguin). That movie also featured mind control devices. Was Allen cribbing again? Like most Irwin Allen works, there was no character development here. Nemo is stuffy and good. Cunningham is crabby and evil. The Navy pair are loyal. Nobody grows or changes at all through the series.

Allen stole from everything this time. It's no accident that the corridor on Professor Cunningham's sub resembles the one from the beginning of Star Wars. Even the music during that fight shamelessly apes John Williams' iconic score, but without the master's touch. Allen reused (twice!) a shot of two mines colliding and exploding, taken from his 1961 Voyage to the Bottom of the Sea movie.

Just how chintzy was the budget? The filming model of the villain's submarine was recognizably built using major parts from a model kit of the Space: 1999 Eagle, which you could buy from any hobby store at the time for less than $10. Maybe that's why they called it the Raven. I can't imagine any other reason why someone would name an undersea vehicle after an aerial creature. To mask the poor effects, every "underwater" shot was filled with swirling particles and silt. There were "robots" in cheap rubber masks and spray-painted wetsuits. The mask on Tor muffled the actor's voice and they never bothered to even dub it, even though it would have been easy since there were no lip movements to match. Not that hearing him more clearly would have been a blessing. His lines were monotonous, ridiculous ones like, "Aliens live! Aliens must be destroyed!" If you must watch one of Irwin Allen's undersea works, I strongly suggest going with his Voyage to the Bottom of the Sea series instead. That was ten times better than this. Or better yet, get the 1961 Voyage theatrical movie with Walter Pidgeon and Barbara Eden.