The Hills Have Eyes

While traveling in a trailer through the desert to California, the retired detective Big Bob Carter (Russ Grieve) stops in an isolated gas station with his family for fueling and rest. Bob is traveling with his wife Ethel (Virginia Vincent), his son Bobby (Robert Houston), his daughters Brenda (Susan Lanier) and Lynn (Dee Wallace) and his son-in-law and Lynn's husband Doug (Martin Speer) and their daughter baby Katy (Brenda Marinoff). When they leave the gas station, the owner advises Bob to stay in the main road. However, the stubborn driver takes a shortcut through a nuclear testing site and wrecks his station wagon. With the family stranded in the middle of nowhere, Bob and Doug walk on the road trying to find some help. Bob is captured by an insane and sadistic member of a deranged evil family that lives nearby the spot. Doug returns to the trailer, and along the night the Carter family is attacked by a group of psychotic cannibal criminals. Absolutely trapped by the murderers, they have to fight to survive.

The 1977 "The Hills Have Eyes" is still an impressive movie thirty years after the release date. I have never had the chance to see this low-budget movie, which has not been released on DVD in Brazil, and the VHS is rare. The violent, crude and claustrophobic story has not been dated; on the contrary, I believe it is more credible in the present days, when we can see violence everyday on the news, than in 1977. This movie is certainly one of the best in the filmography of Wes Craven. The cast is pure emotion and fear on the side of the Carter family, and evilness and sadism on the side of Jupiter's family. Ruby, performed by Janus Blythe, is probably the most interesting and ambiguous character, living with a dysfunctional family but still acting like a human being. My vote is eight.

Title (Brazil): "Quadrilha de Sádicos" ("Sadistic Gang")

Note: On 30 December 2014, I saw this movie again.

Note: On 09 July 2020, I saw this film again on DVD.

Wes Craven first directed a film back in 1972 called Last House on the Left. If you haven't seen it...do so...for it is quite an experience. It blends dementia, depravity, cruelty, and blood and guts with values and basic moral and philosophical questions(at a very base level). He next directed The Hills Have Eyes, which many feel might be his best work. It is a horror classic to be sure for a number of reasons. It has the struggle of an innocent typical American family with a gang of cannibalistic subhumans that live in the desert. This struggle is intense, and blurs the boundary between normal and abberant behaviour(just as Craven did in LHOTL). The basic story is one of survival, not just survival of life but a way of life. The cast does a fine job...some of the psychos are quite convincing, as are the "normal" characters rather good in their roles. The story builds rather slowly but crescendos after the first death and we are given one climactic event after another. The real stars of the film, however, are the dogs...which are integral to the plot, and the desert itself, which establishes a mood and atmosphere of bleekness, desolation, and futility. Craven did a fine job with his second feature, and I would have no problem saying it was one of his better films. I would even concede that technically it is vastly superior to Last House on the Left, however, for me at least, not as horrific or chilling. Just as with Last House, much of the subject matter of the film is decidedly outrageous, with an infant possibly being served up for Thanksgiving Dinner its high point(or low point if you prefer). Unlike Last House, Hills is not nearly as graphic in its action, leaving a bit more to the imagination.

Wes Craven is a director who did a lot to revive interest in the horror genre, but he also did a lot to ensure that we were unlikely to get our horror the way we used to. While I personally have nothing against his mega-successful "Scream" franchise and have enjoyed both films immensely, I feel sad knowing that Craven will never be able to recapture the awesome low-budget effectiveness of his earlier works. He has developed his directorial skills a LOT since then, but any horror fan will tell you that slicker does not necessarily mean scarier. Now that Craven has successfully broken free from the genre that has provided him with a living for over a quarter century (and has moved on to directing inspirational films with Meryl Steep!), we will never see another film like his "The Hills Have Eyes", which is raw, intense horror at its best. The film doesn't quite have the same impact as Craven's earlier "Last House on the Left", but it is a more skilful piece of work, and is still one of the most frightening genre flicks ever made.

Like all great horror films, the plot requires very little description. The upper-class, white-bread Carter family are on a road trip to California and decide to take a detour through the desert to check out a silver mine that the parents received as a silver wedding anniversary gift. They ignore the warnings of a crazy old man they encounter at a gas station who warns them to stay on the main road, and end up wishing they'd listened to him after their trailer becomes trapped in the middle of nowhere with a broken axle on the car. It soon becomes apparent that they've stumbled into an area that is populated by a family whom the Carters would never have to worry about encountering back home in Cleveland. The members of this family are named after planets in the solar system (Jupiter, Mars, Pluto etc.) and are able to survive life in the desert by praying on unsuspecting travellers like the Carters. After a night of unbearable hell, the Carter family has lost some of their members and most of their supplies and decide to take revenge once daylight hits. They end up acting more violent and psychotic than the villains.

Not even David Lean has used the desert to better effect. Craven's direction here is top-notch, and does a terrific job at conveying the isolation of his location and the helplessness of the whole situation. He takes his sweet time building up the mutant family's attack on the Carters, so that the tension almost becomes unbearable. By the last act, the film is less concerned about the heroes finding their way out of the desert, but about whether or not they are going to end up stooping to the level of their enemies. Of course, these themes of vengeance and family were covered by Craven before in "Last House on the Left", but this time around, he ensures that they will reach a wider audience by presenting them within the confines of a more straightforward genre film. The main factor that prevents this film from being superior to "Last House" are the villains, who are somewhat cartoonish and not quite as memorable as Krug & Company. However, they still do provide plenty of menace, and like the "Last House" gang, exude a certain likability when they're not acting vicious, especially Michael Berryman, who steals every scene he's in as the dim-witted Pluto. All in all, "The Hills Have Eyes" is an unforgettable experience and one of the best films of its kind. Even though videotape copies of "Hills" have been in the darkest depths of moratorium hell for years, every horror fan should go out of their way to check it out. Especially since we just don't get them like this any more...

A Wes Craven classic, he truly nailed the suspense and the awkward atmosphere of the beginning. Almost nothing is revealed to the viewer until the later half of the film, which greatly increases the horror of the movie as a whole.

Despite the crappy cheesy costumes and really bad wigs this still manages to hold up pretty well because its all go from beginning to the end and it should have you one the edge of your seat. Basically a cast of unknowns, with Michael Berryman's performance the stand out.

Along with the Elm street series it's arguably the greatest contribution from Wes Craven.

This style of movie has been copied over and over since, but this one stands out from the rest for genuine horror fans.

Despite being close to thirty years old, Wes Craven's "The Hills Have Eyes" maintains a distinct raw intensity - far surpassing the level of terror seen in horror films today. The plot in a nutshell; a family on vacation ventures from the main road, ends up stranded in the desert, and falls prey to a malevolent clan of inbred cannibals. Though the story idea may be far from original - it is the atmosphere, directorial style, and acting that raise the overall credibility of the film. The low budget and claustrophobic desert setting creates a sense of dread permeating throughout the entire film; while the grainy look of the print adds a sense of realism to the unfolding events. With a brisk running time of only 89 minutes the film doesn't waste a moment in setting the mood - then when all hell breaks loose it is unrelenting until the final scene. The actors portraying the Carter family bring sufficient emotional range to their characterizations, making it clearly evident that this a normal family being tested beyond the boundaries of civilized nature. It is also worth noting the performances by the actors who play Pluto and Mars (two of the baddies) - these characters are portrayed as both sadistic and devoid of any sympathy. Although the DVD print is grainy (as mentioned above), it is THE definitive version of the film and is thousands of times an improvement over the quality of the video release; quite amazing for a low budget film of this nature. Grim, violent, and symbolic; it is an amazing piece of 70's exploitation horror. "The Hills Have Eyes" is a classic in every sense of the word, and receives an 8/10.