Being There

This film is an absolute jewel. The main character, played by Peter Sellers, is the exact opposite of the film itself. Chauncey/Chance is simple, vapid, unconcerned and utterly unselfconscious, yet he radiates an image of being ponderous, calculating, and complex. The film is deceptively straightforward and uncomplicated on the surface, but is rich and complex upon reflection. The film is very enigmatic (even the title seems to make no sense, even though it seems like it should) and lends itself to interpretation. This is one of those films that you have to talk about after seeing it, and you'll find endless points of view to consider. More than that, however, this film is historically fascinating. Taken as a whole, the movie, the book, the behind the scenes intrigue, the place it holds in the careers of the Stars, the writers and the directors, makes this an exceptionally interesting and enjoyable film.

Peter Sellers last and arguably his greatest performance. He died, aged 54, in 1980, the year the film was released. This is one of the best films I've seen in a long time. I taped it some time ago from television and recently saw it for the third time and it keeps fascinating me. The film has a beautiful dream-like atmosphere - dark, moody, absolutely mesmerizing! Many of the proceedings might be a little improbable but it shouldn't be viewed to rationally.

The plot is quite simple with Sellers playing the main character, Chance (or "Chauncey") Gardener, who becomes homeless, when the master of the house he lived in and for whom he maintained the garden, dies. He is a grown man with the mind of a small child who lead a cocoon-like existence during his whole life, isolated from the outside world. His sole interests are gardening and television, which he frequently expresses with "I like to watch". After a small accident with a limo, he winds up staying at the mansion of a rich tycoon (Melvyn Douglas) and his wife (Shirley Maclaine), who are close to the president. He befriends the couple and slowly becomes acquainted with the higher circles in Washington.

Because of his slowly mannered way of speaking, his politeness, neatness and impeccable dressing, he is somehow mistaken for some lost professor. In a hilarious meeting, when he first meets the president, he's asked for his opinion on the weak state of the nation's economy. Off course, he doesn't know anything about the subject, so he starts reflecting his visions upon gardening, "Spring and summer, fall and winter, it's all a cycle and everything starts to grow again", which are conceived as brilliant metaphors for explaining economic cycles. Chauncey Gardener is so disarming with his simplified views of life, he is celebrated as some kind of genius. His response to he question "What newspapers do you read?" is "I only watch TV", which instantly turns him into a hero for admitting he gets his information solely from television and in the eyes of the general public makes him the most honest man linked to The White House in a long time.

The reputation of this film has risen steadily over the last years and rightfully so. Jerzy Kosinski's novel is transferred to the screen into a dark (literally down-lit) and sombre comedy by director Hal Ashby, who managed to make an expertly paced film, consistent in tone and mood. The film boasts great performances by veteran Melvyn Douglas and Shirley Maclaine, who even does a masturbation scene! But it's Peter Sellers who enters the pantheon of the all-time legendary performances with a simply magnificent portrayal of Chance Gardener. For long this was his pet project and for over nine years he tried to get it filmed. When it was finally green-lighted, he painstakingly researched and prepared for the role. The voice in particular demanded his attention as he listened to his own voice on a tape recorder and endlessly compared one sound to another. Forget about comparing his role to Tom Hanks with "Forrest Gump", the other mindless observer of American society. It doesn't even come close. Tom Hanks got the Oscar but Peter Sellers gives his character an unmatched complexity in a far superior film, that if anyone should get the Oscar, he should (he was nominated, though).

Even after repeated viewings, it not only holds up, it reveals something new and adds a new layer. A rare achievement. In a few weeks time, I'm in North-Carolina and hopefully will manage to make a visit to Asheville and get a chance to visit the Biltmore Estate (the estate of the Vanderbilts), where most of the film was shot. A beautiful movie, something to behold.

Camera Obscura --- 10/10

"To see me as a person on screen would be one of the dullest experiences you could ever wish to experience" - quote from Peter Sellers.

Peter Sellers had many quotes like this in which he spoke of his near self-hatred, hated seeing himself, and that when he was not doing comedy, he was dull and unfunny. That makes his portrayal of Chauncey Gardner that much more amazing, because he portrays a very simple man totally comfortable within himself.

Being There is a great film. It deals with a simple premise - if you act in a certain way, people will make unquestioned assumptions about you. Chauncy is slow witted and has the mind of small child, and all that he knows in gardening. However, he dresses in nice suits, has impeccable manners and is not shy, so he is accepted into social circles. When he speaks of gardening, his ramblings are mistaken for metaphors and he is instantly considered an economic genius.

This is wrapped around a beautiful film, in which Chauncey wanders from one circumstance into another, never changing his demeanor, never faltering. I an reminded of Mr Magoo walking blindly down a succession of steel girders thinking they are stairs. Essentially, he is not in peril because he does not know he is in peril. The charm of this film exists in Chauncey's unwavering personality, and how it affects the world of phonies and bureaucrats he has come to inhabit.

Although the film sometimes comes across as forced, and some of the encounters with Eve (Shirley MacLaine) come off forced, the film is still a masterpiece. Its theme and Sellers' stunning performance lauch it into the catoegory of greatness.

There is much debate amongst the lovers of this film over its final scene. If you have not seen it, rent it, and draw your conclusions. Like many great movies steeped in mood and metaphor, we are left to draw our own conclusions.

The phrase "I like to watch" has become so famous from this movie - it refers to Chauncey's love for TV and the fact that it is his reference point for his existance. (Such has when he tries to click a remote to thwart off muggers). But there is a great deal more to Being There. It is a Top 10 Selection of 70s, Hal Ashby's best film and Peter Sellers greatest performance. **** out of ****.

Peter Sellers should have taken home the Academy Award for his role in Being There. A lifetime of comedies behind him, Sellers ended his career as an actor and a comic legend with this classic. Hard to believe that this was made over 20 years ago, it is still as funny as ever. Since then, no other comedian has captured the raw talent of comedy that Sellers could create. The silent comedy and the physical comedy that Sellers made was not only timeless but funnier than most of the comedy we see in film today. Second to maybe his role in Lolita and in the Pink Panther series, Sellers is not only funny, but gives his best performance in Being There. A terrific story with interesting and real characters, Being There is a delight.

Hal Ashby has to be one of the most under-appreciated directors there has ever been, and "Being There" is one of his many fine achievements. It has the benefit of fine source material adapted very well for the screen by the writer of the novel, Jerzy Kosinski, but Asbhy's fine work as director and Caleb Deschanel's brilliant cinematography, in addition to some fine editing and Peter Sellers' absolute best performance elevate this film from good tragicomedy to a minor masterpiece, and a criminally overlooked one, though not nearly as overlooked as Ashby's "Bound for Glory".

I liked "Being There" the first time I saw it, but like many truly great films I did not come to appreciate it fully until after a few more viewings, including a revelatory study in a film class of the shot composition in the film, which still astounds me. There are films where nearly every frame is beautiful, and "Being There" is one of those films.

As a piece of writing, the screenplay for "Being There", Kosinski's only film work, is surprisingly effective and does not suffer from any major flaws. The film, like the novel it is based on, moves at a natural, yet surprisingly swift pace and the film never plods. It is a joy to see the thematic content of "Being There" unfold so I won't go into any detail on that, but it is handled beautifully and the film has extraordinary depth.

This film is a beautiful, intelligent, good-natured look at human nature. It's a unique and special film that stands out as one of the best films ever made for its inventive editing, outstanding shot composition, fine photography, and especially its brilliant lead performance.

10/10