Escape from Alcatraz

If there was ever an inmate who was destined to escape from Alcatraz, it was Frank Lee Morris. In the movie entitled "Escape from Alcatraz" starring actor Clint Eastwood, Morris was accurately portrayed as the keen and brilliant mastermind of one of the most famous prison escapes in history. The escape plan took nearly seven months to design, and it would necessitate the fabrication of clever decoys and water survival gear.

F L Morris had spent a lifetime navigating the prison system before his arrival on Alcatraz. From his infant years until his teens Morris was shuffled from one foster home to another, and he was convicted of his first crime at the youthful age of only thirteen. By the time he reached his later teens, Morris' criminal record would include a multitude of crimes ranging from narcotics possession to armed robbery, and he had become a professional inhabitant of the correctional system. He spent his formative years in a boys' training school, and then graduated.

Morris was credited by prison officials as possessing superior intelligence, and he earned his ticket to Alcatraz by building an impressive resume of escapes.

Frank's accomplices in the "Great Escape" were equally well acquainted with the dark world of organized crime. Brothers John and Clarence Anglin were also serving sentences at Alcatraz for bank robbery, having been convicted along with their brother Alfred. All three had been incarcerated at the Federal Penitentiary in Atlanta when they first became acquainted with Morris, and John and Clarence were eventually sent to Alcatraz following a sequence of attempted escapes.

i wud love to explain in detail but then....

After months of long preparation the inmates had completed fashioning all of the gear they needed for their escape, This what Clint had really shown his acting by the Direction of Siegel! I love the entire detail structure of the movie and wud be on my favo's...i have almost watched it more than 15times!!and Will do too...

An excellent second half of this film elevates it overall as the Alcatraz inmates plan and then execute their escape, narrowly missing several disastrous occurrences. The suspense during those scenes is outstanding.

Clint Eastwood is good as the fairly low-key character "Frank Morris" and most of the inmates are likable guys (which was highly unlikely in real life).

For tourists of San Francisco (of which I was one about five years ago), I would recommend taking the Alcatraz tour. It's fascinating and makes this movie even more interesting once you've seen the place. I notice the people here at IMDb make the same recommendation on the title page of this film.

Much of the rest of the cast are not well-known actors but they do a fine job in here. This is one of director Don Siegel's final films. He worked with Eastwood on "Coogan's Bluff" and then "Dirty Harry."

Transfer-wise, the DVD was not that impressive, a bit too grainy for the usual standards. However, the story is always interesting and the movie is definitely recommended.

Alcatraz was America's toughest high-security prison, and has been much beloved by film-makers since it closed and became available as a set. Don Siegel's film is based on the true story of an attempted escape. Some aspects are clichéd (the psychopathic homosexual, for example) and by concentrating on the brutality of the regime the film gets you on the side of the escapees at the price of suggesting that prison break-outs are actually a good thing. But in general, this is a successful film that has aged well, with no sickly sentiment or overdone melodrama; by concentrating on the unadorned details of the story, the film allows each one to count. A strong, uncompromising movie, gripping even if you know the ending before it starts.

I first went on the evening tour of Alcatraz Island which I'd highly recommend, the prison was cast in a dark gloom which seemed appropriate as we walked around the jail cells and listened to many interesting facts on the audio tour, walked the grounds, and heard about the escape depicted in the move. Naturally, I had to go see this movie...

Watching the movie, I was very impressed with how accurate the movie mirrored what my sense of prison life and the escape would be like based on my impressions of the prison and the island during the tour. Having had walked around the space of the prison in the dim evening light really enhanced my sense of the movie's environment.

Small details like the painting of black shadows for sharp tools that they shared in the tour were also present in the movie, very authentic. The lack of action per se perfectly captures the actual mood of the prison, where boredom reigned, and I thought the film balanced this well with an entertaining cast of characters and well-timed action. Eastwood's silently intense attitude was a good fit for the role and the drama and atmosphere of the escape scene was done perfectly.

In short, I'd highly recommend the evening tour on Alcatraz, followed by a viewing of "Escape from Alcatraz", you will not be disappointed.

Frank Morris was a bank robber who has escape many prisons in his time, but for his troubles his transported from Atlanta and shipped off to the rock they call Alcatraz. Where supposedly no one can escape. The maximum security prison life is jarringly miserable and hopeless. The prison warden intends to keep it that way. Morris makes some friends, but also an enemy which wants to see him dead, after turning down his proposal with brute force. Through a small glimpse of hope and luck. Morris actually discovers a possible way of escape and carefully plans it out with the aid of a couple of inmates.

You can always count on the influential pairing of Clint Eastwood and Don Siegel. No matter what. On their filth and final partnership they come up with another genuine winner in the shape of the grippingly harrowing and sedated prison yarn shaped off J. Campbell Bruce's novel (and the supposed true story) of the only three men to break out of Alcatraz. It's hard not marvel at Siegel's sturdily compact craftsmanship in depicting the dour prison life with moody realism and how the story eventually folds out into a tautly drawn up break out attempt. The build up doesn't sway off course, but sticks to its simple narrative and characteristics with effective results. There's nothing explosive and downright exciting, but there's spirit lurking under the cold looking domain that eventually comes through. Like quoted in the film the rock would either break you or inspire you to fight on. The smartly layered plot works this into the characters very successfully and despite the predictability, it stays admirably honest without the need of sensationalising the facts and ambiguous conclusion. It starts of small and stays that way to the end, even with its dominantly large situation. The well-articulated script by Richard Tuggle is scanty with a lot of quiet patches. But it when comes to the forefront it manages to be cunning, but also touching. There's nothing overwrought here and gladly it doesn't succumb to that. Pacing is quite subdued, but this helps enhances the creaky mood and sophomoric nature of Alcatraz. Drama and action is kept to a minimal. Being shot on Alcatraz help chipped out such a towering and gritty presence the film held strongly and Bruce Surtees' fixedly expressive cinematography gets amongst the shadowy, dank and gloomy interior. Jerry Fielding's poignantly lingering and uncanny music score only adds more to the nauseating air whiffed up through the presentation. Clint Eastwood plays it quite steely and lean. He fit's the role smoothly as Morris. The support roles are reliably good, even if they are stuck with generic characters. Patrick McGoohan is sinisterly fine as the warden and Robert Blossom and Frank Ronzio are delightfully moving as two elder prison inmates. Paul Benjamin, Bruce M. Fischer, Fred Ward and Larry Hankin as the edgily weak-minded Charley Butts are memorably excellent in their parts.

We've been down this path before, but this efficient offering plays it cards in a very understated manner and is to the point that I found it hard not to be fascinated by it's bitter depiction. Take the chance with this fortress.