The Evictors

A young couple -- just married -- rents a house in a village in Louisiana. But they are not welcome; the inhabitants of the village look at them with distrust -- in the house they rented were happening strange things in the past...

So, I was drawn to this because it had a young Michael Parks and the legendary Jessica Harper ("Suspiria"). I was hoping that Sam Arkoff would have more of a role than "presenting", but oh well.

I guess my biggest issue is that this is not much of a horror film. Both Netflix and IMDb say it is, and I agree... but the horror is subtle for most of the film and could easily have been left out entirely. Sure, we have a guy who gets an ax in his back... but otherwise, not too much.

I still liked the movie, but I wish more had been going on. This will not go on record as one of the stronger films in either Parks' or Harper's careers.

"The Evictors" takes place in a rural Louisiana town in 1942 and is also based on a true story. A young couple from New Orleans move into their dream house in the woods of Louisiana. The home seems ideal for a wife to fix up while the husband is out working his new job. The previous owners are still attached to the house and will do anything they have to in order to get it back for themselves. The new owners begin to fear for their lives as a mysterious stranger stalks and violently threatens them.

I've found a new favorite director in Charles B. Pierce. He is the perfect example of a filmmaker who doesn't need to lean on graphic imagery and gore to get a viewer's blood pumping. He is a believer in the "less is more" school of thought and it works perfectly for him. Pierce slowly builds tension and then lets it explode on you at the last minute. You know something dreadful is coming but are still creeped out about it when it finally arrives.

Although "The Evictors" isn't a completely true story, all you have to do is a little investigating to know there's still quite a bit of validity in what happens on screen. I think that's what makes the film even more frightening. The thought that real people went through these ordeals in some form or another.

I also found it interesting that besides some bad language, "The Evictors" was rather clean for this type of movie. There wasn't any nudity to be seen. I was wondering why this was until I read that director Pierce was a Baptist.

In 1942, a couple moves into an old farm house in Northern Louisiana only to discover all the previous tenants have met with sinister fates. But does this eerie history have anything to do with the ominous stranger that's now terrorizing the young wife?

Director Charles B. Pierce may be best known for his docu-chillers The Legend of Boggy Creek (1972) and The Town That Dreaded Sundown (1976), but The Evictors may just be the over-looked gem of his film career. Like his previous films The Evictors has a splendidly gritty, rural atmosphere that gives it a raw believability. This becomes all the more effective when the story builds to some strong tension as our heroine is stalked by a phantom prowler. There are also a number of flashbacks, shot in stylish black and white, that have a chilling creepiness.

The story is fairly well-written, as the plot takes a few unexpected and surprising turns. Its only real flaw is a final revelation that's a bit improbable. Pierce does well at creating a 40's era atmosphere, much like that of The Town That Dreaded Sundown. The camera work is nicely done and the music score solidly spooky. The biggest highlight here may come from star Jessica Harper's understated performance. Harper (best known as the heroine of Suspiria and Phantom of the Paradise) makes a truly convincing role here.

Over all, The Evictors is definitely a film worth checking out for horror fans, particularly those who are fans of Pierce or Harper. This is an underrated effort in need of a new audience.

*** out of ****

The Evictors, like Charles B. Pierce's other efforts (The Legend of Boggy Creek and The Town That Dreaded Sundown) is a spooky story based on actual events. This story centers around a house with a violent past. That past, however, does not stay dead. Instead it comes back to terrify any new occupants seeking to live in that same house. There are fine performances, some truly spooky scenes, and several twists towards its conclusion to keep the viewer entertained. Fans of this film should definitely seek out Pierce's other titles mentioned above. Happy Hunting!

As horror films go, THE EVICTORS is slightly above the usual stuff that was released back then. The acting and production values are good. The cinematography is gorgeous. The Vestron VHS tape I watched had the film in an uncompressed anamorphic transfer. Everything looked squished but my TV has a 16x9 option and when I activated it, the VHS image was widescreen and beautiful. I loved the sepia toned scenes (they are flashbacks). They give the film a distinctive quality. The film's biggest weakness is the story. It sorta comes into its own by the end of the film but even so it's still pretty weak.

The story is about a couple who are terrorized by a mysterious man who lurks around a house they recently moved in, a house with a long history of suspicious violent deaths. The wife (played by the wonderful Jessica Harper) is repeatedly terrorized by the lurker when the husband is away. This storyline works on a certain level but the character who plays the lurker/murderer is no Michael or Jason. That aspect of the story was severely underwritten and when the revelation of who this lurker is and why he's terrorizing the couple, what gloomy & mysterious atmosphere the film so meticulously created vanished in a blink of an eye. But the revelation is not bad enough to destroy the whole film. It's just too corny, too a la Scooby Doo.

The other annoying thing about this film is the pacing. It's a tad slow going. The action eventually picks up in the second half but the first half was very casual.

Even with all its faults, I still enjoyed THE EVICTORS. It's a gorgeous looking horror film and there's Jessica Harper, which always makes anything worth watching.