Ordeal

You find out a lot about yourself, when you're lost in the desert. I'm sure Arthur Hill's survivalist techniques in "Ordeal" are open to challenge, but that is not the point of this excellent TV movie. It's all about a life changing experience, that transforms a pompous ass of a husband, into a person who realizes that perhaps he should share the blame for his attempted murder. Arthur Hill is the husband, and Diana Muldaur the wife who leaves him to die. James Stacy is along for the ride as Muldaur's accomplice and lover. The desert photography is outstanding, and dozens of animal species show up on screen. The entire film is character driven, however all of the main characters are unpleasant. ...... - MERK

This noteworthy film stars Arthur Hill as a worthy and initially shallow businessman. His wife, well-portrayed by the memorable Diana Muldaur, schemes to rid herself of him, and her lover conspires with her, (As portrayed by James Stacy, as her slick opportunist lover).

Hill finds himself abandoned in the scorching, unforgiving desert, and at first is tempted to give up. There is a suspenseful soundtrack and he gradually learns to fight back, despite a broken leg, dehydration, and no rescue in sight.

Muldaur meanwhile enjoys the spoils of what she thinks is his eventual demise. She and her lover celebrate the fact that his tracks have been covered by rain, he is most likely dead. There are some nice shots of her 1970's style mansion, kaleidoscopic colors from that era, and set decoration.

They visit the desert to ensure that Hill has died, there is a suspenseful twist at the end, and you will truly enjoy this film. There was an earlier film starring Robert Ryan and Rhonda Fleming (circa 1950's) which I believe was a similar theme. Recommended. 8/10.

While trekking through the desert with his wife Kay and their guide Richard Damien falls off a cliff injuring himself . Lying in a gully his wife and the guide promise to get help but unknown to Richard Kay and the guide are having an affair and decide to let him lie to die

The idea behind this is a sound one . It's similar to a lot of films you've seen before where an unfaithful spouse eyes an opportunity to cash in on fate when it arises , pocket an inheritance and have raw lust filled sex with a younger partner , so much so you end up hating the villainess and her toyboy not because they're the baddies but simply because no one deserves to be that lucky

In it's favour the protagonist/victim Richard Damien is shown to be an arrogant angry middle man and isn't typical victim material , he's all man who makes John Wayne look effete and his single bloody mindedness is totally convincing . He might be driven by hate and revenge but hatred is a great motivator whether you're lost in the desert or simply struggling in day to day life

What the story doesn't do so well is construct a time frame . For instance you've got a problem understanding how long Richard is lost for . He grows stubble in a manner that suggests he's been in the desert for at least a week but as every schoolboy will tell you you'd only survive three or four days without water and probably slightly less if you're out in a blazing desert . Richard does manage to find a cactus but by the length of his stubble you're still left with the impression he's been in the desert to long to survive and has made his water last him an implausibly long time . This lack of internal continuity let's the story down a great deal . Okay it's only a TVM and does deserve some faint praise for being slightly more ambitious than you'd expect but lacks a little something to make it classic TVM material

This made for TV drama is a re-make of a 1953 film called "Inferno", directed by Roy Ward Baker which featured Rhonda Fleming and Robert Ryan. "Inferno" was shot in 3-D. "Ordeal" is an effective re-casting of the original, but Arthur Hill cannot match the grim intensity that Robert Ryan brought to the role of the stranded husband. Diana Muldaur, while lacking Rhonda Fleming's glamor, is actually more convincing in her role as the faithless wife. On the whole, I slightly prefer the original, but the TV version is certainly worth your time. Oddly enough, the male actors who play the lovers of the women in both films are equally bland and ineffective.

Cold-as-ice Diana Muldaur schemes with young lover James Stacy to leave her overbearing husband stranded in the middle of the Mojave desert with a broken leg. Who of us cannot wonder: Could I survive if this happened to me? Arthur Hill is the perfect chap for this rigorous acting workout: he's an Everyman, a survivor. As for Muldaur, one of the busiest actresses of the decade, she plays this unlikable woman straight, with no camp or melodramatic overtones; intelligent, glamorous, stylish with scarves in her red hair, Muldaur never gave an unconvincing performance. ABC movie-of-the-week, directed by Lee H. Katzin and written by Francis M. Cockrell and Leon Tokatyanis, is a well-done tale of suspense. **1/2 from ****