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The Conversation

  • 1974
  • PG
  • 1h 53m
IMDb RATING
7.7/10
133K
YOUR RATING
POPULARITY
1,927
36
Gene Hackman, John Cazale, and Allen Garfield in The Conversation (1974)
Trailer 1
Play trailer1:56
4 Videos
99+ Photos
Conspiracy ThrillerPsychological DramaPsychological ThrillerDramaMysteryThriller

A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered.A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered.A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered.

  • Director
    • Francis Ford Coppola
  • Writer
    • Francis Ford Coppola
  • Stars
    • Gene Hackman
    • John Cazale
    • Allen Garfield
  • See production info at IMDbPro
  • IMDb RATING
    7.7/10
    133K
    YOUR RATING
    POPULARITY
    1,927
    36
    • Director
      • Francis Ford Coppola
    • Writer
      • Francis Ford Coppola
    • Stars
      • Gene Hackman
      • John Cazale
      • Allen Garfield
    • 511User reviews
    • 196Critic reviews
    • 88Metascore
  • See production info at IMDbPro
    • Nominated for 3 Oscars
      • 14 wins & 17 nominations total

    Videos4

    The Conversation
    Trailer 1:56
    The Conversation
    The Conversation 4K Restoration - Rialto Pictures Trailer
    Trailer 1:02
    The Conversation 4K Restoration - Rialto Pictures Trailer
    The Conversation 4K Restoration - Rialto Pictures Trailer
    Trailer 1:02
    The Conversation 4K Restoration - Rialto Pictures Trailer
    The Conversation - Restoration Trailer
    Trailer 1:56
    The Conversation - Restoration Trailer
    'The Conversation' | 45th Anniversary Mashup
    Clip 1:36
    'The Conversation' | 45th Anniversary Mashup

    Photos209

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    Top cast22

    Edit
    Gene Hackman
    Gene Hackman
    • Harry Caul
    John Cazale
    John Cazale
    • Stan
    Allen Garfield
    Allen Garfield
    • Bernie Moran
    Frederic Forrest
    Frederic Forrest
    • Mark
    Cindy Williams
    Cindy Williams
    • Ann
    Michael Higgins
    Michael Higgins
    • Paul
    Elizabeth MacRae
    Elizabeth MacRae
    • Meredith
    • (as Elizabeth Mac Rae)
    Teri Garr
    Teri Garr
    • Amy
    Harrison Ford
    Harrison Ford
    • Martin Stett
    Mark Wheeler
    Mark Wheeler
    • Receptionist
    Robert Shields
    Robert Shields
    • The Mime
    Phoebe Alexander
    • Lurleen
    Ramon Bieri
    Ramon Bieri
    • Millard
    • (uncredited)
    Gian-Carlo Coppola
    Gian-Carlo Coppola
    • Boy in Church
    • (uncredited)
    George Dusheck
    • TV Anchor
    • (uncredited)
    Robert Duvall
    Robert Duvall
    • The Director
    • (uncredited)
    Richard Hackman
    • Confessional Priest
    • (uncredited)
    • …
    George Meyer
    • Salesman
    • (uncredited)
    • Director
      • Francis Ford Coppola
    • Writer
      • Francis Ford Coppola
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews511

    7.7132.5K
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    Summary

    Reviewers say 'The Conversation' is a complex film with mixed opinions. Gene Hackman's performance as Harry Caul, a surveillance expert, is widely praised. Themes of privacy, surveillance, and moral dilemmas are central, with some appreciating the film's exploration. Sound design and cinematography enhance the narrative and atmosphere. However, others criticize the slow pace, convoluted plot, and unclear direction. The ending is particularly divisive, seen as ambiguous or unsatisfying. Overall, it's a significant but polarizing work.
    AI-generated from the text of user reviews

    Featured reviews

    8ma-cortes

    Intelligent and ingenious thriller with magnificent acting by Gene Hackman and perfect direction by Coppola

    A paranoid, secretive surveillance expert called Harry Caul (reportedly Gene Hackman's favorite movie in which he has acted) will go anywhere to bug a private conversation , as he is becoming increasingly uneasy about his current job . He is a solitary man in both his personal and professional life, only helped by his assistant Stan (early deceased John Cazale of Deer Hunter) , as they are watching a young couple (Cindy Williams , Frederic Forrest , Coppola's fetish actor) when Harry begins to suspect that they are murder targets . The professional eavesdropper haunted by the time his bugging cost the lives of some people and terrified that it is happening again , as he has a crisis of conscience when he suspects that a couple he is spying on will be murdered . As Harry refines and re-refines the recording, he interprets what he hears in different ways . As Harry discovers shattering revelation believes that the lives of the young couple are in jeopardy .

    This interesting flick turns out to be a powerful statement about privacy , guilty and responsibility ; being ¨surveillance¨ as the basis and theme of the film . The picture contains thrills , emotion , thought-provoking issues and plot twists during the last reel . Very good acting by Gene Hackman as a freelance surveillance expert as well as an intensely private and solitary mature man . His mood of isolation and loneliness is pretty well established . The ¨Tapper¨ Gene Hackman learned to play the saxophone especially for the film . Gene Hackman later plays a former NSA agent who is a surveillance expert in ¨Enemy of the state¨ (1998) by Tony Scott , and the images of his character in his younger days are taken directly from this film . Secondary cast is frankly good , such as John Cazale as his business associate , Allen Garfield as Bernie Moran , Frederic Forrest as Mark , Cindy Williams as Ann and special appearance by Robert Duvall as the Director . In addition , a pre-stardom Harrison Ford , Billy Dee Williams and Teri Garr appear in minor characters .

    David Shire's original music was composed prior to production and played for the actors prior to their scenes to get them into the proper moods. Evocative and appropriate cinematography by Bill Butler and Haskell Wexler as uncredited director of photography . This well-made motion picture was stunningly directed by Francis Ford Coppola . In fact , this is Francis Ford Coppola's personal favorite of his movies. Coppola had written the outline in 1966 but couldn't get financing until The Godfather (1972) became a success. ¨The Conversation¨ resulted to be one of the best films of the 70s . Rating : Better than average , don't blink during throughout the film . Essential and indispensable seeing for thriller lovers and Gene Hackman fans .
    Infofreak

    One of the 1970s best!

    'The Conversation' sadly doesn't get mentioned as much as Coppola's other (more flamboyant) seventies movies ('The Godfather' parts one and two, 'Apocalypse Now'), even though it as good as, if not better than the aforementioned. In fact if someone argued that this was his greatest achievement as a director, I would be hard pressed to disagree.

    'The Conversation' bears many similarities to Antonioni's 'Blowup', another superb movie that requires multiple viewings to really appreciate. Both movies are very much of their time, and therefore 'The Conversation' is fuelled by the keywords of the decade it was made in - paranoia and deceit. The other main difference between the two movies it that 'The Conversation' is not only a head trip but also a taut and suspenseful thriller. Post Simpson/Bruckheimer audiences may not have the attention spans to appreciate it, but that is their failing, not this movie's.

    Gene Hackman gives one of the finest performances of his career here as the complex and troubled surveillance expert Harry Caul, one that is possibly rivaled only by his too little seen gem 'Scarecrow'. And the supporting cast is first rate, and includes the late John Cazale, a favourite of Coppola's, Harrison Ford, Frederick Forrest, Cindy Williams, Teri Garr, and (an uncredited) Robert Duvall. Last but not least a superb turn from the underrated Allen Garfield, an actor who has appeared in many odd movies, from 'Get To Know Your Rabbit' to 'Destiny Turns On The Radio'. He is dynamite here, in a role originally intended for the legendary Timothy Carey, as a pushy rival bugging expert.

    'The Conversation' is hypnotic, multi-layered and haunting. See it whatever you do.
    8Movie_Muse_Reviews

    Voyeurism gets exposed with top-notch Coppola work

    Anyone could market or even direct "The Conversation" as a mystery, but Francis Ford Coppola manages to reveal some of our human tendencies in his film just as well as he holds us in suspense. Voyeurism, like it or not, is a human characteristic. Modern day reality television proves both that point alone and simultaneously that "The Conversation" is an excellent film because it has only ripened over the years.

    Coppola's character Harry Caul, portrayed by Gene Hackman in one of his finest performances, is the embodiment of this guilty pleasure of spying on others whether covertly or casually. He's a professional wire-tapper, one of the best in the business, seemingly able to capture the most pristine recordings for all his clients even though he is rarely enlightened as to the purpose of his jobs. It's not too long before we learn that Harry is a devout Catholic who harbors a bit of guilt because his career founds itself on the don't ask, don't tell principle.

    The film open with what its title promises: a conversation. Harry has been hired to record a conversation of a man and a woman on their work break. The conversation seems inconspicuous, but the more Harry deals with his mysterious client and goes back to listen to the tapes, the more he begins to hear and infer from the conversation. He eventually comes to the conclusion he might have recorded a death warrant and begins to grow paranoid.

    Harry's complexity is the finest element of Coppola's script. The story develops slowly but Harry becomes a more peculiar figure in the viewer's mind as time wears on. At first it seems like he isolates himself for protection purposes, but his loneliness becomes more and more apparent. He constantly feels threatened and there feels like a layer of ice between him and his relationships in the film, especially two memorable scenes where he interacts with women.

    Coppola's elegant framing and precision pacing do the rest of the work drawing us further in as the story progresses, highlighting our own preoccupation with the truth behind this couple's conversation. We're made aware of our own tendency to twist words and misinterpret what someone is saying, not to mention how easy and commonplace it really is to essentially spy on someone and invade his or her privacy entirely.

    "The Conversation" properly mixes drama with mystery while offering a complete character portrait and subtle social commentary. Most films don't have that many tools working for them but Coppola's masterful script does. No single element is consummate or overrides the rest, but together they make for a fine film.

    ~Steven C

    Visit my site at http://moviemusereviews.com
    9gbheron

    A Movie About Poor Communications Skills

    The Conversation is a stark look into the modern art of surveillance and its affect on one of its practitioners. Harry Caul (Hackman) is at the top of his business, but he's disturbed. Highly paranoiac, he is troubled by bad things that happened to some innocent people as a result of a prior surveillance job. Now he's afraid it's happening again....

    The Conversation could not be more antithetical of the current movie making style. Stark, claustrophobic, unsexy, slow-paced, and with almost no soundtrack, it slowly builds to its dramatic noirish denouement.

    A real treat, and as an added attraction the actors include a young Cindy Williams, Terri Garr, John Cazale, and Harrison Ford. Worth the rental unless anything outside of the MTV mould causes agitation.
    8Xstal

    Edward Snowden in Flares...

    Perhaps more aptly titled 'The Conscience' as Gene Hackman suffers intense psychological trauma at the prospect the product of his professional life could result in consequences he's previously struggled to accept. As good a performance as any reflecting mental torment and anguish.

    However, if he had any awareness of the future world that awaits and the actions governments would take to surveil its citizens with impunity - he really would have something to worry about.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Francis Ford Coppola had written the outline in 1966, but couldn't get financing until The Godfather (1972) became a success.
    • Goofs
      When Caul is in Stett's office alone, he walks over to the desk and picks up one of Stett's wife's cookies. He smells it and puts it back in the dish and then looks through the telescope. When Stett returns, he hands Caul the money and takes the tapes. When the film cuts to a shot of Caul thinking about the arrangement, the cookie reappears. Caul puts this cookie back in the dish, too.
    • Quotes

      [repeated line from the recording]

      Mark: He'd kill us if he got the chance.

    • Connections
      Edited into The Green Fog (2017)
    • Soundtracks
      Sophisticated Lady
      (1932)

      Music by Duke Ellington

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    FAQ21

    • How long is The Conversation?Powered by Alexa
    • Is "The Conversation" based on a novel?
    • Is it true that Francis Ford Coppola was a wire-tapper himself?

    Details

    Edit
    • Release date
      • April 12, 1974 (Canada)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • La conversación
    • Filming locations
      • Union Square, San Francisco, California, USA(Recording of The Conversation)
    • Production companies
      • The Directors Company
      • The Coppola Company
      • American Zoetrope
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,600,000 (estimated)
    • Gross US & Canada
      • $4,852,199
    • Opening weekend US & Canada
      • $5,494
      • Jan 16, 2022
    • Gross worldwide
      • $4,888,092
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 53m(113 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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