A beautiful young artist moonlights as a syndicate killer.A beautiful young artist moonlights as a syndicate killer.A beautiful young artist moonlights as a syndicate killer.
Roy Jenson
- Eddie
- (as Roy Jensen)
Wesley Gale
- Concert Guest
- (uncredited)
Chester Hayes
- Fish Vendor
- (uncredited)
George Hoagland
- Barbeque Guest
- (uncredited)
Kathryn Janssen
- Concert Guest
- (uncredited)
Frieda Rentie
- Concert Guest
- (uncredited)
Arnold Roberts
- Concert Guest
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Yvette Mimieux looks gorgeous and gives a fine, understated performance as a contract killer who methodically seduces her targets, waits until they have let their guard down, and then strikes - lethally. But problems arise when she decides that she wants to quit the business. What I particularly liked about Yvette's performance here is that she presents the character and lets the viewer decide how he or she should feel about her. She doesn't force-feed you the answers, and neither does the movie. It proceeds economically from scene to scene, telling a seemingly simple story, but the unexpected twist at the end of it has real impact. Be warned: it's not an action movie (though there is one car chase), it's more of a character drama. (**1/2)
"Angela de Vries" (Yvette Mimieux) is a beautiful assassin who has just fulfilled a 3-hit contract and wants to retire. However, the organization she works for insists on one more assignment and since she doesn't appear to have many options she reluctantly agrees. Her new target is a union leader by the name of "Jeffrey Baine" and he just happens to be well-guarded. So this project presents itself as both risky and dangerous. Not only that, but she is also instructed that the hit must look like an accident which further increases the difficulty. Anyway, although this is a "made-for-television" movie it boasts a good storyline and a decent supporting cast. But the most important ingredient is Yvette Mimieux who looks absolutely gorgeous and performs rather nicely as well. So, if a person is interested in a fairly good crime-drama movie then this is one film worth consideration. All things considered then, I rate it as slightly above average.
Apparently Yvette is as smart as she is beautiful. She wrote this "Movie of the Week" about a female contract killer. Actually quite entertaining, has cameos by a lot of talented people including Keenan Wynn, Joseph Campenella. Yvette kills 'em with class but when she wants to quit the business the heat's on. Yvette should have been given her own action TV series. Unfortunately most of the women kicking butt in the 70's were black (Pam Grier, Tamara Dobson, Teresa Graves) the only other movie I can remember where a white woman does this is possibly Connie Stevens in "Scorchy". I guess I just like to see women beating up men PERIOD! Catch this if you can, I think it was on video in the 80's it should be on DVD as many of these 70's TV movies were lots of fun.
The Quick Pitch: A female killer-for-hire wants out of the business after one last hit. But will those in power let her walk away?
It looks like I disagree with all of the other user comments on IMDb. The idea of a female hit-man was most likely a novel one in 1974, but ultimately, HIt Lady is just too predictable for me to really enjoy. The twist ending was telegraphed far in advance. I kept hoping for one last plot turn, but alas, it never came. I'll give Yvette Mimieux credit - she gives it her all. But she let herself down as an actor with the script she wrote. Tracy Keenan Wynn's direction adds nothing and it's easy to see why this is his only directing credit. Finally, the film's repetitive score is more annoying than anything else. Other than Mimieux, the lone highlight for me was Joseph Campanella in a supporting role. As for the rest of the acting, the less said the better.
4/10
It looks like I disagree with all of the other user comments on IMDb. The idea of a female hit-man was most likely a novel one in 1974, but ultimately, HIt Lady is just too predictable for me to really enjoy. The twist ending was telegraphed far in advance. I kept hoping for one last plot turn, but alas, it never came. I'll give Yvette Mimieux credit - she gives it her all. But she let herself down as an actor with the script she wrote. Tracy Keenan Wynn's direction adds nothing and it's easy to see why this is his only directing credit. Finally, the film's repetitive score is more annoying than anything else. Other than Mimieux, the lone highlight for me was Joseph Campanella in a supporting role. As for the rest of the acting, the less said the better.
4/10
Very entertaining film from the '70s, produced by Aaron Spelling and written by Yvette Mimieux, who stars in it, looks gorgeous (it is, after all, Aaron Spelling), and surrounds herself with men, particularly Dack Rambo.
Mimieux plays a woman in a man's job - she's a hit woman. Though very successful knocking people off, she gets tired of it and, in love with Rambo, wants to retire from the business and live with him in Mexico. Her costars, besides Rambo, are Clu Gulager, Joseph Campanella, Keenan Wynn - basically all men.
There's one very fun scene at the airport when Mimieux, attempting to disguise herself, offers a woman (Mitzi Hoag) outrageous money for her coat. I would have handed it over too.
Obviously a very brainy woman in real life, Mimieux does this cold, impersonal kind of role very well, and she's a real knockout in this (as usual). The film contains a very neat twist as well. Highly recommended.
Mimieux plays a woman in a man's job - she's a hit woman. Though very successful knocking people off, she gets tired of it and, in love with Rambo, wants to retire from the business and live with him in Mexico. Her costars, besides Rambo, are Clu Gulager, Joseph Campanella, Keenan Wynn - basically all men.
There's one very fun scene at the airport when Mimieux, attempting to disguise herself, offers a woman (Mitzi Hoag) outrageous money for her coat. I would have handed it over too.
Obviously a very brainy woman in real life, Mimieux does this cold, impersonal kind of role very well, and she's a real knockout in this (as usual). The film contains a very neat twist as well. Highly recommended.
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- Hit Lady: Deadly Game
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