S*P*Y*S

this movie is way underrated. i didn't have high expectations from the previous reviews I had read, my rental was based on the sheer fact I wanted to enjoy these two on screen again. however, I was pleasantly surprised and am still thinking about the dialog long after I watched. hilarious banter!!! and the music---if only i could find the song that plays during the credits(after Elliot and Donald are done singing). its awesome!!! My favorite scene is when the chase the dog and confront anyone who the dog runs up to. These guys don't play dumb, and neither does the conversation between them. Plus, there's not-so-bright french anarchists in the movie. now tell me this doesn't sound fantastic!!!!

S.P.Y.S (2 outta 5 stars)

Pretty lame spy "spoof" that put a kibosh on the possibility of Donald Sutherland and Elliott Gould becoming the greatest comedy team of the '70s. The guys are both great comic actors and they have loads of screen chemistry together. If you don't care much for either of these actors you will probably hate this movie... and if you are a big, big fan of either one of them... well, you probably still won't think much of it. Playing a pair of maverick secret agents forced to work together, they start out complaining and bickering but over the course of their adventure (some overly-complicated plot about assassinations, missing diamonds and foreign agents) they begin to get chummy. Sutherland and Gould have charisma to burn but the lousy, nearly joke-free script doesn't give them much to work with. I suppose if this has been a big box office hit they could have continued the franchise and gone on to bigger and better movies together... but, this tanked with audiences and I don't think they two have worked together since. Anyway, I have to add that I have always absolutely loved the last scene of the movie... as our two defeated heroes, in full-out charming rascal mode, skip off down a lonely road together and start singing:

Oh, we don't know what's comin' tomorrow, Maybe it's trouble and sorrow, But we'll travel the road Sharin' our load Side by side

You take it, brother! Through all kinds of weatherrrrr! Did You hear that, Lord? Whether the sky should fall Whether the skyyyyy should fallllll Just as long as we're together It doesn't matter at all...

Great wrap-up... too bad about the first 85 minutes.

SPYS is an aggressive laugh out comedy in the tradition of the old "Road" pictures that never really works. It has no real plot so to speak and relies on the chemistry of the lead actors of which there is plenty for its appeal. Wise cracks fly aplenty and barbs of witticism fill the air. This hit movie which was released in 1974 feels like a movie from the 80s. There is a certain fluidity of camera and mis-en-scene that MTV brought to the eighties movies that permeates the aurae of this movie. It feels like a 1985 movie SPYS and the likes that ruled the beat-box era. Laughs ring true after a very strong start but even a plot less seems or needs to deceive the audience into thinking it has a direction. The plot is silly if not confusing and just happens and the french actress Zuzou who was also a popular singer isn't very good. She just complicates matters. In all, not great but the ending is bitter-sweet and sharp on the money. You wish the movie itself had that kind of vive de joie.

Second lead pairing of Elliot Gould and Donald Sutherland (Little Murders saw them together, but with Sutherland in a support role) after the wonderful MASH in what was meant to be some sort of funny spy spoof. Alas, there is no Altmann magic with SPYS and this one sinks like the proverbial stone.

They play a mismatched spy pair who are forced to bond when sold down the river by their various agencies and thereafter chase after some micro-dots. The two still appear to have a kind of improvisational energy, but the material they are dished up to deal with, wouldn't pass muster in an average Get Smart episode. I have to say that I'm surprised the usually very competent direction of Irvin Kershner seems to have gone completely walkabout during the making of this feature. Poorly choreographed and lit action and slapstick scenes! It's difficult to believe this is the same bloke who helmed The Empire Strikes Back 6 years later. SPYS is also lumbered with a terribly annoying musical soundtrack.

In terms of laughs most discerning viewers should find any of the Roger Moore Bond entries much more amusing. And as for spoofs, the later arriving Austin Powers or Johnny English (hell, even the Casino Royale with Peter Sellers) have it all over this clunker. I would love to have been a fly on the wall to see how SPYS was received at Cannes.

What can I say? Reading the comments here, it seems no one liked S*P*Y*S-- but me. It tickled my funny bone. The improbable zany story and the antics of Sutherland and Gould hit home with me. I laughed my tail off. Truth is, I'm not that weird. I don't like everything that comes down the pike and if you're looking for something in the wake of the Vietnamese war-- and Canadian Sutherland and New Yorker Gould were both active protesters of that ghastly war-- that rebukes the folly of war, this piece works. Now, if you're looking for some higher form of art, you might want to direct your attention somewhere else. As for me, the ridiculous situations these two guys get into amused me greatly and I enjoyed this movie immensely. Check it out for yourself.