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Having made his mark as a villain for many of his 45 years in the entertainment industry, David Selby is only too happy to provide the heroic voice of Commissioner James Gordon for Batman: The Dark Knight Returns, Part 1.

Selby is best known for his long-running roles as Quentin Collins, the werewolf brother to vampire Barnabus Collins on the original series Dark Shadows, and as the ruthless, vengeful Richard Channing on the 1980s primetime soap opera Falcon Crest. Between those two series alone, Selby logged more than 500 episodes as an antagonist.

Finally, Selby gets a beloved protagonist turn as the everyman hero James Gordon, a straight-shooting, intelligent lawman bent on doing what’s right … with the help of his old pal, Bruce Wayne (and his alter ego, Batman).

Selby will be in attendance on both coasts for the World and West Coast Premieres of Batman: The Dark Knight Returns, Part 1. Selby...

In the go-for-broke 1974 action thriller The Super Cops, Ron Liebman and David Selby patrol a dirty, scuzzy, long-lost Brooklyn that’s literally falling apart: one thrilling setpiece finds the cops pursuing suspects through a building in the process of being torn apart by a giant wrecking ball. Liebman and Selby play David Greenberg and Robert Hantz, two real-life cops whose larger-than-life exploits won them the nicknames “Batman & Robin.” Like the crime-fighting duo who lent Greenberg and Hantz their nicknames, the title characters have a tense, complicated relationship with a law-enforcement establishment they view as a hindrance at best and ...

Edgar Wright returns to the New Beverly grindhouse in Los Angeles with his resume of flicks along with a boatload of his favorites. This is the second time the fan favorite filmmaker has taken over the retro theater where he will be present for Q & A’s and a raucous good time.

january 14, 15 The Wright Stuff II – Triple Feature! All Tickets $10

Shaun Of The Dead Fri / Sat: 7:30 2004, UK / France / USA, 99 minutes Edgar Wright will appear In Person, schedule permitting, Friday & Saturday to discuss! directed by Edgar Wright; written by Simon Pegg & Edgar Wright; starring Simon Pegg, Nick Frost, Kate Ashfield, Lucy Davis, Dylan Moran Trailer

Hot Fuzz Fri / Sat: 9:30 2007, UK / France / USA, 121 minutes directed by Edgar Wright; written by Simon Pegg & Edgar Wright; starring Simon Pegg, Nick Frost, Timothy Dalton, Jim Broadbent, Paddy Considine, Bill Nighy

Scott Pilgrim vs. The World Fri / Sat: 11:59pm (Midnight) 2009, USA / UK / Canada,...

The New Beverly Cinema in Los Angeles is one of those movie theaters that film fans must visit at some point in their life. Maybe it's not the prettiest theater in the world, but the tickets are cheap, the popcorn is cheap, and it regularly has some of the best, if not the best, repertory screenings imaginable, mostly in double features. Now, for their 2011 season, they've decided to kick it off the Wright way. The Edgar Wright way. The New Bev will play host to over two weeks of films programmed by director Edgar Wright. They did it three years ago and now, the director of Shaun of the Dead, Hot Fuzz and Scott Pilgrim vs. The World (which will screen as one marathon) is back for The Wright Stuff II. Wright has chosen twenty films to play over 18 days beginning January 14 and most of the films are specially themed double features.

Presented by the Women’s Film Preservation Fund, on Monday, November 1st at 6:30Pm, at Lincoln Center’s Walter Reade Theater.

As an Fyi, Jessie Maple is considered to be the first African American woman to direct an independent feature-length film, after working/training at Channel 13 and Third World Cinema, apprenticing as an editor on films like Shaft’s Big Score (1972), as well as handling camerawork and editing for New York’s ABC, CBS and NBC affiliate TV stations.

Will, shot on location in 1980s Harlem, focuses on Will (played by Obaka Adedunyo), a girls’ basketball coach fighting through a heroin addiction, while mentoring a 12-year-old street kid, adopted by Will and his wife (played by Loretta Devine).

After reading the post (Here) about Jessie Maple, I felt guilty for not knowing of her. I got my tickets immediately and was eager to know and learn about Mrs. Maple.

Gordon Parks, who became a pioneering and influential force in African-American cinema with the films The Learning Tree and Shaft, died on Tuesday in New York; he was 93. Born in Kansas, Parks was orphaned at 15 and grew up homeless, taking jobs wherever he could before becoming interested in photography in the 1930s, working several government jobs during World War II. He ultimately joined Life magazine in the late 40s as the publication's first African-American photographer, and his worked ranged from celebrity shoots to photo essays chronicling the effects of poverty, segregation, and crime. In the 60s, his work covering the Black Power movement and a poverty-stricken family in Rio de Janiero became some of his most notable, with a semi-autobiographical coming-of-age novel, The Learning Tree, also published early in the decade. With encouragement from John Cassavettes, Parks became the first African-American filmmaker to helm a major studio film with his 1969 adaptation of The Learning Tree, which was among the first 25 films to be preserved in the National Film Registry by the Library of Congress. His second film, the groundbreaking cult classic Shaft (1971), was a resounding commercial success, and despite Parks' protestations that the movie was not meant to be exploitative, helped launch the "blaxploitation" movement of the 70s. Parks went on to direct Shaft's Big Score, The Super Cops, and Leadbelly in the 70s; his son, Gordon Parks Jr. (who died in a plane crash in 1979), directed another cult classic, Superfly. Photography and filmmaking were just two of Parks' accomplishments, as he also wrote novels, memoirs, poetry and music, receiving a National Medal of Arts, and was the co-founder of Essence magazine. Married and divorced three times, Parks is survived by a son, two daughters, and several grandchildren. --Prepared by IMDb staff...