Bucktown

"Bucktown" is certainly less melodramatic and more savvy than most 70's blaxploitation fare. In this film, Fred Williamson stars as Duke, who returns home to Bucktown to bury his brother and resume business at his brother's bar. He soon discovers the corrupt white police force had his brother - alongside everyone else - in their pocket and intend to keep it that way. Urging against any confrontation is the eternally sexy Pam Grier as Aretha, a local. Duke calls in some friends from the big city to oust the cops, who are led by Duke's longtime pal Roy. Once the cops are out, the grateful mayor wants to thank Duke's friends with a great parade; but unbeknownst to Duke, Roy and his crew become aware of the judicial and financial power the police force had, and now suddenly have other plans...

One thing I really enjoyed about this film is that while I enjoy (over and over) the many films where Pam Grier is naked, it was nice to see one of her blaxploitation films where her nudity is dissolved to only one scene. Also, she isn't scantily clad in every frame. She appears classic and tasteful in fine outfits with glittering earrings and complimenting make-up. I know you guys want - and are accustomed to - seeing her breasts every 10 minutes, but I found it a nice change of pace to see her in a more graceful light. The final showdown of the film is tremendous, loaded with hilariously menacing "I'm gonna beat you down, boy" prologues between the two combatants. There is also good use made of a tank in this film, but I don't want to spoil the whole experience for you. Check it out for yourself.

Duke Johnson (Fred Williamson) comes to Bucktown to bury his brother and settle his business. A few locals talk Duke into staying on and re-opening his brother's bar. The locals, however, don't tell Duke how his brother really died or about the racists that run Bucktown. Duke enlists some out-of-town friends to help him deal with his problems. With his black friends in power, things should be looking up for Duke. But he soon realizes that regardless of skin color, power corrupts. Once again, Duke must fight for what he believes in.

I suppose the biggest reason to see Bucktown is the chance to catch Fred Williamson and Pam Grier in the same movie. They're dynamite together and exhibit some real chemistry. I was impressed with Williamson in particular. I've seen too many movies from later in his career where he sleepwalks his way to a paycheck. Not here. He really seems to be into it. As for Grier, she's terrific. The supporting cast is exceptionally strong for this kind of movie. Thalmus Rasulala is an actor who has always impressed me and he does nothing to change my opinion in Bucktown. Carl Weathers and Tony King also give nice performances. But nobody goes into a movie like this for the acting. The action and fight scenes in Bucktown are wonderful. Fists, knives, guns – this movie has it all and does it all very well. The fight choreography and staging is about the best I've seen in a Blaxploitation movie. Very nicely done!

But as much as I enjoyed the actors and the action, I still can't rate Bucktown higher than a 5/10. Why? The movie makes no sense. Maybe I should just suspend logic and go with it, but I can't. In my way of thinking, you just can't kill a bunch of people without some sort of reprisal. A whole load of lawmen are killed and no one seems to take notice? I don't care if they were good-for-nothing racists, someone (State officials, family members, concerned citizens,, etc.) would surely take notice and come to town to do something about it. And if the State or whoever isn't going to do anything about all the killing, don't you think the Army would take notice of someone stealing one of their vehicles? I'm sorry, but there's no logic to any of it.

The storyline threw me for a loop when I first saw it. For a 70's movie, this is good stuff.

It's possibly Carl Weathers' first movie (he made two movies that year), and I wish he would've had more lines, but he really played his part well.

I also love Tony King's role and how he played the part. He's the perfect villain.

I love how the crew from Philadelphia came to town with style, attitude, and swagger dripping from their suits.

Nevertheless, Fred Williamson was the ultimate Alpha male, and Pam Grier was the sweetest woman. The only not-so-good thing about this movie is the final fight scene. It could've been better.

WARNING--As with almost all blaxploitation films, this one has nudity, violence and a lot of rough language. This is NOT, I repeat, NOT a film for little kids, the easily offended or house pets. Just don't say I didn't warn you.

The first half of this film is pretty standard stuff for a Blaxploitation film. Fred Williamson returns home for his brother's funeral and it's the first time he's been there in many years. He's shocked to see that a bunch of corrupt racist White cops are running the place. Fred is tired of getting the shakedown and hassled, so he brings in some out of town friends to put things right. This is pretty much the same plot as BROTHERHOOD OF DEATH, BOSS *IGGER and even I'M GONNA GET YOU SUCKA. And there aren't too many surprises as to what happens once this small and determined Black army hits town. However, there's a lot more to the film than this--taking the film from the usual to the extraordinary.

After the town is saved, slowly the outside "friends" show their true colors. They really aren't that different from the old cops except that they are actually greedier and more cruel!! In other words, nice guy Fred Williamson is now stuck with having to fight the Black criminals--making this film different. In most Blaxploitation, the good guys and the bad guys are predictable--White power structure is evil and Black folks are almost always good (unless they are pimps or dealers working for Mr. Big). Here, however, the idea that power corrupts is illustrated--making for a more universal and deeper message. Now how Williamson responds ain't subtle (it's a lot like Bronson in DEATH WISH 2, 3 or 4) and it's a bit stupid, but it is entertaining.

In addition to a better than usual plot, this film has an exceptional cast with Williamson, Pam Greer, Carl Weathers and a lot of other familiar faces. While this style film might not be your "cup of tea", if it is, you can't find one much better than this.

I utterly enjoyed Bucktown from whoa to go.

This must have been one of Fred Williamson's better movies where he delivers as much as he usually talks.

Pam Grier was great with her no nonsense attitude, not taking anyones jive lol (jive is such a great word).

Does go a little nutso when the armoured vehicle is introduced but just roll with it and you will be fine.

The villians, and there are heaps of them, are mega. They really provide some great moments and act as a good counterpoint for our heroes.

Fits nicely towards the top of the Blaxploitation genre.

Good laughs and good action save the day :)