Salò, or the 120 Days of Sodom

Salò, or the 120 Days of Sodom (1975)

*** 1/2 (out of 4)

Nine young boys and nine young girls are gathered up and taken from their homes. They are taken to a secluded castle in Italy during WWII where they hear a variety of perverted stories while their captures sexually and mentally abuse them.

Pier Paolo Pasolini would be murdered before the release of this, his final film and many still seem to think it wasn't a random murder. Many people believe that his politics had some higher ups order his murder but it's doubtful we'll ever know what the truth was. With that said, this final film of his is certainly unlike anything you're ever going to see as it's about as depraved, disgusting and depressing as you're going to get. I personally think SALO, OR THE 120 DAYS OF SODOM is a very good movie but it's hard to really recommend it to anyone.

Based on the work of Marquis de Sade, this film is about as disturbing as everything put to film. The real debate is rather this is some sort of serious art film with a message or is it just a cheap piece of exploitation that was meant to make you sick. I mean, certain horror movies are trashed for their disgusting scenes of violence and sexual brutality but how many movies are actually worse than this one? Not only do you get disgusting stories being told ranging from child rape to people being forced to eat poop but we have to see these things as well. This is a film that really works on the viewers mind so it's going to be up to that viewer whether they take it in as art or some sort of exploitation.

For my money, the film is a piece of art. I'm not going to say what the director was trying to do or say with the picture but to me this film works because it seems very real. It seems like you're really there watching these horrible events and the film really doesn't back down at anything. The stories are rather brutal and we get scenes of such sexual depravity that you can't help but be disturbed. There really isn't any style here because the camera just captures the horrors that are there. The performances are raw, realistic and just add to the horrors of the story.

Obviously, not everyone is going to be able to take this film and I really can't say I'd blame anyone for turning it off. Again, we can debate the politics and message of the film but there's no question that when the end credits start you're going to need a shower.