The Ultimate Warrior

I really love 1970s science fiction movies, especially post-apocalyptic ones like 'The Omega Man', 'A Boy And His Dog' and 'Mad Max'. 'The Ultimate Warrior' is in this vein but is often overlooked. I don't know why, it's a very entertaining film. Director Robert Clouse is best known for his martial arts adventures 'Enter The Dragon' and 'Black Belt Jones'. There isn't any martial arts in this one, but there are some fights scenes, especially an exciting one towards the climax between Yul Brynner and b-grade legend William Smith. Brynner, hot off 'Westworld', plays Carson, muscle for hire in the year 2012, in a future society where a plague has devastated agriculture, and anarchy rules in the cities. Max von Sydow ('The Exorcist') plays "the Baron" leader of small group of survivors. They are successfully experimenting with breeding seeds which are immune to the plague. They hire Carson to protect them from a rival gang, led by the mean and nasty thug Carrot (William Smith of 'Run, Angel, Run', 'Invasion Of The Bee Girls', 'Boss N*gger', 'Maniac Cop', etc.etc.). The Baron has secret plans to abandon his followers and leave the city with the seeds and his pregnant daughter (Joanna Miles), and tries to convince Carson to help. Will he? Will Carrot let them? Watch 'The Ultimate Warrior' to find out. I've seen this one a few times and I'm always entertained. It's not the best 1970s SF movie by any means but it's a lot of fun, and Brynner (who's in pretty good shape for a guy pushing sixty!) and the super cool Smith are just great to watch.

I saw this when I was a kid around the same time I saw Planet of The Apes, Logan's Run and The Omega Man. I love this kind of stuff. Yul Brynner was always a cool actor and he's very cool in this piece of dystopian sci-fi. It also has Max Von Sydow in it who's always good value for money.

The amazing thing about this film (well ok it's not that amazing, more sort of interesting) is how the plot is so similar to Mad Max. There really was a preponderance of this sort of movie in the early seventies, enough to cover the writing of thesis me thinks.

Anyway if you have a spare evening and no idea what to watch why not check Yul in full flow.

"Not as bad as you'd think" is not a very convincing way to start a review, I admit, but this is a movie that had a lot going for it. A lot of potential, but not completely wasted. The scrip, including dialog, is rather intelligent. And the smartest thing the film's creators did was cast Brynner, von Sydow, and Smith (who is one of the most underrated bad guys in Hollywood. I wish Tarantino would rediscover him the way he did Travolta, Keaton, Forster--and just about half the main characters of most of his films, in fact). Perhaps, though, the stars' salaries left little money for sets and costumes, which are pathetic. The lighting is about as atmospheric as a dogfood commercial. Sadly, director Clouse's usual flair for fight scenes is, with the exception of a couple of nice touches here and there, absent.

Interestingly, "Day of the Dead" borrows heavily from this film, from the basic storyline (handful of survivors of apocalypse fighting against one another as a handful of them plot escape) right down to the cauterization-with-torch scene and the island-as-escape-from-wordly-chaos theme.

...He just might pop them out of your head. The almighty B movie legend plays the antagonist "Carrot" in this reasonably enjoyable post-apocalyptic sci-fi thriller from Robert Clouse, director of "Enter the Dragon".

An intense Yul Brynner stars as Carson, a loner hired as muscle by a peaceable group struggling to survive in the NYC of the year 2012. This group needs somebody like Carson to protect them from the aggressive forces led by Carrot. Leading the good guys is the Baron (a highly engaging Max von Sydow), and one other thing that they have on their side is their botanist Cal (Richard Kelton), who's developed seeds that are immune to the plague. Eventually Carson must make a trek for freedom accompanied by the Barons' pregnant daughter Melinda (Joanna Miles), with Carrot and his gang in hot pursuit.

"The Ultimate Warrior" is good fun, if unfortunately not having quite enough "oomph" to make it something truly special. The script, by director Clouse, is on the routine side, and it never does flesh out the characters too much. That said, the actors are still able to make an impression. Both Brynner and von Sydow have commanding presences and Smith, as could be expected, is a very effective bad guy. Among the supporting cast is reliable veteran character actor Stephen McHattie as Robert, one of the Barons' men. Production design, art direction, and set decoration are all heavy assets; the viewer will have a lot to take in while looking at these run down, forlorn "future" locales. Talents behind the camera include cinematographer Gerald Hirschfeld, editor Michael Kahn, and composer Gil Melle, whose score helps to drive the movie forward. What *is* great is the ultimate showdown between Brynner and Smith, which is well worth waiting for; Brynner proves to be in real fighting shape.

A very grim and gritty tale, this movie doesn't pull its punches and portrays a hard scrabble existence in a straightforward manner. It deserves to be more popular, especially considering the subsequent productions such as "Mad Max" and "Escape from New York" that it surely must have influenced.

Seven out of 10.

New York in the year of 2012 is a dangerously decayed environment that has been divided into communities who continuously fight, as the earth has been destroyed by a plague and sources of food is very limited. A small peaceful society living in a small compound are led by "The Baron" and seek that of a warrior to protect them from the street people led the malicious Carrot. The mysterious fighter Carson accepts Baron's offer. Although Carson learns that Baron actually has a plan to get his daughter, his son-law and their unborn child to an island off the coast of North Carolina. He would need Carson's help to get them there.

Where did this come from? I knew nothing off it when discovering it at video shop getting rid of their VHS'. Hard to say why this is one unsung flick, as there is some potent names involved and for most part its cleverly constructed. A thoughtfully desperate Sci-fi / action stint that actually throws up some genuine social commentary without any sort forced impression. Strangely enough, you could possibly claim this to be an influential benchmark in the post-apocalyptic sub-genre. This for goes "Mad Max" and the trend that followed it. There's no doubt the 70s were a flourishing time for innovative films. The director Robert Clouse would be known for Bruce Lee's film "Enter the Dragon (1973)" and some others like "The Pack (1977)" and "The Rats (1975)". Clouse manages to give it a hard-edge and the gritty, grubby post-holocaust setting demonstrates something rather eerie and raw. The violence is brutally intense and truly grim. This only makes this hasty plight more authentic with the nature of the situation turning people to think of only themselves and become something they might oppose. It shows there's common ground despite the walls separating the two sides. For some they might find the story to never really get going until the final half, but there are some interestingly credible ideas (like the horticultural aspect of a immune plant) covered in the chatty opening half and a pinch of wit is a nice welcome. Clouse does a frank and accessible job with what his got to shape here. Fight sequences are swiftly exciting (the final super-charged climax is a hoot), even if there's not much flair and the workable stunts go hand-to-hand. There's some imagery captured with a touch of style, but it mostly done with a lot dirt and grit. Organizing the film's rhythm is Gil Melle's dry and spicy experimental music score, which works a treat alongside Gerald Hirshfeld's reliably on-the-move and penetrating photography. Making up a fine cast is Yul Brynner, Max Von Sydow, William Smith and Joanne Miles. A picture-perfect Brynner emit's a gloriously humane, but also a deadly vibe with his warrior for hire, Carson. His dry temperament was surely tailor made for the part. Von Sydow adds the class to his character, the Baron and character actor Smith milks out a fun performance as the sadistically husky voiced swine Carrot. Miles is also good in her sympathetic turn as the baron's daughter Melinda.

It might look like a b-grade action movie and be spotty in parts, but there are some inspired brushes and fine performances to say it's worth the effort.