IMDb RATING
5.5/10
3.3K
YOUR RATING
A small town's doctor takes matters into his own hands after a series of gruesome and bizarre rape crimes perplex the clueless authorities.A small town's doctor takes matters into his own hands after a series of gruesome and bizarre rape crimes perplex the clueless authorities.A small town's doctor takes matters into his own hands after a series of gruesome and bizarre rape crimes perplex the clueless authorities.
Erin Noble
- Jenny Cordell
- (as Erin Flannery)
Beverly Cooper
- Pru Keaton
- (as Beverley Cooper)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A series of brutal rapes, usually resulting in death, are plaguing a small Wisconsin town (though filmed in Canada, I couldn't tell the difference to be honest). An unusually large amount of semen is found in each attack but tests reveal it to be from just one perpetrator. It's down to the local cop, news reporter and doctor to solve this horrifying mystery. Although this is a supernatural horror movie the attacks are played out in slasher fashion, there are a couple of male victims too. I watched this on a dark, grainy VHS tape, very nostalgic but poor quality, which didn't exactly help my viewing pleasure. To its credit some of the horror scenes are quite effective, helped by a good musical score, and the cast is satisfactory but the microphone makes a couple of appearances, destroying said scenes. Based on a novel by Ray Russell, I have not read this myself but the film completely neglects to show the huge phallus of the Incubus (potential censorship issues perhaps?). I don't like to give away spoilers, all I will say that the twist ending was disappointing, as was the brief shots of the demon itself. However, what I thought really cool was the inclusion of a music video by British heavy metal band Samson featuring a very young looking Bruce Dickinson on vocals before he joined Iron Maiden! If I watch a film on VHS and like it I will usually seek out a disc release but on this occasion I probably won't bother. OK for a late night horror flick though and still better than most modern genre releases.
I saw this movie about three years ago on a defective rental tape, and I must say that I was shocked. I was shocked at how a film dealing with supernatural rape and mutilation can be so...conventional! Yes, you read it right. When the screen isn't gushing blood at regular intervals, the movie is actually a run-of-the-mill slasher-mystery, with stilted dialogue and unimaginative presentation (though the movie-theater sequence shows some flair). And talk about your surprise endings!
The acting is bland; even John Cassavetes (who I guess had some bills to pay that month) seems preoccupied. In fact, despite the aforementioned brutality, the production seems altogether too restrained. It's as if, despite the lurid subject matter, the filmmakers didn't want to make an exploitation picture--even though they can't make the material work on any other level. As a result, the more sensationalistic elements are balanced out by indifferent "human drama" involving a bunch of not-very-interesting characters. The occasional stabs at depth ("I don't WANT tenderness!") range from just plain ineffective to full-out laughable. But the final product (which cost more than you might think) isn't laughable, but merely mediocre. It did have potential, but instead it just sort of...is.
The acting is bland; even John Cassavetes (who I guess had some bills to pay that month) seems preoccupied. In fact, despite the aforementioned brutality, the production seems altogether too restrained. It's as if, despite the lurid subject matter, the filmmakers didn't want to make an exploitation picture--even though they can't make the material work on any other level. As a result, the more sensationalistic elements are balanced out by indifferent "human drama" involving a bunch of not-very-interesting characters. The occasional stabs at depth ("I don't WANT tenderness!") range from just plain ineffective to full-out laughable. But the final product (which cost more than you might think) isn't laughable, but merely mediocre. It did have potential, but instead it just sort of...is.
Shocking, well-made chiller is an undervalued tale of atrocious murder and evil forces.
Small town doctor tries to discover who, or what, is committing a series of violent sexual murders.
Incubus is a tight mystery, with some horrific murder sequences, that builds to an off-beat and eerie climatic twist. The murder scenes are intense and gory, so this isn't a film for the squeamish! The direction of John Hough, along with a bizarre music score, combine to create a dark atmosphere of dread that runs through out the film. It also carries a kind of Gothic vibe as well. Nice filming locations and some stylish camera work also highlight.
The cast isn't bad either. The great John Cassavetes does a solid performance as the new doctor in town. Also good are the performances of Kerrie Keane as the local reporter, Helen Hughes as the town historian, and Duncan McIntosh as a tormented psychic teen.
All around Incubus is a forgotten horror film that needs to be re-discovered and re-evaluated.
*** out of ****
Small town doctor tries to discover who, or what, is committing a series of violent sexual murders.
Incubus is a tight mystery, with some horrific murder sequences, that builds to an off-beat and eerie climatic twist. The murder scenes are intense and gory, so this isn't a film for the squeamish! The direction of John Hough, along with a bizarre music score, combine to create a dark atmosphere of dread that runs through out the film. It also carries a kind of Gothic vibe as well. Nice filming locations and some stylish camera work also highlight.
The cast isn't bad either. The great John Cassavetes does a solid performance as the new doctor in town. Also good are the performances of Kerrie Keane as the local reporter, Helen Hughes as the town historian, and Duncan McIntosh as a tormented psychic teen.
All around Incubus is a forgotten horror film that needs to be re-discovered and re-evaluated.
*** out of ****
John Cassavetes stars as a surgeon in a small Wisconsin town where a series of bizarre rapes-turned-murders are occurring left and right against the area's female residents. Thrown into the mix is his teenager daughter whose boyfriend claims to be witnessing the crimes as they are occurring within nightmares he experiences.
As far as I'm concerned, John Hough is one of horror's unsung heroes when it comes to mood and atmosphere- if "The Legend of Hell House" or the marginal Disney thriller "The Watcher in the Woods" aren't enough proof of that, "The Incubus" is. This dreary thriller is considerably more violent than Hough's other horror pictures, but has his signature stylistics that I absolutely love.
Like in most of all Hough's work, the cinematography is slick and thoughtful, making goosebumps-inducing use of POV shots. In the film, the camera follows the victims almost like a predator before launching its vicious assault, and each attack is just as effective as the next. There is also a strong gothic feel underpinning the events, and the photography accentuates the haunting landscapes (actually Ontario, serving as a midwest stand-in). The film's musty and discomforting atmosphere is underlined by an unnerving string score, another signature element of Hough's films. A somewhat withered Cassavetes is still at the top of his game here, with John Ireland supporting as the miffed sheriff and Kerri Keane as a nosy local reporter.
The film's bucolic setting is recurrently upended by instances of explicit sexual violence, and it features some of the most disturbing and visceral assault scenes I've ever seen in a horror film (the library sequence near the beginning especially stands out). Despite the picturesque pastoral setting, a sense of decay can be felt bubbling beneath the surface. The script's medley of violence and female sexuality under attack is effectively grotesque, and even more bizarre are the incestuous undertones and gender-bending revelation at the film's twisted conclusion. While the finale is irrefutably shocking (and the monster makeup surprisingly scary, even by today's standards), I can say that the narrative build-up could have been a tad better handled as it all does seem to come crashing down rather awkwardly; a bit more finesse in script and editing could have remedied this, but the film still works in spite of it.
Overall, I found "The Incubus" to be a formidable and disturbing film. Hough's handling of the bucolic locales is wonderful, and the effective, moody cinematography really establishes a menacing and inauspicious feel. The film's one major flaw is the hackneyed pacing in its last act, but I personally found this a forgivable sin given how strong the rest of it is. It is definitely one of the more aggressive horror films of its era in terms of themes, but the quaint and gothic feel hearkens back to a more classical and almost British sensibility. A fantastic thriller best suited for viewing on a chilly autumn night with all the lights off. 8/10.
As far as I'm concerned, John Hough is one of horror's unsung heroes when it comes to mood and atmosphere- if "The Legend of Hell House" or the marginal Disney thriller "The Watcher in the Woods" aren't enough proof of that, "The Incubus" is. This dreary thriller is considerably more violent than Hough's other horror pictures, but has his signature stylistics that I absolutely love.
Like in most of all Hough's work, the cinematography is slick and thoughtful, making goosebumps-inducing use of POV shots. In the film, the camera follows the victims almost like a predator before launching its vicious assault, and each attack is just as effective as the next. There is also a strong gothic feel underpinning the events, and the photography accentuates the haunting landscapes (actually Ontario, serving as a midwest stand-in). The film's musty and discomforting atmosphere is underlined by an unnerving string score, another signature element of Hough's films. A somewhat withered Cassavetes is still at the top of his game here, with John Ireland supporting as the miffed sheriff and Kerri Keane as a nosy local reporter.
The film's bucolic setting is recurrently upended by instances of explicit sexual violence, and it features some of the most disturbing and visceral assault scenes I've ever seen in a horror film (the library sequence near the beginning especially stands out). Despite the picturesque pastoral setting, a sense of decay can be felt bubbling beneath the surface. The script's medley of violence and female sexuality under attack is effectively grotesque, and even more bizarre are the incestuous undertones and gender-bending revelation at the film's twisted conclusion. While the finale is irrefutably shocking (and the monster makeup surprisingly scary, even by today's standards), I can say that the narrative build-up could have been a tad better handled as it all does seem to come crashing down rather awkwardly; a bit more finesse in script and editing could have remedied this, but the film still works in spite of it.
Overall, I found "The Incubus" to be a formidable and disturbing film. Hough's handling of the bucolic locales is wonderful, and the effective, moody cinematography really establishes a menacing and inauspicious feel. The film's one major flaw is the hackneyed pacing in its last act, but I personally found this a forgivable sin given how strong the rest of it is. It is definitely one of the more aggressive horror films of its era in terms of themes, but the quaint and gothic feel hearkens back to a more classical and almost British sensibility. A fantastic thriller best suited for viewing on a chilly autumn night with all the lights off. 8/10.
There are many worse horror movies out there! Thank God most of them don't get saddled with John Cassavettes in the cast. This film suffers from his underwhelming acting. From his expression alone you are never sure if he is appalled by the bizarre violence that continues throughout the film or is just amused by it. The story itself is not a bad one but a better director could not have hurt.
I have to admit I was drawn back to this film after years of searching because the Library/Museum in the story, with it's Gothic look that might have come straight out of Lovecraft has always stuck in my mind. And there is enough true mystery involved to make you keep wondering who the culprit really is up to the final; moment. I wouldn't eat a lot of greasy popcorn while watching this one.
I have to admit I was drawn back to this film after years of searching because the Library/Museum in the story, with it's Gothic look that might have come straight out of Lovecraft has always stuck in my mind. And there is enough true mystery involved to make you keep wondering who the culprit really is up to the final; moment. I wouldn't eat a lot of greasy popcorn while watching this one.
Did you know
- TriviaIn the recital scene, the song "Vice Versa' is performed by a British band Samson, featuring future Iron Maiden vocalist Bruce Dickinson.
- GoofsThe man attacked in the barn accidently shoots his foot off, leaving a bloody stump. In the next scene where he is thrown through the window, he is wearing both boots.
- Quotes
Laura Kincaid: Thirty years ago, in Galen, the same types of murders occurred.
- ConnectionsFeatured in Svengoolie: The Incubus (1998)
- SoundtracksRiding the Thunder
Music by Cameron Hawkins, Martin Deller & Ben Mink
Lyrics by Cameron Hawkins
Performed by Fm
from the FM album "City of Fear", courtesy of Passport Records, Inc.
- How long is The Incubus?Powered by Alexa
Details
Box office
- Budget
- CA$5,100,000 (estimated)
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