Wagner's life from the 1848 revolution through exile and rescue by King Ludwig II, climaxing with his Bayreuth triumph. His radical ideas on music, nationalism, and anti-Semitism are explore... Read allWagner's life from the 1848 revolution through exile and rescue by King Ludwig II, climaxing with his Bayreuth triumph. His radical ideas on music, nationalism, and anti-Semitism are explored.Wagner's life from the 1848 revolution through exile and rescue by King Ludwig II, climaxing with his Bayreuth triumph. His radical ideas on music, nationalism, and anti-Semitism are explored.
- Awards
- 1 win & 1 nomination total
Browse episodes
Featured reviews
The only thing that would have made Richard Wagner's life complete is for his friend and patron King Ludwig of Bavaria to have become the Kaiser of a united Germany rather than that Hohenzollern bunch from Prussia. He'd have had it made if that was the case.
Wagner was a genius not only in the composition of music, but in the production end as well. He might well be regarded as the Cecil B. DeMille of grand opera, the themes he wrote about were epic in nature requiring productions that were also epic. Wagner was constantly in need of money to support his grand style of living that he felt a genius ought to indulge in, but also for his productions. He searched for years before lighting on the King of Bavaria who had grand ideas about high living and felt it an honor to be the grand patron of the foremost German composer of his time.
Richard Burton in this long mini-series has plenty of time and plenty of dialog to capture the character of Wagner in all its aspects. Good thing the man was a genius because no one else would have put up with his bad behavior. Friends were there to serve him, even giving up their wives for his occasional passion and in one case for his great love, second wife Cosima played by Vanessa Redgrave.
The three classical acting knights, Laurence Olivier, Ralph Richardson, and John Gielgud are all ministers to King Ludwig played by Hungarian actor Laszlo Galffi. They turn in fine performances of men driven to their wit's end serving a king who bungles into a war with Prussia that he loses and at the same time bankrupts his country both in creating grand palaces as his ancestors lived and in bankrolling the genius of Wagner.
Richard Wagner's ideas of German superiority of raving anti-Semitism and of the unshakable belief in his own genius for good or ill reflected a lot of the bad in German culture. He was the Nazi's favorite composer and knowledge of that puts many off from his work today. Still his music does transcend the man and the one thing the mini-series Wagner has in abundance is his music. That and the multi-layered performance of Richard Burton is enough reason to watch Wagner even though it does bog down occasionally.
Wagner was a genius not only in the composition of music, but in the production end as well. He might well be regarded as the Cecil B. DeMille of grand opera, the themes he wrote about were epic in nature requiring productions that were also epic. Wagner was constantly in need of money to support his grand style of living that he felt a genius ought to indulge in, but also for his productions. He searched for years before lighting on the King of Bavaria who had grand ideas about high living and felt it an honor to be the grand patron of the foremost German composer of his time.
Richard Burton in this long mini-series has plenty of time and plenty of dialog to capture the character of Wagner in all its aspects. Good thing the man was a genius because no one else would have put up with his bad behavior. Friends were there to serve him, even giving up their wives for his occasional passion and in one case for his great love, second wife Cosima played by Vanessa Redgrave.
The three classical acting knights, Laurence Olivier, Ralph Richardson, and John Gielgud are all ministers to King Ludwig played by Hungarian actor Laszlo Galffi. They turn in fine performances of men driven to their wit's end serving a king who bungles into a war with Prussia that he loses and at the same time bankrupts his country both in creating grand palaces as his ancestors lived and in bankrolling the genius of Wagner.
Richard Wagner's ideas of German superiority of raving anti-Semitism and of the unshakable belief in his own genius for good or ill reflected a lot of the bad in German culture. He was the Nazi's favorite composer and knowledge of that puts many off from his work today. Still his music does transcend the man and the one thing the mini-series Wagner has in abundance is his music. That and the multi-layered performance of Richard Burton is enough reason to watch Wagner even though it does bog down occasionally.
This movie was almost perfect! It was both informative and accurate, and very, very beautiful, suggestive, and romantic. It was a really, really good tribute to Wagner, who was - in my opinion - the greatest composer of all time. He has given so much joy to so many! :-) Richard Burton was also perfect in the role, except for the fact that he looked a bit too old and weary in the scenes where Wagner should still be a man in younger middle-age. But it was worth it to have Burton in the role, I think, because he had that strange quality which drew women even when he looked really worn and haggard towards the end of his life. The same quality that Wagner himself must have had, considered all the young mistresses he had even up to his death.
The only flaw - which is the reason I do not give the movie 10 stars - is that one got to see too little of the operas in their finished state. I wish they would have included at least a few minutes of master-pieces such as the love duet between Siegfried and Brünnhilde in the last act of Siegfried, or Siegmund's song to spring in the first act of Walküre, or "Feuerzauber" in the third act of the same.
Because as it was, I believe that even if Wagner's music was in the background for most of the score, people who did not know Wagner's great operas before they watched this title, did not get to realize his greatness from it...
The only flaw - which is the reason I do not give the movie 10 stars - is that one got to see too little of the operas in their finished state. I wish they would have included at least a few minutes of master-pieces such as the love duet between Siegfried and Brünnhilde in the last act of Siegfried, or Siegmund's song to spring in the first act of Walküre, or "Feuerzauber" in the third act of the same.
Because as it was, I believe that even if Wagner's music was in the background for most of the score, people who did not know Wagner's great operas before they watched this title, did not get to realize his greatness from it...
What can say about this epic apart from the word, 'Magnificent'. To see such great actors in one film is really quite extraordinary. This is the only time Gielgud, Richardson and Olivier ever acted together on film. To see this is sheer heaven in its brilliance. The world is a sadder places without these geniuses. In the lead is Richard Burton who is really a magnificent Wagner. The young actor who plays Ludwig II is also wonderful. Vanessa Redgrave as Cosima is really superb as is Joan Plowright and many, many other performers such as Barbara Leigh-Hunt, Gemma Craven and the beautiful Martha Keller. Sit back and let it all wash over you. The creation of period is absolutely sensational as is the sheer beauty of Germany and Switzerland and other places. This is truly a glittering gem and should be screened more often.
With a stupendous cast headed by Richard Burton, this film takes on the life of Wagner and seems to raise the same complaints his audience had regarding his operas: long bacchanals of passion and excess. Art imitates life? You bet! Burton's monologues are brilliant as usual (I'm a long-time Burton fan) full of emotion and brilliantly performed. As to why everyone including royalty continued to support and love his music, chosing to ignore for the most part his despicible life in which he treated everyone shabbily including his wife, lovers, patrons, etc. . . .is it any different today? Don't we love our music/film icons ignoring their dark side? This film also made me want to rush to history books to read more about the era, especially about the young king of Bavaria. Take two nights to watch the video.
I saw Wagner as I am a big classical music and opera fan and I love Richard Wagner's music, especially Wotan's Farewell from Die Walkure, Overture to Tannhauser and Prelude to Act 1 and Liebestod from Tristan and Isolde.
Wagner is just magnificent, and one of my favourite series or anything to do with composers. For one thing, I found the story presented well structured and interesting, although I knew a good deal about Wagner beforehand, there was stuff here that I didn't know and found it presented in an insightful way.
Wagner is also very authentic in its look and the atmosphere it creates. Watching it I actually felt I was there, and the period recreation, costumes, settings and photography are not only gorgeous but very vivid too.
The music is outstanding, and this is really a brilliantly written programme, thoughtful, brooding and also quite moving. The acting is across the board faultless with Richard Burton embodying the title role to magnificent effect and Vanessa Redgrave very effective. There are also great performances from Laurence Olivier, John Gielgud, Gemma Craven, Ronald Pickup, Ralph Richardson, Marthe Keller and Vernon Dobtchof.
And Andrew Cruishank's narration is the ideal icing on the cake. Overall, Wagner is simply magnificent. Massive? Yes. Worth watching? Absolutely yes. 10/10 Bethany Cox
Wagner is just magnificent, and one of my favourite series or anything to do with composers. For one thing, I found the story presented well structured and interesting, although I knew a good deal about Wagner beforehand, there was stuff here that I didn't know and found it presented in an insightful way.
Wagner is also very authentic in its look and the atmosphere it creates. Watching it I actually felt I was there, and the period recreation, costumes, settings and photography are not only gorgeous but very vivid too.
The music is outstanding, and this is really a brilliantly written programme, thoughtful, brooding and also quite moving. The acting is across the board faultless with Richard Burton embodying the title role to magnificent effect and Vanessa Redgrave very effective. There are also great performances from Laurence Olivier, John Gielgud, Gemma Craven, Ronald Pickup, Ralph Richardson, Marthe Keller and Vernon Dobtchof.
And Andrew Cruishank's narration is the ideal icing on the cake. Overall, Wagner is simply magnificent. Massive? Yes. Worth watching? Absolutely yes. 10/10 Bethany Cox
Did you know
- TriviaRichard Burton received poor reviews for the early scenes, since at fifty-six-years-old, he was clearly much too old to play Wagner as a young man.
- GoofsWhen Ludwig is wading into the water to drown himself, automobiles are seen driving on a highway on the far shore.
- Alternate versionsA feature-length 466-minute director's cut was released on DVD in 2011. It is divided into three parts, each approximately 2 and 1/2 hours in length
- ConnectionsFeatured in Great Performances: Richard Burton: In from the Cold (1988)
- How many seasons does Wagner have?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Вагнер
- Filming locations
- Munich, Bavaria, Germany(on location)
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content