Good old Sam Firstenberg..The man who embraced graphic violence into martial arts films 80's deserves accolades for his entry of total cheese into the b-grade annals of this periods hokum.
Before Michael Dudikoff picked up a sword,Sho Kosugi was the real deal. Never afraid to defend his honour,even before he knew what he was fighting for and not afraid to take a beating for his earnings,Takes up the role here as a sacred ninja forced to flee to America for a new life after the slaying of his family in Osaka.(The Grandmother should have been the FIRST one slayed for her acting ability)
Ninja's are like alcoholics as far as i am concerned.They always conced that their past is forged without reason to continue other than violence and dismay.More slaughter is abound due to a poor drug running effort on part of Kosugi's friend Braden who settles Sho's life in the US unbeknowenst he's being used as the front for such materials.When Kosugi's family is caught up in the slaughter that arises from the rival gang falling out, you have to think to yourslef. A:Why is the Blonde woman even part of the story and why does she not wear underwear during practice! B: Why does Kane remain defeated by afformentioned Hypnotised Blonde and not by huge Japanese Captive C: Were most of Kane's onscreen backflips poorly choreographed. and D: Why Keith Vitali's fearless cop role was rubbed short in a matter of seconds by the evil ninja man when he spent the whole film defeating guys with hatchets and guns.
The Answer is : WHO CARES when in fact this film should be appreciated for the fact that nothing else today with Jet Li or Seagal can emulate it..This is classic 80's garb at it's best.Appreciate it for what it is and dont pick it to bits.After all,The Cannon Group were in a league of their own,and as far as the league they set out to be goes,They were the experts.This is 80's predecessing martial arts mayhem and gore (and ham also) at it's best :)
