Rumble Fish

Rumble Fish is a strange and hypnotic film that follows the character of Rusty James, a young punk growing up in a small sleepy mid-western town, shackled to a drunken father, a group of fickle friends, and continually in the shadow of his enigmatic brother, The Motorcycle Boy. The film, although seemingly set in the present day, uses the style of the old 50's melodramas to great effect, referencing the likes of Rebel Without a Cause and The Wild One with it's stark, stylised black and white photography and it's bizarre compositions, whilst director Francis Ford Coppola uses a number of audio and visual effects familiar from his previous films, most notably, The Conversation, Apocalypse Now and One From the Heart, to give the film a strange, hypnotic and dreamlike quality that lingers throughout the film.

As with many of the other films that it references, the plot to Rumble Fish is quite simple, with Coppola building the film around the enigma of The Motorcycle Boy and around the ideas of family ties, small-town ennui and personal redemption. Although Rusty James is the film's central character, he is constantly overshadowed by his mysterious brother, who seems almost shell-shocked by whatever it is that he's witnessed during his years away from home. He is certainly one of the most interesting characters from any of Coppola's greater films, and is perfectly brought to life by Mickey Rourke in what is possibly his greatest performance ever (although, I think he's equally spellbinding in both Angel Heart and Year of the Dragon). Here, Rourke possess all the cool and feckless attitude of Brando and James Dean, but he also brings that damaged, somewhat alienated quality to role, which suggests so much about the characters and his past and also, about the possible future of the younger Rusty James.

The cinematic style of the film is exquisite, with Coppola invoking a real period feel through the use of photography and production design, which jars beautifully against Stuart Copeland's very 80's, very anachronistic score. The percussion suits the staccato editing style that Coppola uses in the first few scenes (which highlights the escalating boredom of the characters), whilst the use of time-lapse photography (inspired by the film Koyaanisqatsi, which Coppola produced) works perfectly in demonstrating the idea of time frittering away. The black and white photography works well, conveying the literally "black and white" view point of Rusty James, whilst the titular rumble fish (glimpsed through the window of the local pet store) are the only objects in the film that appear in colour (a nice metaphor). The sound design is purposely muddy, attempting to convey along with the images that skewed, slightly alienated view of the world that these characters possess, whilst Copeland's music also merges with the sound design to heighten the overall atmosphere of the film.

The acting is strong throughout, with Rourke coming across as the real standout, although the performance of Matt Dillon as the hotheaded and arrogant Rusty James is also impressive. The supporting cast features a wide array of cult performers and (then) unknowns that have now gone on to greater things, notably Dennis Hopper, Diane Lane, William Smith, Laurence Fishburne, Nicolas Cage, Tom Waits and Chris Penn. After Rumble Fish, Coppola would produce the problematic Cotton Club (possibly underrated), before cementing his reputation as something of a has-been with the third Godfather film, and throwaways like Jack, Peggy Sue Got Married and The Rainmaker. Because of this, Rumble Fish stands as something of a relic to the time when he was one of the most interesting American directors of his era... and is probably a film to rival the greatness of The Godfather, The Conversation and Apocalypse Now.

Yes, this was an effective, well-acted and visually stimulating art-house movie - the forgotten masterpiece of Francis Ford Coppola. I just recently watched this again and fell in love with it. I was a big fan of S.E. Hinton's writings growing up and this film did it justice. It's interesting that author S.E. Hinton claims that the script to this movie was written "on one of the first personal computers" in less than two weeks. How technology has changed nowadays with Final Draft. Matt Dillon gives his best performance as Rusty James, a 1950s street punk whose alcoholic father has all but walked out on him, and whose older brother (an enigmatic figure known only as The Motorcycle Boy) has left and moved to California some time ago. Dig this one up again. It's a classic.

Ambitious and experimental film with an atmospherical musical score and a luxury cinematography in black and white. Melodramatic and enjoyable Francis Ford Coppola movie with amazing cast, most of them made great career. It deals with Rusty James (Matt Dillon), he is the leader of a small, dying gang in an industrial town, he workships his gang-leading older brother, the only role model he's known. As Rusty lives in the shadow of the memory of his absent, older brother, The Motorcycle Boy (Mickey Rourke). Rusty wants to revive the spirit of the old youth gangs, following in the footsteps of his idolized older brother who was once the leader of one of them and who carries a legendary aura and a reputation as a rebel and untouchable. His mother has left, his father (Dennis Hooper) drinks, his relationships are shallow, school has no meaning for him, except for his student girlfriend (Diane Lane). From fight to fight, Rusty longs for the return of his brother who is coming back from California, and there are still city walls that say: 'Motorcycle Boy Kings'. When the missed brother returns home, the two go through a series of experiences and the older brother teaches him things about life and longs for the days of gang warfare. The Motorcycle Boy's Never Coming Back !. Rusty James can't live up to his brother's reputation !. His brother can't live it down !. No leader can survive becoming a legend !.

Crafted by Coppola into an important story of growing up on the wrong side of time. Stars Matt Dillon as absent-minded street thug Rusty James who struggles to live up to his legendary older brother's reputation, finely played by Mickey Rourke, and exploring especially the relation between them. Acting naturally from the wrong side of the tracks and concerning their rebel conflicts with the traditional society and each other. A cult and nostalgic movie with a lot of newcomer stars to have many of them a long and successful cinematic career, including the following: Vincent Spano, Nicolas Cage, Christopher Penn, Laurence Fishburne, Diane Lane and, of course , the two starring: Matt Dillon and Mickey Rourke who thanks to this film he ultimately achieved stardom. All of them made great prolific career strides , not even Francis Ford could have afforded such luxurious number of stars a decade after. They are accompanoed by other nice veterans, such as: Dennis Hopper, Tracey Walter, Diana Scarwid and Tom Waits. There are continuous drama and Coppola gets some stirring, exciting moments towards the ending.

A nice film for youth , including drama , agreeable relationships, sensibility and a large number of fiights and confrontations among bands tending to fall foul of the law . Based on the popular S. E. Hinton novel and Francis Ford Coppola himself, they adapted another Hinton book the same year : ¨The Outsiders¨ (original title) with Thomas Howell, Matt Dillon, Ralph Macchio, Patrick Swayze, Rob Lowe, Emilio Estevez, Tom Cruise, Diane Lane, and being followed by a TV series.

It packs a good and sensitive soundtrack by Stewart Copeland. As well as evocative cinematography by Stephen H. Burum with plenty of brilliant and glamorous photography in black and white, exception for the rumble fish in significant colour. The film was compellingly made by one of the best filmmakers , Francis Ford Coppola . This director has made great films as "The Conversation", "Apocalypse Now" , "Outsiders" , "Gardens of Stone", "The Godfather" saga and of course this "Rumble Fish"that is deemed to be one of the best ones . Although overdone , and excesively melodramatic but adolescents still love very much this exciting yarn. A cult above average movie for fans of the various new stars that participated in this Coppola masterpiece. Essential and fundamental watching for Francis Ford Coppola enthusiasts and completists. Rating: 7.5/10. Better than average.

Rumblefish is one of Coppala's best and his last truly great movie. Taking place in a small industrial town, the film follows Rusty James as he aspires to live up to his notorious brothers reputation through gang life. His brother, known as 'the motorcycle kid', disappeared for reasons at first unknown but he makes an unannounced return whilst his younger brother is fighting a rival gang leader. Throughout the duration of the movie we see James trying to connect with his aloof brother and idol amongst rumours that he's 'crazy'.The films settings and characters are based heavily on 50's culture and there is also an interesting cameo from Tom Waits. The film is shot almost entirely in black and white with stunning cinematography and brilliant acting, especially from Matt Dillon and Dennis Hopper as the alcoholic father. A great drama and a must-see for movie fans.

Like most who saw this film, I would guess, I was exposed to it in college, and I have to admit much of it went past me at the time. I liked the stark and unusual visuals, and I liked most of the story, but I'd be lying if I said I understood everything that was going on. Not that 'Rumble Fish' is particularly deep, just that in college I wasn't. Viewing the movie with a more mature mind now, I appreciated it much more than I did when I was nineteen.

Based on the S.E. Hinton novel (Coppola also translated 'The Outsiders', which remains remarkable even today for its amazing cast), 'Rumble Fish' follows the story of one Rusty James (Matt Dillon, in full bad-boy mode) stuck in the middle of nowhere (Tulsa, actually), dissatisfied with his life but not really bright enough to know why. His older brother, the Motorcycle Boy (Mickey Rourke, long before he became a punchline), wheels back into town from a long sojourn, and what there is of a plot begins.

Much of this movie is atmosphere, which normally irritates me but for some reason works incredibly well here. The black and white film is actually part of the story, which is in itself unusual, but it complements the storytelling and actually adds depth to the film. Though we see eighties-era cars, some of the movie has an almost fifties-feel to it, and like Rusty James, the viewer is never sure when, or where, he is. The bleak setting of Tulsa only reinforces the sense of both isolation and containment, which is the central theme of the film.

Dillon is very strong here. His seething anger can never really find a way to express itself adequately, and Dillon spends the whole film out of sorts in his own skin, giving a remarkable performance. Diane Lane, whom I suspect was hired for her stunningly good looks, has a smaller role but is very effective as the put-upon Patty. Most of the rest of the young cast – unknowns or relatives or friends of the director at that point in time (Nicolas Cage, Chris Penn, Lawrence Fishburne, Tom Waits, even a very-young Sophia Coppola) are all very, very good. Waits and Fishburne have tiny roles but large presences on screen, and they stick in the viewer's mind even when they aren't there. Dennis Hopper is unusually relaxed and natural as Rusty James' dad (called only Father); sometimes Hopper can get gimmicky or artificial with his acting, but here he is subtle and wholly effective as a drunken shell of a man.

But the standout performance is really Mickey Rourke, reminding us that before he pissed his career away on crappy low-budget films with the likes of Don Johnson, he was actually a decent actor. Rourke imbues the Motorcycle Boy with a wholly different restlessness than Dillon's Rusty, and makes him both compelling and sympathetic. Honestly it helps that Rourke has some of the best lines in the film, most notably one of my favorite quotes from any film: 'You want to lead people, you have to have some place to take 'em.' Motorcycle Boy is also something of a transitional hero, knowing he is damned to live, and die, in this hellish world but making sure the path to redemption (and escape) is secured for his follower (he even says of Rusty, 'His only vice is loyalty.')

'Rumble Fish' is mostly an artsy character piece, the type of film that normally does not appeal to me, but Coppola displays such skill with the material and is so willing to subvert the very conventions of his film so that they further serve the characters and their development that the movie works, and works very well. Though the color tricks betray themselves rather badly on DVD (we were never meant to see this movie this clearly), the film still carries an enormous punch on the small screen as it did on the large. A bleak film that nonetheless carries within a message of hope, that one can escape the cages of one's surroundings if one tries hard enough.