The Girl Who Leapt Through Time

This movie moves often at a languid pace, but I recommend it because it does tell a decent story about Kazuko (Tomoyo Harada), a 16 year old schoolgirl who finds herself in a strange time warp after fainting in a chemical lab at school. She has two friends, but it seems to be Fukamachi (Ryoichi Takayanagi) whom she likes. Pay attention from the beginning and you'll get the gist of the film, which has a sweetness that is genuine. I'm sure if you're a teen you'll like this more, as it is about the awakening of love. Tomoyo Harada, who has gone on to a fairly interesting career as an actress, is very good in this role. In a small role is legend Takako Irie, in what had to be her last appearance in film. The reason it is not rated higher is the slow pace, but I like its sentiment and its simple message of first love. I'm sure there were tears shed by many watching the film due to its sentimentality, but its not a sad film. Very good cinematography. If you like drama, you'll like this.

Starring at the stars one night while on a school ski trip, 16-year old Kazuko Yoshiyawa (played by former teen idol Tomoyo Harada) bumps into a mysterious stranger also starring up at the evening sky. It's only Fukamachi of course, one of the boys she's known her whole life - or has she? As romantic feelings blossom, strange things are happening to Kazuko - she's living moments she's already experienced, and waking up from dreams inside of dreams. Is her mind playing on tricks on her, or is she moving backwards through time? Is there something more sinister at play?

Obayashi Nobuhiko's adaptation of Tsutsui Yasutaka's "The Girl Who Leapt through Time" is dated, but for fans of Obayashi's campy but fun "House", this film is a great Sunday afternoon flick that displays a lot of Obayashi's strengths with movement. Obayashi keeps things interesting with a lot of neat strobe and colorization tricks, as well as some incredibly outdated and laughably-bad 80's computer effects. Where Obayashi really shines though is in the shots that immerse you in Kazuko's world - wonderfully subtle pans inside school hallways, classrooms, climbing the steps in Kazuko's beautifully serene town.

Most of the acting is a bit stiff and juvenile, with the exception of a young Ittoku Kishibe as Kazuko's language teacher, but the film and story are enjoyable nonetheless. "The Girl Who Leapt through Time" was a widely successful pop blend of teenage melodrama with the supernatural in Japan, and Japanese movies and anime have never looked back.

I'm used to high quality Japanese movies - this is the country of Kurasawa, after all - but it shouldn't have surprised me to discover that there are Japanese movies from the 1980s that look as cheaply and artlessly made as a teen-themed 1980s TV series. What surprises me is seeing other reviews that like the way this was filmed, and to discover through wikipedia that this was done by an experienced director who has been successful in his field. Because this is as pedestrian-looking as you can find, and lacks any sort of tension or interest or, in the subtitled version I saw, interesting dialog.

This was the sort of movie you can tell isn't going to be any good from the first instant, but I was interested in the story because I'd recently watched the terrific animated version of The Girl Who Leapt Through Time, which is a sequel, and I wanted to see a version of the original story. So I thoughtI'd just wait until the story kicks in. But the story doesn't so much kick in as slowly, slowly, slowly creep in.

At one point about a half hour in I gave up, but then I watched the sequel to this - Time Traveller, which is much better - and that made me even more curious, so I started half-watching while reading something (which is hard to do with subtitled movies, because you have to keep looking up). Even though I was entertaining myself in other ways, the movie still moved about as slowly as any movie could. It felt like they were trying to expand a 20 minute short into a full featured film entirely through long pauses, slow talking, and filler dialog.

Still, the movie does become slightly more entertaining as it gets into what there is of a story. Unfortunately, it also gets increasingly far- fetched, and a final big time jump is a senseless and bewildering hodgepodge that severely tried my patience.

The leads are so bland that their pseudo-romance fails to resonate; in fact, the only affecting scene in the movie is one near the end involving two minor characters. It's altogether irrelevant to the story, yet it was the only worthwhile moment in the entire film.

This is one of the worst Japanese films I've ever seen, poorly made in almost every way. It boggles my mind that other people here enjoyed it.

THE GIRL WHO LEAPT THROUGH TIME is an adaptation of a popular Japanese novel by the director of HAUSU, but sadly that gentleman is unable to bring the same level of vivid excitement to this production as he did to that one. The end result is, in the end, a disappointment, and I suspect that the recent anime adaptation of the same novel is far better. The characters are okay and the direction is often unusual and creative, but it doesn't help that the story slowly plods along, alternating between confusion and boredom. Many of the stylistic touches are nicely handled, particularly the freeze-frame montages accompanied by beautiful music, but I was left wanting so much more.

This movie is a gem for many Japanese, especially those over 50. It was an enormous hit on its release in 1983, and the leading actress Tomoyo Harada, who was only 15 at the time, became a national heroine. This film is so much more than a cheesy sci-fi flick with outdated special effects. It captures a glittering and often bitter time of youth with such delicacy and subtleness. It is also a cruel tale of a girl who falls for the wrong guy. They share a love so supreme that after losing it, a void opens up in her life.

The whole movie is reminiscent of the Showa era with nostalgic sceneries of Onomichi (Tokyo Story by the great Yasujiro Ozu was also filmed in this historic town of Hiroshima). I still listen to the beautiful soundtrack which for me is a true classic.

For admirers of House, Obayashi's debut, which remains popular amongst western audiences, this film is worth watching. It might not work for everyone, but it is so redolent of my teenage memories that, like the rest of its avid Japanese fans, it will always have a special place in my heart.