The Purple Rose of Cairo

This was a unique storyline - a character comes right out of the movie screen to join the "real" world - at the time. I've seen several others copy this sort of thing, although it also was done in some silent comedies, too, if memory serves. Nonetheless, it was done well here and I got a kick out of watching it back in the '80s. It's part fantasy, romance, drama, comedy. Woody Allen, who made this movie, is not on screen.

I have found (with one or two exceptions) that I like the best when he only narrated, such as in "Radio Days" and "Sweet And Lowdown." I like it when he leaves the acting to others.

Mia Farrow as "Cecilia" Jeff Daniels does a terrific job in a dual role, playing Tom Baxter and Gil Shepherd. One an actor, the other a "real-life" guy. Mia Farrow is appealing, as she usually was, as "Cecilia." Danny Aiello is another usually-interesting actor who gets your attention no matter who he is playing.

An inventive film that still holds up today.

THE PURPLE ROSE OF CAIRO is a lovely, funny, and heartbreaking entry from Woody Allen that still remains one of my favorites. This romantic fantasy tickles your funny bone and tugs at your heartstrings at the same time and I go through a myriad of emotions whenever I watch it. Mia Farrow stars as Celia, a depression era housewife, trapped in a dead end marriage to a pig (Danny Aiello) whose only escape comes from going to the movies. She goes to see the movie of the title several times and then at one show, the main character in the movie (played by Jeff Daniels)speaks to Celia directly from the screen saying, "You must really love this movie, don't you?" The character then walks off the screen and into Celia's life, claiming that he loves her and wants to be with her forever. Meanwhile, the actors in the movie on the screen are stuck and don't know what to do because they can't finish the movie without Daniels' character and they are seen conversing with each other about what to do and to the audience in the theater, who for some reason, sit and watch the actors on the screen trying to figure out what to do. Further complications arrive when the character starts walking off the screen in other theaters around the country and the actor who played the character (also Daniels) arrives in town to try to convince his character to go back in the movie. Woody doesn't delve into the territory of fantasy too much, but this one totally works with one of his most intelligent screenplays and winning performances from Farrow and Daniels and the ending is a heartbreaker. A must-see.

Woody's stories are often derivative, but he's forgiven that, usually, because the results are good and ultimately do deserve his signature. For PURPLE ROSE, he swipes Buster Keaton's gimmick in SHERLOCK, JR., then lets his imagination run free as he did in the best of his NEW YORKER stories. We wind up with the most fascinating and realistic meditation regarding what it is to be an audience, a viewer's relationship to art, art's relationship to reality. The triumph is amazing, because, despite the depth of the symbolism, PURPLE ROSE can also be seen as sheer entertainment; on its surface, it is still one of the most entertaining pictures Woody has ever made.

Farrow and Aiello are marvelous here; Mia, who is quite underrated, has only been as good once -- in BROADWAY DANNY ROSE. The photography is superb, influenced perhaps by Edward Hopper with generally less obvious light sources.

Splendid, splendid work.

The only Woody Allen that I hadn't seen. I was waiting for the opportunity to see it on a proper screen in a proper movie theater, with other people you know, like in the previous century. At the end I was convinced to see it in a friend's living room but in one of those super duper mega wide TV screens. What a delight! A movie about the love of something not quite real but that it becomes the more real thing in our lives. The transportation that Mia Farrow goes through while sitting in the movie theater brought tears to my eyes - my friend turned to me in disbelief "Are you weeping? He asked. Well yes, I was. I can't explain it. Have you seen the movie? Sometimes I felt I wanted to sit next to Mia Farrow in see the movie she's watching all the way through. Why not, Jeff Daniels, Mia Farrow, John Wood, Zoe Caldwell, Van Johnson, please! It's so much better in here than out here. You can bet I will see this again. Top notch.

Woody Allen's Purple Rose of Cairo is a brilliant piece of film-making. He combines drama, comedy and even a little bit fiction (people jumping out of movie screens into the real world). Its a great story involving a woman with marital problems played superbly by Mia Farrow. Here Farrow gives one of her best performances, much better than she was in a film i recently viewed called Shadows and Fog. Jeff Daniels is also good in his role as the movie character who comes into the real world, as well as the actor who plays that role. This is by far one of the most complex yet well written Woody Allen flicks. All the performances are good as well as the direction and writing, almost everything is perfect. A must-see for any Woody fan.10/10 #60 on my list of all-time favorite films