Time After Time

"Time after Time" is a clever battle of wits between Jack the Ripper, who has used H.G. Wells' time machine to escape to the year 1979, and H.G. Wells, who steps into the machine to get to 1979 too, and chase after the Ripper. (This kind of brain-to-brain combat between two very special people is a theme that Nicholas Meyer will return to in "Star Trek II: The Wrath of Khan.")

Particularly interesting is how Jack the Ripper, an evil serial killer, finds himself completely at home in the year 1979, while H.G. Wells, with his idealistic dreams of a perfectible society, is completely out of place in our modern era.

Malcolm McDowell is believable yet comical as the intellectual Wells, almost bird-like in his quick, darting movements. David Warner is adequate as Jack the Ripper, but you don't get enough of a feeling of the Ripper's insanity and evil. Mary Steenburgen, as Wells' newfound love interest in 1979, acts well enough, but she delivers some of her lines unconvincingly.

The lush Miklos Rosza score is a treat.

Worth seeing.

1979's "Time After Time" marked the directorial debut of Nicholas Meyer, previously the author of "The Seven Percent Solution," which featured the fictional Sherlock Holmes encountering the actual Sigmund Freud. Here, we are treated to real life novelist and 'women's liberation' advocate H. G. Wells (Malcolm McDowell) actually building his legendary time machine in the year 1893, eager to test it until another Whitechapel murder is executed by Jack the Ripper, not surprisingly revealed to be Wells' best friend and chess rival John Leslie Stevenson (David Warner). Only after authorities leave does Wells discover how easily the Ripper vanished into thin air, stealing his prized time machine to make his way to modern day San Francisco in 1979, a period that Wells predicted would become 'Utopia.' Trailing his quarry in a manner befitting Sherlock Holmes (a pseudonym he actually uses when dealing with police), Wells appears in a museum display of works he has yet to achieve, and in exchanging pound notes for American currency meets a very liberated, independent divorcee working the Bank of London counter, Amy Robbins (Mary Steenburgen), who instantly takes a shine to this literally lost soul to not only show him the town but take him to her bed in highly amusing fashion. Meanwhile, the Ripper has taken to this new world like a duck takes to water ("90 years ago I was a freak, today I'm an amateur"), but Wells, in a nice allusion to their many chess matches, has the means to figure out how he can foil his rival, unless Amy winds up his next victim. David Warner is very good but in his low key, genteel way doesn't possess the kind of menace the part calls for, so the thriller aspects are overshadowed by the love story, which in this case was true to life, Malcolm McDowell and Mary Steenburgen proving that on screen chemistry works even better off camera as they were wed for 10 years and had two children. It was a delightful change of pace for the often villainous McDowell, exuding a wonderful sense of wit and likability that is nicely paired with screen novice Steenburgen, her only previous film Jack Nicholson's "Goin' South," an unconventional beauty perfectly cast as a fully emancipated woman escaping a miserable first marriage to become a genuine free spirit ('free love' indeed!). It is the two stars together that carry this picture beyond its science fiction origins for a fully fleshed out romance under most unusual circumstances, concluding with a most telling line: "every age is the same, it's only love that makes any of them bearable."

"Time After Time" was one of those movies of which I didn't even knew it existed. It certainly is a movie that deserves more recognition for this movie truly was one of the most entertaining movies I have seen in a while.

The story its concept is already one factor why I liked this movie so much. In the late 19th century The scientist H.G. Wells (Malcolm McDowell) has build a time machine which his good friend John Leslie Stevenson aka Jack the Ripper (David Warner) uses when the police has just discovered his true identity. Ripper travels to the year 1979 and Wells, who feels responsible for his escape to the in his eyes future Utopian society of 1979, follows him to the future, in an attempt to catch him and bring him to justice and prevent him from making more victims in the future. I highly enjoyed this original story and concept and thought that it was perfectly executed by talented director Nicholas Meyer, who made his debut as a director with this movie. After this he made two more well known and widely appreciated Star Trek movies; "Star Trek: The Wrath of Khan" and "Star Trek VI: The Undiscovered Country" which by the fans are often regarded as the best in the series of Star Trek movies.

The movie has a fantastic and typical '70's atmosphere which I always adore in movies. It's also filled with some typical '70's tense chase sequences, which are brilliantly filmed and edited. The cinematography itself is also at times refreshingly original, especially the perfectly done opening sequence of the movie in which Jack The Ripper makes another victim.

But the movie isn't just tense and original, it also is highly entertaining and it features some good humor. Of course having an 19th century main character who for the first time takes a look in the future 1979 is already good for some laughs. Such as the time were he visits a McDonald's or comes up with the fake alias Sherlock Holmes when he gets in contact with the police. There are countless 'little' fun parts like this in the movie which makes this movie a pleasant and entertaining one to watch as well as a tense nail biting thriller.

Malcolm McDowell is extremely good and convincing as a 19th century gentleman and scientist H.G. Wells. Honestely he plays his best role since "A Clockwork Orange". David Warner is also perfectly cast as Jack The Ripper. He's a perfectly scary and mysterious gentleman. Warner is perhaps well known to everyone for playing Spicer Lovejoy in the 1997 movie "Titanic". The movie also features a at the time still very young Mary Steenburgen in one of her very first movie roles. She also was superb and the talent was already showing. One year later she even already won an Oscar for the movie "Melvin and Howard".

The movie further more features a highly good and underrated musical score by well known Hungarian composer Miklós Rózsa.

This movie is terribly underrated in terms of how well known it is. This movie deserves to be seen by everybody for this movie is an entertaining one as well as a tense thriller, with some excellent performances by the cast and good directing by Nicholas Meyer.

8/10

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Having a premise of HG Wells ( Yes that one ) pursue Jack the ripper ( Ditto ) to the 20th century has all the makings of a really camp and totally crap film , but despite the outrageous idea TIME AFTER TIME is a very enjoyable fantasy .

Unlike most time travel films ( THE TERMINATOR , BACK TO THE FUTURE not to mention several DOCTOR WHO and STAR TREK stories ) TIME AFTER TIME doesn`t really concern itself with concepts like the blinovitch limitation effect ie a temporal paradox , instead it concentrates on how a radical 19th century idealist like Wells would have found 20th century " Utopia " and how he would have been sickened by it . It`s here that the film works best with Wells travelling through the time vortex listening to the history of the 20th century and the scene with Wells and Jack watching television . It`s also interesting to note that the movie`s most amusing moments ( And they are genuinely amusing )are when Wells notices the difference in sexual mores of the present day . The film is much weaker when it switches to " Hero tracks down serial killer " type thriller but that`s not really what the film is about .

"Time After Time" is an interesting movie. It has the legendary H.G. Wells chasing Jack the Ripper through time, from London in 1893 to San Francisco in 1979. Wells is played by Malcolm McDowell, as a young idealistic visionary and scientific genius, who looks upon the future as Utopia. (How many movies can you remember where McDowell was the good guy?) Jack the Ripper is played by David Warner, who exudes something cold and frightening as the infamous killer. While the future hardly turns out to be Wells' imagined Utopia, Jack embraces the prevalent violence of the 20th century. In "From Hell," Jack the Ripper said he had invented the 20th century. "Time After Time" gives that statement a kind of significance. The movie may not offer much to the many theories surrounding the Jack the Ripper mystery, but it's still enjoyable.