The Changeling

"The Changeling" tells the story of a composer (George C. Scott) who, as the film opens, loses his wife and daughter in a tragic accident. Getting away from it all, Scott buys an old home to get his mind right and to get back to doing the work he loves. Soon he discovers that his house is haunted and filled with secrets waiting to be revealed. To say much more then that would be unfair to the first time viewer.

Suffice to say this is a chilling film with several good scares that aren't achieved by manipulating the audience. By that I mean loud chords of music on the soundtrack or the unexpected cry of a cat or something like that. "The Changeling" works for its scares and succeeds. Another big reason the film is so well done is the performance by Scott. For a change the hero in a ghost story is not a wimp but a strong, self assured man who is going to fight to the bitter end to find the truth and get his life back. Very few actors could have pulled it off better then Scott.

The supporting cast is headed by Melvyn Douglas (in one of his last roles) and Scott's wife, Trish Van Devere who projects a look of total terror as well as anyone I have seen.

Two moments that stand out are the séance scene which is eerie and the unexpected arrival of a child's toy ball. This film will give you shivers. If you are a fan check it out and make sure to watch it with a loved one cuddling up against you with all the lights turned out.

A man, recovering from the recent deaths of his wife and child in an automobile accident in New York state, moves across the country to Washington. There he tries to move on with his life as a musical composer by moving into a large Victorian style house in the country. Strange things begin to happen, however, water taps turned on, a window smashing on its own, his daughter's rubber ball inexplicably bouncing down a towering staircase and, above all, thunderous bangs periodically echoing throughout the house for no apparent reason.

The man realizes that something is trying to communicate with him in this house, and he begins an investigation of the building's history. And there's something, something going on in that tiny dusty cob web strewn room at the very top of the house, the one with a music box and a small wheelchair.

George C. Scott is a solid presence in this film as the man bewildered by this huge old home, with Scott's wife, the elegant Trish Van Devere, cast as a member of the local historical society instrumental in having secured him this house. Melvyn Douglas appears as a U.S. senator who is somehow related to the house.

Director Peter Medak lets the suspense build slowly in this intelligent Canadian made ghost story. Rather than going for terror, this film goes for subtle chills. There's a seance scene that is genuinely eerie, as Medak's camera returns to that small room and then starts to glide down the stairs towards the seance participants trying to communicate with the spirit.

Some ghost films are all special effects and over-the-top performances of terror. Like the best of the classy, more mature films that explore the supernatural, The Changeling never goes for cheap thrills. This thriller's eeriness is analogous to a tap on the shoulder by a cold finger, only to turn around and find there is nobody there.

It may be a cliché to say it, but, in this case, it's true: if you watch this film, be sure to do so with the lights turned low.

In this sadly forgotten horror film, George C. Scott plays a music composer who has just moved to Oregon to escape the painful memories of his wife and daughter who were killed in a car crash. He rents an old and secluded mansion from the historical society as a place to live. Soon after he moves into the house, strange occurrences begin.

This is one of those horror movies that can be scary without being bloody and gory. It simply relies on atmosphere and frightening, but subtle images to deliver its chills, and it works. I will never be able to understand that "R" rating mainly because there is only very mild profanity and there is no blood or gore. Anyway, I would recommend this film to anyone who enjoys a good scary ghost story. 8/10.

George C. Scott loses his wife and daughter in a car accident, moves to Seattle, and rents a gigantic old mansion with a haunted secret past. This film is skillfully directed by Peter Medak who gets more that even he probably bargained from a solid cast of actors, a wonderful script, and one great-looking eerie old house. Medak creates tons of suspense with the barest sight of blood. This film reeks atmosphere. The house reeks atmosphere. Scott's performance and that of veteran Melvyn Douglass reek atmosphere. Doors creak, balls mysteriously bounce, water runs, windows break in the old house trying to tell Scott about the secret of a young child that once lived there. The script is fanciful yet well-written and very creative. Scott gives an atypically subdued performance that suggests passion, heartbreak, and tenacity. The rest of the performers are very good too. I cannot remember the last time Mr. Douglass gave a poor performance. Some of the scenes that really stand out in my mind are flashback sequences showing the terrible secret that has been hidden in the house for over 70 years. Medak doesn't have a huge budget to work with here, but this movie beats out newer haunted house films like the remake of The Haunting by leaps and bounds. This is one classy scare film!

I first saw 'The Changeling' in the mid-eighties and it has lost none of its edge. A few of the reviews I see below seem to be written by those who have read glowing reviews but just didn't get it: Comparisons with 'The Exorcist', a story of demonic possession, are inappropriate. This movie isn't a visual shock feast nor a gore fest, this is a powerful psychological drama. The penultimate ghost story. If you just sit back in a defensive posture and challenge the movie to scare you, you will lose out completely. If however you choose to get involved, you will find yourself going for one hell of a ride. Few scenes in moviedom rival the poignancy, for instance, of the disbelieving George C. Scott character when he is reviewing the tape of the seance and comes upon the inescapable evidence that there IS a paranormal presence in the house. Here I will make my own inappropriate comparison: In the context of this story, Scotts ultimately human and believable response and the collapse that follows is far scarier than Exorcist's Reagan spewing green puke, by a long shot.

And the little girl going alone, summoned into the haunted room in her house at night? Forget about it. My hair stands on end.

If 'The Changeling', watched at night doesn't give you a fright, then there are at least six 'Hallowe'en' movies on the rack that should suit your particular needs. The Changeling is something else: the fear of the spiritually macabre.