Foolin' Around

"Foolin' Around" is one of those films that harkens back to 1930s screwball comedy, and that knows enough not to take itself too seriously. Likewise, it knows one of the key lessons of such comedies -- get likeable leads together with wonderful supporting actors to make the genre work.

Busey (one of my favorite actors when he's on his game) plays a good ol' boy who's going to the University of Minnesota who falls in love with fellow coed O'Toole. Despite the fact that she's ostensibly spoken for (with obnoxious boor Calvin), a romance blooms between the two of them, not the least because her grandfather (Eddie Albert, in an extremely fun character performance) sees in Busey a lot of the same blue collar roots and values that brought him to the top. Busey is wonderfully likeable (as he usually is) as is O'Toole, but it is Albert, Cloris Leachman (as O'Toole's status-conscious mother) and Tony Randall (hilarious as their stiff-as-a-board butler) that really get into the screwball spirit. Randall's efforts to keep track of a mysteriously disappearing and reappearing bag and his (off-screen) sex scene with Leachman are among the many highlights in this film.

On a one-to-ten scale, this film definitely hits a 7 1/2.

Annette O'Toole and Gary Busey have good chemistry together. The supporting cast adds so much to this movie. One of the supporting roles I haven't seen anyone mention is Michael Talbott as Clay, Wes' (Gary Busey's) best friend. I thought he was very funny, along with John Calvin as the uppity boyfriend, Cloris Leachman, Eddie Albert and Tony Randall. Also, notice the cameo appearance of William H. Macy as the book salesmen who's car is hung by Wes.

This movie has too much adult material in it, but if you accept that fact, it is a pretty good movie. Busey plays Wes, a likable underdog from Fort Cobb, Oklahoma. His friend Clay has been going to the University of Minnesota, and Wes enrolls to learn building engineering. Susan's grandfather offers wisdom to young Wes. Seals and Crofts perform the title song and "These Moments Never Live Again." The movie paints Minnesota in a favorable light. It shows a Vikings game and the Mississippi River, and it gives you the feeling you're right there. There is a lot of silliness in this movie, but, then, it's called "Foolin' Around."

Back in like 1982, before we had real cable, my dad had a single cable channel! Remember those days they played the same movies for a month and after midnight soft core x rated films. Nonetheless, I saw this film one sat. afternoon. It is absolutely hilarious and I cannot believe more folks have not seen it. If you like the south park guys, this is a good show to see where they learned some of the off color comedy. I have to say that if you like comedy and surprises you should ck. it out. I have been trying to find it recently. I am sure ebay will be a good bet. I have nothing but good things to say regarding this film. Gary Busy's best! Anette O' tooles awesome. I have nothing but great things to say about the Tony Randall character. Also the end lines from his character are classic.

If you scout around a little bit here on IMDb you'll find Siskel and Ebert hating this film with vigor. They're really wrong IMO. The movie is worth watching. I'm not saying it's a comedy classic--there's a fair bit of dumb crap to wade through, and the last 10 minutes are weak--but its best moments are fun and interesting. For example, Eddie Albert's scene at the construction site with Gary Busey, at 1:14:00, is honest and powerful, yeah a bit melodramatic, but the actors keep it mostly real. Notice how Albert deliberately drops an apple, to show the height they're at, and then has another one ready to eat.

Annette O'Toole and Busey have definite chemistry. O'Toole is the making of the picture. This is some of her best work. She captures something essential about a young woman having trouble deciding about her future. I'm surprised that both Siskel and Ebert fail to see the quality of her performance. (The filmmakers missed a great shot by not adequately lighting her face when she invites Busey into the back of the van. The cinematographer, Philip Lathrop, should be docked a week's pay for that.)

Look for William H. Macy early in a small role; the scene is important because Busey needs to prove his mettle and his slight craziness, and does so. I laughed out loud at Tony Randall's work. Eddie Albert, who grew up in Minnesota, played two interesting Minnesota business leader types in his career: here and in "The Heartbreak Kid," 1972 version. (If you know the Twin Cities at all, "Foolin' Around" and "The Heartbreak Kid" are must-sees. The former is free on YouTube.)