Harlequin

seen a lot of stuff with robert powel in,but this has always been the one that stands out as his best to me.

Naturaly being 1980 its now an old and well used format but at time it was excellent,and even now i find it an enjoyable film.

The story is bought in gradualy but at a steady pace,the acting is enjoyable over all,and considering the lack of blood and guts it still holds its own as a decent spooky movie that when i was younger made me jump a few times and stayed in my mind for a good few months afterwards,not least because it was the sort of film everyone in my school talked about when saw it,and made other kids not having seen it want to!

Despite a potentially rich premise and the presence of David Hemmings (a personal favorite of mine) , this was a rather disappointing and overly confusing film. The plot more or less is a bizarre re-working of the Rasputin legend and revolves on a charismatic magician who infiltrates in a political family to cure the son of his leukemia, but then continues with interfering in the husband's career as a replacement-senator. This terrifically mystic idea is pretty much ruined by a bad script, a whole lot of supernatural mumbo-jumbo and a wooden performance by Robert Powell. I was hoping to see some exciting horror effects and eerie make up but "Harlequin" is very tame and lifeless. David Hemmings is okay, and so is the young actor Mark Spain. Especially after his cure, he turns into a spooky and mysterious little brat. In short: this easily could have been one of the most ingenious fantasy-tales of the eighties but it became a failure instead. Director Wincer went on directing less ambitious and more comic movies such as "Harley Davidson and the Marlboro Man", "Free Willy" and "Crocodile Dundee in LA".

Clearly not the greatest film ever made but very clear that a lot went into this to make it that little bit different. If it has a bit of a TV movie look to it that is because of the limited location shooting, much in the same rooms, and not because of the acting which is solid. Broderick Crawford holds his own, apparently with a little help from booze in between scenes, but David Hemmings and Robert Powell are very good indeed. I understand Hemmings also had a bit of a drink problem but it clearly didn't affect his acting here and as for Powell, I have never understood why he never made it so much bigger, maybe he got typecast as Jesus. There is much to enjoy here amid the magic and mayhem and with a convincing performance from the young boy and various shocks and surprises this is well worth a look. There, and I haven't even mentioned that it is Australian or that it is loosely based upon the story of Rasputin and the Czar!

A movie of wonder, magic, and intrigue, "Harlequin" or "Dark Forces" is a force to be reckoned with. At a birthday party, a boy named Alex(Mark Spain) who suffers from leukemia gets to meet a clown who entertains everyone. That night, a man named Gregory Wolfe(Robert Powell) enters the house and cures the son. Skeptics including the father and his political cronies would try anything to discredit the faith healer. Wolfe performed many feats that would mesmerize. Many would think that there are tricks behind his acts. But no one has ever been able to figure it out. This movie is about magic and political intrigue. What you see is a slight of hand. Being from Australia is something that I like to see. At least it's not a Mad Max film. Don't try to figure out the tricks in the film. Otherwise, you just might disappear! 3 out of 5 stars

Powell stars in this eerie Ozploitation thriller as a mysterious faith healer and magician (akin to a modern day Rasputin) whose cure for a senator's ailing son leads to betrayal and revenge. Hemmings co-stars as the emasculated senator whose wife (Duncan) the charismatic jester is now involved imperilling their lives. Broderick Crawford also appears as a shady political figure in one of his final film appearances, whilst Australian veteran actors Gus Mercurio and Alan Cassell have prominent supporting roles (although given the movie purports to be set in the US, both use accents, Cassell's being dubbed)

The atmospherics are spot-on, and despite the supernatural aspects, there's nothing fantastical about the underlying sinister attitude (although his outfit is sometimes distracting), and quiet menace of which Hemmings grows suspicious. It's genuinely scary at times and although there's a few missed opportunities for suspense, and some contrivances to tolerate, Powell creates a cultivated and engaging character at times as sympathetic as he can become cruel. That's not to say the performance is uneven though, it's just good acting.

Wincer shows his talent for storytelling, seamlessly blending dark occult themes with occasional dry humour (a great scene where Powell enthralls and then enrages his dinner party hosts with a crafty carrot trick), and then the more violent climax is tense and unnerving. Not a masterpiece, and the decision to set the story in another country was an unwise distraction (it would've worked perfectly well set locally with less distraction) from what is still an engaging Ozploitation thriller.